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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE       25/100      Active Stealth (2000)      "Surprisingly low on camp, Active Stealth is mostly hindered by an abysmally slow pace and a virtually non-existent plot." [movie review]      Apollo Guide       50/100      Airplane 2: The Sequel! (1982)      "The only significant difference between the storyline of this film and the original is that this one takes place upon a spaceship headed toward the moon." [movie review]      Apollo Guide       88/100      Airplane! (1980)      Click here to see the review! [movie review]      Apollo Guide       70/100      Anchors Aweigh (1945)      "It seems that every time Joe breaks into a song, people of both sexes swoon." [movie review]      Apollo Guide       32/100      Angel Blue (1997)      "Nothing more than a fetishistic fantasy aimed at middle-aged men." [movie review]      Apollo Guide       35/100      Bad Boys (1995)      "Nice to look at, the film's glum Miami Vice plot is subverted by the jiggy flavour of a film that’s nothing more than an excuse for Martin Lawrence and Will Smith to play cops and robbers for two hours." [movie review]      Apollo Guide       72/100      Bellyfruit (1999)      "Although the performances are astounding, the dialogue comes across as a little too stylized." [movie review]      Apollo Guide       51/100      The Beyond (1981)      Click here to see the review! [movie review]      Apollo Guide       51/100      The Beyond (1981)      "It's never clear what's happening, where the characters are running to, why corpses are hooked up to EKG machines and why "imaginary" characters are prone to the sufferings of the flesh." [movie review]      Apollo Guide       30/100      Bluebeard (1972)      "The film’s gratuitous exploration of female flesh is only exceeded by the way Dmytryk manages to sexualize a nun who becomes Bluebeard’s future wife." [movie review]      Apollo Guide       91/100      Born on the Fourth of July (1989)      "Signaled Oliver Stone’s transition from iconic commentator to tremulous anarchist." [movie review]      Apollo Guide       51/100      The Boys From Brazil (1978)      "South America is turned into a virtual sci-fi lab for the creation of ninety-four versions of the Der Fuhrer in Franklin J. Schaffner's campy The Boys From Brazil." [movie review]      Apollo Guide       51/100      The Boys From Brazil (1978)      Click here to see the review! [movie review]      Apollo Guide       75/100      Bronco Billy (1980)      "Eastwood, much like Burt Reynolds’ character in Boogie Nights, welcomes everyone into an unconventional but strangely warm environment." [movie review]      Apollo Guide       80/100      Clerks (1994)      "Like a grass roots Woody Allen film, Clerks is one humdinger of a stand-up routine." [movie review]      Apollo Guide       71/100      Clue (1985)      "The greatest thing about this movie is the way it brings the game’s little details to life." [movie review]      Apollo Guide       80/100      Crime Story (1985)      "It’s difficult to review a movie that is really just an introduction to something far larger and more complex." [movie review]      Apollo Guide       90/100      Deep Red: The Hatchet Murders (1975)      Click here to see the review! [movie review]      Apollo Guide       90/100      Deep Red: The Hatchet Murders (1975)      "1975's Deep Red is Dario Argento's first full-fledged masterpiece." [movie review]      Apollo Guide       15/100      Delta Force 2 (1990)      "This world, geographically located anywhere between Miami and Bogota, is full of lots of rotting cheese." [movie review]      Apollo Guide       62/100      Diamonds Are Forever (1971)      "It seems that the only legitimate attack that is made on Bond’s character comes from his male enemies." [movie review]      Apollo Guide       55/100      Dick Tracy's Dilemma (1947)      "The problem here is that the exposition is stale stuff." [movie review]      Apollo Guide       65/100      Dick Tracy, Detective (1945)      "The best thing about the film is the way Berke manages to shape genuinely suspenseful film-noir elements around an otherwise simple yarn." [movie review]      Apollo Guide       71/100      Escape from New York (1981)      "Comparing Carpenter’s universe to an Orwellian landscape isn’t an overstatement because there is plenty of substance here for a heated exploration of recycled governmental reform." [movie review]      Apollo Guide       71/100      Escape from New York (1981)      "This isn't a brazenly colourful futuristic landscape but a grimy portrait of a city not far from the down-and-dirty real New York of the late '70s and early '80s." [movie review]      Apollo Guide       27/100      Friday the 13th - Part 3 (1982)      "The film was shot in 3D and looks pretty bland on video or DVD." [movie review]      Apollo Guide       32/100      Friday the 13th - Part 4: The Final Chapter (1984)      "Teens continue to flock to Crystal Lake and Jason vows that vengeance will again be his." [movie review]      Apollo Guide       70/100      From Russia with Love (1963)      "As a non-fan of the Ian Fleming super spy and a moderate admirer of such films as Moonraker, I find that the essential point of enjoyment to be the films' very flaws: the admiration of their kitsch factor." [movie review]      Apollo Guide       9/100      H.O.T.S. (1979)      "Think Animal House meets the Revenge of the Nerds and you have the essence of H.O.T.S.’ plot." [movie review]      Apollo Guide       68/100      Heavy Traffic (1973)      "The merit of this film is debatable, in light of its ferociously schizophrenic amalgam of live-action and cartoon elements set within the context of a rather inconsistent storyline." [movie review]      Apollo Guide       68/100      Heavy Traffic (1973)      "Ralph Bakshi's cartoon Heavy Traffic ferociously mixes in live-action elements, tracing the schizophrenic journey of a struggling cartoonist through a crippling 70s New York City." [movie review]      Apollo Guide       62/100      House Party (1990)      "An aged piece of ghetto-lore that has become less black-counterpart to Heathers and Dazed and Confused than pristine example of serendipity in film." [movie review]      Apollo Guide       43/100      I'm Gonna Git You Sucka (1988)      "Since we are dealing with parody here, every aspect of black communities is open territory for Wayans’ brand of humour." [movie review]      Apollo Guide       65/100      Juice (1992)      "A Hitchcockian moment in an elevator is perhaps the film’s signature set piece." [movie review]      Apollo Guide       85/100      King and Country (1964)      "Losey creates a chilling sense of mood with nothing more than horrifying still images of a war-torn landscape." [movie review]      Apollo Guide       65/100      The Lair of the White Worm (1988)      "Cheap effects and gratuitous displays of nudity only heighten the film's delirious demeanor." [movie review]      Apollo Guide       65/100      The Lair of the White Worm (1988)      Click here to see the review! [movie review]      Apollo Guide       68/100      Liquid Sky (1983)      "The film and its synth-laden soundtrack are celebrations of the 80s counter-culture." [movie review]      Apollo Guide       35/100      May Morning (1972)      "The film turns somewhat kinky when Valerio tries to seduce Flora’s sexually repressed mother." [movie review]      Apollo Guide       75/100      Moonraker (1979)      "Bond’s global escapades have a certain lyricism to them, something that unfortunately comes to an end in the poorly executed space segments." [movie review]      Apollo Guide       78/100      Mountains of the Moon (1989)      "Director Bob Rafelson, whose claim to fame is the impeccably nuanced Five Easy Pieces, manages to effectively play on the differences between Burton and Speke." [movie review]      Apollo Guide       19/100      A Nymphoid Barbarian in Dinosaur Hell (1991)      "This lacklustre effort is a disappointment even to its B-movie predecessors." [movie review]      Apollo Guide       35/100      Pajama Party (1964)      "Even if the sole purpose of your film is this sort of cheap theatrics, you still need some semblance of a plot." [movie review]      Apollo Guide       40/100      Pet Sematary (1989)      "Aside from its blatant foreshadowing, the main problem with Pet Sematary is its hit-you-over-the-head approach to characters’ inability to “let sleeping dogs lie.”" [movie review]      Apollo Guide       60/100      Positive I.D. (1987)      "The film does score some points for its ample use of campy, ‘80s-style film conventions." [movie review]      Apollo Guide       38/100      Pumpkinhead (1988)      "Nothing can appease Ed when he discovers the tragedy, including the apologetic pleas of one of the teenagers." [movie review]      Apollo Guide       89/100      The Shooting (1966)      "The film's ending is a favorite amongst cultists and it acts as the paradigm of Camus' thinking: stoic, but humane, and advocating nature over violence." [movie review]      Apollo Guide       75/100      Smashing Time (1967)      "But most of this the film is a delight, especially scenes revolving around Yvonne’s continual abuse of Brenda." [movie review]      Apollo Guide       70/100      A Star Is Born (1976)      "This is supposed to be an attack on Hollywood, but it seems that Cukor has tunnel vision." [movie review]      Apollo Guide       70/100      A Star Is Born (1954)      "It is, at the very least, a successful showstopper of a musical (even if some of the musical numbers are pretty generic). At the very most, it is a commendable condemnation of the humiliating effects of Hollywood on some of the stars it creates." [movie review]      Apollo Guide

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