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Sources
• GreenCine
• MSN.com
• Nitrate Online
• Seanax.com
• Seattle Post-Intelligencer
• Seattle Weekly
• St@tic Multimedia
• Turner Classic Movies Online
Total Reviews: 1233
Sean Axmaker
Sean Axmaker
Sean Axmaker

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     (1984)      "First time feature director Roland Joffe shoots the drama with an unforced realism lent a terrible grace by the handsome images and smooth, unobtrusive long takes..." [movie review]      Seanax.com   
  
     (1964)      "Mann's direction is strong, and the lavish sets and costumes and massive crowd scenes are truly magnificent..." [dvd review]      MSN.com   
  
     (1964)      "... surely the most magnificent period piece of its era." [movie review]      Turner Classic Movies Online   
  
     (1923)      "[Abel Gance] is a master conductor who plays scenes like symphonies of feelings..." [movie review]      Seanax.com   
  
     (2000)      "... for all the bizarre elements (such as a veteran voyeur who calls himself Captain Banana), it doesn't go anywhere." [dvd review]      MSN.com   
  
     (1955)      "[Morris] Engel and [Ruth] Orkin capture the range of emotions and the complicated evolution as each member of the triangle adjusts to new situations and relationships..." [dvd review]      MSN.com   
  
     (1953)      "... a leisurely paced tale less concerned with story than character and the flavor of its locations." [dvd review]      MSN.com   
  
     (1923)      "One of the great technical innovators and visual artists of his time, [Abel] Gance was a master conductor of the cinematic form." [dvd review]      MSN.com   
  
     (2007)      "Haynes delivers a song-cycle of a movie: vivid, exaggerated, contradictory impressions of a man who confounds a culture looking to peg him with a definition." [dvd review]      MSN.com   
  
     (2007)      "... a tribute to the freewheeling energy and youth of the French New Wave." [dvd review]      MSN.com   
  
B
     (2008)      "In this lively drama of rebellion and revolution, emotion is even more inflammatory than politics." [movie review]      Seattle Post-Intelligencer   
  
     (2008)      "I sounds crazy when you say it - David Mamet writes and directs a martial arts drama - but it’s a superb match of sensibility and genre." [movie review]      Seanax.com   
  
A-
     (2008)      "Writer/director Garth Jennings captures the innocent ecstasy of boys discovering the elemental power of cinema and the unfettered play of imagination with disarming humor." [movie review]      Seattle Post-Intelligencer   
  
     (1931)      "... Ozu fills the film with deft sight gags, many thanks to the antics of the son, yet there's undercurrent of desperation to the comedy." [movie review]      Turner Classic Movies Online   
  
     (1933)      "... utterly contemporary to the times, a stylized snapshot of working class life in 1933 Japan, and Ozu's details of their subsistence existence... creates a rich atmosphere." [movie review]      Turner Classic Movies Online   
  
     (1964)      "It's overripe melodrama with an overtone of camp, a comically lush score, and plenty of heaving décolletage from (Michele) Mercier." [dvd review]      MSN.com   
  
     (1965)      "... a familiar lesson in the futility of war, but [director Frank] Sinatra has an easy way with the actors and lets them carry the scenes." [movie review]      Turner Classic Movies Online   
  
     (1954)      "Hobson's Choice is a crisply directed comedy of lively and quirky characters in a vivid world of social snobbery and working-class life..." [movie review]      Seanax.com   
  
     (1932)      "Behind the deft comedy and spirited performances of the two boys is a rather somber engagement with the compromises adults make to the demands of the social order." [movie review]      Turner Classic Movies Online   
  
B+
     (2008)      "[Christophe] Honore drops the brightness and joy of the form into the chilly, gray winter of Paris to explore love and loss and intimacy." [movie review]      Seattle Post-Intelligencer   
  
     (2008)      "Hou's first film made outside of Asia is his most emotionally turbulent, yet he remains, like the balloon, outside looking in, a compassionate but distant observer..." [movie review]      Seattle Post-Intelligencer   
  
     (1955)      "The transfer is so vivid that the balloon seems to pop from the screen, glowing luminous red against the gray of Paris streets and skies." [dvd review]      MSN.com   
  
     (2007)      "... a handsome and grandly realized big-screen adventure." [dvd review]      MSN.com   
  
     (1937)      "... Jean Arthur (is) a different kind of working class girl elevated into high society by the fickle finger of fate." [dvd review]      MSN.com   
  
     (1939)      "One of the most deliciously sexy and sweet romantic comedies of the '30s (or any era)..." [dvd review]      MSN.com   
  
     (2007)      "... the film revels in spooky scares and goose-pimply eeriness but is grounded in a human drama of loss and sacrifice." [dvd review]      MSN.com   
  
     (2007)      "The sophomore feature from director Andrew Wagner is a marvelous, nuanced work with rich characters and complicated relationships..." [dvd review]      MSN.com   
  
     (2008)      "Director Matt Reeves and screenwriter Drew Goddard have plenty of tricks up their sleeves... but it's all clever flourishes with no story smarts." [dvd review]      MSN.com   
  
     (2007)      "... director Mike Nichols brings a light touch to this breezy take on "the outrageous true story" scripted by Aaron Sorkin." [dvd review]      MSN.com   
  
     (1961)      "The film plays like an unholy marriage between the realist films noir of the '40s like The Naked City and the early independent dramas of John Cassavetes..." [movie review]      MSN.com   
  
     (2007)      "Director Sidney Lumet digs deep into the tawdry souls, peeling back the layers of arrogance and anger and self-delusion until all that's left is fury and fear and hate." [movie review]      MSN.com   
  
     (2007)      "It's a bundle of joy with heart, charm, intelligence and wit to spare." [dvd review]      MSN.com   
  
     (1988)      "The celebration of storytelling and the magic of fantasy is not really a kids film... but the whimsical treat does capture the spirit of innocent wonder, even with the nightmare ripples." [dvd review]      MSN.com   
  
     (2007)      "... it's more silly than clever, quoting Ray and Walk the Line (among other biopics) as Dewey morphs through country, R&B, rock, folk and other musical genres." [dvd review]      MSN.com   
  
     (2007)      "... reworks the American entrepreneurial success story as an elemental frontier myth, roughly hewn out of the landscape that is remade in its wake." [dvd review]      MSN.com   
  
     (1959)      "The last film directed by Hollywood legend King Vidor is a Super Technirama wide-screen spectacle shot in Spain with an international cast." [dvd review]      MSN.com   
  
     (1982)      "Paolo and Vittorio Taviani won the Grand Prix at the 1982 Cannes Film Festival with their delicate and delirious story of war and survival as seen through the eyes of a 6-year-old girl." [dvd review]      MSN.com   
  
     (2007)      "Burton plays the black comedy as both threepenny opera and Grand Guignol, a revenge melodrama in the squalor of a 19th century London the color of bone and ash and stone." [dvd review]      MSN.com   
  
C+
     (2008)      "Writer/director Michael McCullers... pacing is poor and he doesn't know how to showcase the small-screen chemistry of Fey and Poehler on the big screen." [movie review]      Seattle Post-Intelligencer   
  
B+
     (2008)      "My Blueberry Nights captures the overwhelming and uncontrollable emotional assault of loving and living through captured moments and sensuous images." [movie review]      Seattle Post-Intelligencer   
  
     (2008)      "This is a kind of storytelling I love, about moments captured in time, about the sensuality of image, about the overwhelming emotional assault of loving and living." [movie review]      Seanax.com   
  
C+
     (2008)      "Backseat satisfies itself with small observations and minor breakthroughs of self-awareness." [movie review]      Seattle Post-Intelligencer   
  
B
     (2008)      "The Forbidden Kingdom may lack the grace of Crouching Tiger or the grandeur of Hero, but [Rob] Minkoff's affection and respect for the film culture is genuine." [movie review]      Seattle Post-Intelligencer   
  
B
     (2008)      "What is revealing here is the heretofore unseen civil-rights movement, small but dedicated, that began in the 1960s behind the Iron Curtain." [movie review]      Seattle Post-Intelligencer   
  
C
     (2008)      "... one might expect a little runaway energy or a dash of wild spirit under the antics, but there's little punchy anarchy in this controlled experiment." [movie review]      Seattle Post-Intelligencer   
  
     (1940)      "... another ridiculous story that justifies itself in the historic one-time-only pairing of MGM's Queen of Tap Powell and the cinematic grace incarnate Fred Astaire." [movie review]      Seanax.com   
  
     (1936)      "The original songs by Cole Porter aren't all memorable, but they are lively and two of them are among is classics: "I've Got You Under My Skin" and "Easy to Love."" [movie review]      Seanax.com   
  
     (1937)      "It's ridiculous and tremendous fun, a veritable evening of entertainment with song and dance and comedy acts and a story that exists only to transition from one act to another." [movie review]      Seanax.com   
  
     (1935)      "The original story is credited to Moss Hart... but it was all about the production numbers and the spotlight dances by Powell." [movie review]      Seanax.com   
  
     (1934)      "... a lightweight programmer with a capricious attitude toward plotting and a script unencumbered by logic." [movie review]      Turner Classic Movies Online   
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