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Sources
• GreenCine
• MSN.com
• Nitrate Online
• Parallax View
• Seanax.com
• Seattle Post-Intelligencer
• Seattle Weekly
• St@tic Multimedia
• Turner Classic Movies Online
Total Reviews: 1619
Sean Axmaker
Sean Axmaker
Sean Axmaker

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     (2007)      "The plot often falls into contrivance, but the crazy-yet-comfortable chaos of the family reunion setting smoothes it all over..." [dvd review]      MSN.com   
  
C+
     (2007)      "The cozy, lived-in atmosphere created by the ensemble and the unlikely chemistry of Carell and Binoche are so genuine that you wish the rest of the film was just as effortless and authentic." [movie review]      Seattle Post-Intelligencer   
  
     (1968)      "... a surreal mix of spy movie, heist thriller, and anti-establishment satire, all with delirious style and tongue firmly in cheek." [movie review]      St@tic Multimedia   
  
B
     (2004)      "It's pure romantic fantasy, almost too cute and naively innocent for its own good." [movie review]      Seattle Post-Intelligencer   
  
     (2007)      "... a tribute to the freewheeling energy and youth of the French New Wave." [dvd review]      MSN.com   
  
     (2008)      "Dante 01 isn't science fiction, it's just allegory with technology. The symbols are all on the surface..." [movie review]      Seanax.com   
  
     (2007)      "... a nice sense of fraternal affection under the frustration, playful details in the margins, a bouncy energy, and Anderson's idiosyncratic tastes in fashion and music." [movie review]      MSN.com   
  
     (2008)      "A pulp epic with mythic overtones for the darkest of comic book heroes." [movie review]      Seanax.com   
  
A
     (2008)      "It's the new gold standard for superhero noir." [movie review]      Seattle Post-Intelligencer   
  
     (1949)      "... a minor noir notable largely for Holden's uncharacteristically feral performance..." [movie review]      Turner Classic Movies Online   
  
B
     (2005)      "Salles tends to explain rather than suggest, but he connects with the anguish and abandonment to give this ghost story an emotionally haunting core." [movie review]      Seattle Post-Intelligencer   
  
     (1962)      "... strong performances and sensitive direction create a moving drama..." [movie review]      MSN.com   
  
     (1950)      "Apart from the shadowy climax, it's not really a noir and lacks personality, but it's a brisk enough crime drama." [dvd review]      MSN.com   
  
B
     (2004)      "Romero's satire is largely replaced by a sardonic gallows humor... but otherwise it's a bloody entertaining zombie apocalypse." [movie review]      Seattle Post-Intelligencer   
  
C+
     (1970)      "What could be one of [Roman] Polanski's trademark alienated creatures comes off as little more than a pathetic, self-pitying jerk under Simon Hesera's direction." [movie review]      Seattle Post-Intelligencer   
  
A
     (2001)      "Achieves its social commentary through passion and poetry." [movie review]      Seattle Post-Intelligencer   
  
C+
     (2008)      "... or all the emotional integrity and observational exactness, it's more social study than character drama." [movie review]      Seattle Post-Intelligencer   
  
B+
     (1990)      "The languorous atmosphere of longing, disconnection and emotional isolation is hypnotic." [movie review]      Seattle Post-Intelligencer   
  
     (2006)      "Rachid Bouchareb's affecting and observant platoon drama may be a small step toward recognizing the sacrifice [of Algerian soldiers in World War II]..." [dvd review]      MSN.com   
  
     (2006)      "A little hope peeks out from the clouds, but it's a bleak outlook." [dvd review]      MSN.com   
  
     (2008)      "... more pose than convincing psychological portrait, leaving little more than a well executed horror film with a very different kind of sexual danger." [movie review]      Seanax.com   
  
     (1967)      "... a film of marvelous energy and delirious imagery." [movie review]      Parallax View   
  
     (2003)      "... the story is ultimately about friendship, ambition and betrayal in the compromising business of politics." [dvd review]      MSN.com   
  
     (2007)      "[Frank] Oz hits a couple of great gags, but most of it feels tired and overworked..." [dvd review]      MSN.com   
  
     (1955)      "Imagine a Michelangelo Antonio drama of upper class disaffection by way of a film noir..." [movie review]      Turner Classic Movies Online   
  
B
     (2006)      "(Director Gabriel) Range is a great mimic of media reportage, but he's not above nudging the audience to note what he's not talking about." [movie review]      Seattle Post-Intelligencer   
  
A
     (2006)      "Cristi Puiu doesn't pull his punches in his barbed black comedy on the state of socialized medicine in Hungary." [movie review]      Seattle Post-Intelligencer   
  
     (2007)      "True to form, Tarantino turns it into the oddest genre piece to never play a drive-in..." [dvd review]      MSN.com   
  
B-
     (2000)      "For all its familiarity, The Debut (an unfortunately bland and vague title) is a film from the heart..." [movie review]      Seattle Post-Intelligencer   
  
     (1971)      "Jerzy Skolimowski's darkly satirical psychological drama of young lust, sexual callousness, obsession, and fantasy is a different kind of coming of age film." [movie review]      Seanax.com   
  
C+
     (2008)      "It feels overworked at times, a gimmick saved largely by chemistry. But it's also sweet and sour in the best ways..." [movie review]      Seattle Post-Intelligencer   
  
B
     (2007)      "DiCillo is ultimately grounded in the eccentric, awkward relationship" [movie review]      Seattle Post-Intelligencer   
  
B
     (2003)      "... what looks like just another contrived sex comedy becomes, surprisingly, an insightful and sensitive look at knots that family ties create in adult romance." [movie review]      Seattle Post-Intelligencer   
  
     (1972)      "John Boorman's harrowing adaptation of James Dickey's novel is as bracing and haunting now as it was when it first shook up audiences 35 years ago." [dvd review]      MSN.com   
  
A
     (2003)      "... a brilliant, stunning piece of work, perhaps not Assayas' best, but certainly his most fearless and impassioned." [movie review]      Seattle Post-Intelligencer   
  
A
     (2006)      "It's a film stripped to bloody basics, a ferocious and taut exercise in action horror that recalls early James Cameron, with more gore and less sentimentality." [movie review]      Seattle Post-Intelligencer   
  
     (1997)      "... a rollicking intellectual adventure with the emotional tenor of a melodrama." [movie review]      Seattle Weekly   
  
     (1963)      "[Seijun] Suzuki directs it all with tongue-in-cheek attitude, not so much making fun of it as making it fun..." [movie review]      Parallax View   
  
6/10
     (1998)      Click here to see the review! [movie review]      Seattle Post-Intelligencer   
  
F
     (2005)      "... a non-stop barrage of crude dialogue and vulgar sight gags that passes as humor among adolescent boys." [movie review]      Seattle Post-Intelligencer   
  
     (1966)      "Le Deuxieme Souffle is at heart a romantic fantasy of underworld loyalty and lives of calculated risk and violence anchored by brilliantly staged and shot set pieces..." [movie review]      Turner Classic Movies Online   
  
     (1935)      "It's really a showcase for Cagney's cocky charm and smart-aleck attitude..." [movie review]      Turner Classic Movies Online   
  
A-
     (2001)      "What gives the story resonance is the tenderness and sacrifice and even innocence del Toro reveals amid the savagery." [movie review]      Seattle Post-Intelligencer   
  
B
     (2006)      "It's a simple film with a direct message, but the glimpses of the surrounding social culture that has adapted to the horrors give (it) its identity." [movie review]      Seattle Post-Intelligencer   
  
C
     (2005)      "It's the framework of an exploitation tribute Tarantino could love ... with a little polishing and a lot more backbone." [movie review]      Seattle Post-Intelligencer   
  
B
     (2007)      "... there's still something cinematically satisfying in seeing the veteran street cop McClane plugging along like a dogged boxer against a younger and stronger opponent..." [movie review]      Seattle Post-Intelligencer   
  
C
     (2003)      "A one-note farce that struggles just to remain on key." [movie review]      Seattle Post-Intelligencer   
  
B+
     (2001)      "You can almost smell the garlic and feel the heat of the range." [movie review]      Seattle Post-Intelligencer   
  
     (1971)      "... as Inspector Harry Callahan, known to the squad as Dirty Harry, Eastwood turned his frontier persona into an urban cowboy on the mean streets of our urban world." [movie review]      Seanax.com   
  
     (1971)      "[Don] Siegel is lean, terse director who is happy leave "Dirty" Harry the vivid kind of moral conundrum that makes movies interesting..." [dvd review]      Seanax.com   
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