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Sources
• GreenCine
• MSN.com
• Nitrate Online
• Parallax View
• Seanax.com
• Seattle Post-Intelligencer
• Seattle Weekly
• St@tic Multimedia
• Turner Classic Movies Online
Total Reviews: 1519
Sean Axmaker
Sean Axmaker
Sean Axmaker

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     (2008)      "... a surreal, hypnotic quality broken only by the dynamic scenes of battle..." [movie review]      Seanax.com   
  
     (1984)      "Part master class presentation, part workshop, part Socratic dialogue, it plays out in the manner of an actor's workshop..." [movie review]      Seanax.com   
  
     (1989)      "[Spike] Lee doesn't attempt to answer the complicated questions of racism, misunderstanding and simmering anger as much as confront them with a hard clarity." [movie review]      Seanax.com   
  
          "... a cable series created with the same collaborative spirit and improvisational approach of Will Ferrell's movies, and it's funnier and sharper than Ferrell's last couple of pictures" [movie review]      Seanax.com   
  
     (1982)      "The plot is a completely unconvincing series of coincidences but the dynamism of the characters and their friendships is marvelous." [movie review]      Seanax.com   
  
     (2009)      "Essentially a one-man, two character piece, "Moon" could be an old "Twilight Zone" episode nurtured into a feature." [movie review]      Seanax.com   
  
     (1951)      "The first American film about the Korean War [and] one of the greatest war films ever made." [movie review]      Turner Classic Movies Online   
  
     (2009)      "An honest to goodness grown-up epic in the season of adolescent fantasies and overpriced empty action spectacles..." [movie review]      Seanax.com   
  
     (1961)      "... a tantalizing mystery and a work of cinema as intricately faceted as a jewel." [movie review]      Turner Classic Movies Online   
  
     (2009)      "... the bigger, longer, more expensive and completely unnecessary sequel to the amusing 2007 blockbuster about giant alien robots..." [movie review]      Seanax.com   
  
     (2009)      "... ended its seven-season run in 2008 with a brilliant final season and one of the greatest series finales ever broadcast." [movie review]      Seanax.com   
  
     (1965)      "The final collaboration between director Akira Kurosawa and Japanese icon Toshiro Mifune is one of Kurosawa's most ambitious, personal, and heartfelt films." [movie review]      Turner Classic Movies Online   
  
     (1973)      "Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded "Martin Scorsese Film."" [movie review]      Turner Classic Movies Online   
  
     (1957)      "I never realized what an astoundingly beautiful film it was." [movie review]      Parallax View   
  
     (2009)      "Even the most deftly executed scenes are smothered in the Oedipal weight of past betrayals while they struggle to support the operatic melodrama that unfolds." [movie review]      Seanax.com   
  
     (2009)      "When did comedy writing become such a lost art, replaced by the improvisational byplay of talented but increasingly familiar players left to think up funny lines for an amusing situation?" [movie review]      Seanax.com   
  
     (2009)      "... a focused and refreshingly straightforward thriller that forgoes the usual high tech confusion and contrived high-concept twists so often laid in to surprise audiences." [movie review]      Seanax.com   
  
     (2009)      "... an aimless romp lost in the land of juvenile humor and missed opportunities." [movie review]      Seanax.com   
  
     (2009)      "The most tender, touching and deftly told love story of the year is in the opening few minutes of Up..." [movie review]      Seanax.com   
  
     (2009)      "... little more than big machine spectacle with a little lip service paid to humanity, identity and free will, which are not exactly themes so much as plot points." [movie review]      Seanax.com   
  
     (2002)      "A rare Hollywood film that deals with both the violence and the turmoil and the regret these men face when they slow to catch their breath..." [dvd review]      Seanax.com   
  
     (1962)      "[John] Ford has never made a darker portrait of the lies and the lives that built the west..." [dvd review]      Seanax.com   
  
     (1973)      "... [Robert] Mitchum is at his best as a tired professional still hustling because it's all he knows." [movie review]      Seanax.com   
  
     (1969)      "... essential to Cronenberg fans, (a) dispassionate portraitsof fictional experiments in the mutation of mankind in the near future." [movie review]      Parallax View   
  
     (1970)      "... essential to Cronenberg fans, (a) dispassionate portraitsof fictional experiments in the mutation of mankind in the near future." [movie review]      Parallax View   
  
     (1972)      "It's a minor but fun piece of seventies genre cinema filled with loud suits, melodramatic complications and a camera that zooms in to hardened faces..." [movie review]      Parallax View   
  
     (2009)      "... a safe little piece of conspiracy thriller hokum under a façade of church politics and Papal secrets." [movie review]      Seanax.com   
  
     (2009)      "... a wistful, funny, satirical, angry and forgiving portrait." [movie review]      Parallax View   
  
     (1931)      "... a mature exploration of personal disappointment and longing for a fantasy that doesn't exist and an adult confrontation of wandering affections and romantic betrayal..." [movie review]      Turner Classic Movies Online   
  
     (1959)      "... a simple, poetic tale where the sentimental streak and patriotic idealism common to the Soviet formula is humanized with vivid characters and tender direction." [movie review]      Turner Classic Movies Online   
  
     (2009)      "It aspires to be everything to everyone and it's as good as can be expected given those directives, but its prime directive is simple: have fun. It does and I did." [movie review]      Seanax.com   
  
     (2008)      "... a magnificent production." [dvd review]      Parallax View   
  
     (2008)      "... tender, tough and uncompromising, photographed with a disarming directness and seeming simplicity..." [dvd review]      Parallax View   
  
     (1992)      "... behind that precious romanticism is a genuine commitment to this emotional renewal." [movie review]      Parallax View   
  
     (1967)      "... a film of marvelous energy and delirious imagery." [movie review]      Parallax View   
  
     (2007)      "Rifkin has a cynical view of human behavior and he plays it for cheap titillation and bleak humor, which is mean-spirited at best and glib at worst." [movie review]      Seanax.com   
  
     (1977)      "It was a cultural landmark and remains a relevant and vital piece of history." [movie review]      Seanax.com   
  
     (1966)      "It tips right into bad Keystone Kops komedy..." [movie review]      Parallax View   
  
     (2008)      "Dante 01 isn't science fiction, it's just allegory with technology. The symbols are all on the surface..." [movie review]      Seanax.com   
  
     (2007)      "... better, smarter, more sophisticated than its American counterparts, more clever in its tangle of narratives and less showy in a visual style." [movie review]      Seanax.com   
  
     (1927)      "... equal parts Victorian chivalry, manifest destiny and nationalist machismo, less swashbuckler than melodrama with plenty of romantic complications." [movie review]      Parallax View   
  
     (1969)      "The little road movie of hippie bikers was an odyssey for the era of sex, drugs and rock 'n' roll..." [movie review]      Seanax.com   
  
     (1980)      "... if you want a World War II story from a real vet's perspective, Sam Fuller is still the man and The Big Red One, drawn from his own war experiences, is the film" [movie review]      Seanax.com   
  
     (1949)      "... the strangest of genre mixes, a costume crime thriller with a continental setting and an American pulp sensibility." [movie review]      Seanax.com   
  
     (1941)      "... Superman never looked more beautiful in flight or heroic in action than in these cartoon classics." [movie review]      Parallax View   
  
     (1934)      "... DeMille's lavish but stilted film... is all production value and no style." [movie review]      Parallax View   
  
     (1934)      "... fast-moving, fast-talking, sexy little entertainment..." [movie review]      Parallax View   
  
     (1934)      "... fast-moving, fast-talking, sexy little entertainment..." [movie review]      Parallax View   
  
     (1965)      "Thunderball, the biggest, most lavish, and longest Bond film at that time, was the most popular of its day." [movie review]      Turner Classic Movies Online   
  
     (1926)      "Faust is a tragedy drawn in magnificent images like paintings in light and shadow and is one of the most breathtakingly beautiful of Murnau's German films." [movie review]      Turner Classic Movies Online   
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