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Other Info
Sources
• Apollo Guide
• City Pages, Minneapolis/St. Paul
• House Next Door
• L.A. Weekly
• Los Angeles Times
• Slant Magazine
• Village Voice
Total Reviews: 2521
Ed Gonzalez
Ed Gonzalez
Ed Gonzalez

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     (2004)      "If you are buying this DVD for the actual movie and not for Pat Benatar’s “Love is a Battlefield” music video then there’s no hope for you." [dvd review]      Slant Magazine   
  
2.5/4
     (2005)      "The film's story may be slight but Salazar's sparkling tribute to an alternative lifestyle and unconventional female beauty is liberating." [movie review]      Slant Magazine   
  
     (2009)      "Manon on the Asphalt is a whimsical evocation of a woman's life flashing before her eyes, but On the Line is the real standout here." [movie review]      Slant Magazine   
  
     (2008)      "21, in which Kevin Spacey lecherously sizes up a line of female strippers at a Vegas casino, now serves as the greatest testament to the man's talent as an actor." [dvd review]      Slant Magazine   
  
3/4
     (1977)      "Seven Up scene-stealer Neil Hughes becomes the series' tragic figure in 21 Up." [movie review]      Slant Magazine   
  
     (2002)      "Not your average Spike Lee joint but still a sensitive evocation of one man’s moral crisis set amidst a city’s even bigger one." [dvd review]      Slant Magazine   
  
     (2003)      "A solid audio transfer and a nifty collection of supplemental materials (including three alternative endings) highlight this DVD edition of Danny Boyle’s solid genre spooker." [dvd review]      Slant Magazine   
  
3/4
     (1984)      "The 14 subjects of the “Up” series came together as a group only twice, and by the end of 28 Up, three have dropped out of the project." [movie review]      Slant Magazine   
  
3/4
     (2005)      "This high profile anthology of shorts by Fruit Chan, Park Chan-wook, and Takashi Miike is related by their chilling structuralist rigor." [movie review]      Slant Magazine   
  
     (2007)      "This is crap! Ha-ooh! Ha-ooh! Ha-ooh!" [dvd review]      Slant Magazine   
  
3/4
     (1993)      "The remaining participants grapple with disillusionment, their reconcilement of the past, and their relationship to their own children." [movie review]      Slant Magazine   
  
     (2002)      "An underwhelming DVD package though the film's rock-solid look and sound should appeal to anyone hooked on Hartnett's package." [dvd review]      Slant Magazine   
  
2.5/4
     (2002)      "The misunderstandings are all thankfully low on the "Three's Company" scale while Hartnett and Sossamon's chemistry is undeniably potent." [movie review]      Slant Magazine   
  
3/4
     (1998)      "Two subjects acknowledge their conjoined lifeline, become best friends, and as a result a life is forever changed." [movie review]      Slant Magazine   
  
3/4
     (2006)      "These films affect their subjects not unlike they do their audience, serving not only as reminders of our mortality." [movie review]      Slant Magazine   
  
3/4
     (1970)      "The flashbacking technique employed throughout the Up series is part of each film's dialectic approach and is alternately compelling and cumbersome." [movie review]      Slant Magazine   
  
2.5/4
     (2006)      "The title of the film refers not only to the Jersey Girls' vigilant demand for truth but to the media's own refusal to push for truth after 9/11 for fear of retribution from higher powers." [movie review]      Slant Magazine   
  
     (2006)      "A Scanner Darkly looks sweet but it's scarcely penetrating." [dvd review]      Slant Magazine   
  
3/4
     (2001)      "A film that is as haunting as it is painfully messy." [movie review]      Slant Magazine   
  
     (2001)      "This is the meatiest a DVD edition can get sans director's commentary." [dvd review]      Slant Magazine   
  
     (2002)      "Certainly not a keeper but the good news is that now you can quickly fast-forward to the best parts in the film: every scene with Melanie Lynskey as Creepy Library Girl." [dvd review]      Slant Magazine   
  
3/4
     (2001)      "A strangely lyrical tale of addiction and family distance." [movie review]      Slant Magazine   
  
     (2001)      "A splendid package from First Run Features for a little-seen gem perhaps best savored on a rainy, introspective day." [dvd review]      Slant Magazine   
  
2.5/4
     (2006)      "For the Wilson newbie, this puff piece will suffice as an introduction." [movie review]      Slant Magazine   
  
4/4
     (1951)      "Not unlike Fritz Lang’s equally misanthropic Scarlet Street, Ace in the Hole plays the squashing of one man’s human spirit for societal-weary gravitas." [movie review]      Slant Magazine   
  
2.5/4
     (2006)      "Chester cleverly conflates the personal trauma of the titular couple's 18-year-old incontinence nightmare with the national horror of 9/11." [movie review]      Slant Magazine   
  
     (2002)      "It’ll take you at least double the crummy film’s running time to get through the DVD’s genuinely cute Dukesberry interactive wonderland." [dvd review]      Slant Magazine   
  
3.5/4
     (2002)      "Watching Adaptation evolve into something profound, if not entirely complete, is certainly beautiful to behold." [movie review]      Slant Magazine   
  
     (2009)      "It's no Superbad, but Jesse Eisenberg and Kristen Stewart's sterling chemistry make Adventureland worthwhile." [dvd review]      Slant Magazine   
  
     (2005)      "It fluxes all right%u2014from bad to the total pits." [dvd review]      Slant Magazine   
  
2.5/4
     (2002)      "Even if you refuse to play Belvaux’s Choose Your Own Adventure, do not ignore these performances." [movie review]      Slant Magazine   
  
     (2004)      "Kudos to Brett Ratner for at least acknowledging that the film’s gay jokes are cheap—doesn’t make him any less of a ****, but still." [dvd review]      Slant Magazine   
  
2.5/4
     (2007)      "The wunderkind Jensen's scripts are all schematic and prone to stock characters, but they are soap operas after all, and After the Wedding is beautifully performed by its eager cast." [movie review]      Slant Magazine   
  
     (2004)      "Anyone looking for a “woodwind buddy”? Look no further than Agent Cody Banks, who can’t play the clarinet but is only to happy to learn." [dvd review]      Slant Magazine   
  
3/4
     (2007)      "A multi-layered demonstration of living in almost perfect harmony." [movie review]      Slant Magazine   
  
3.5/4
     (2003)      "The only reality here is that truth is slippery, and that’s something Broomfield understands more than most documentary filmmakers working today." [movie review]      Slant Magazine   
  
88/100
     (1980)      Click here to see the review! [movie review]      Apollo Guide   
  
     (1992)      "If you’re addicted to crack, you don’t want to miss Robin William’s shrill performance in this 1992 Disney monstrosity. It’s a great deterrent." [dvd review]      Slant Magazine   
  
     (2004)      "“I remember…the Alamo,” says Pee-Wee in Tim Burton’s Big Adventure. Now Comes Hancock’s The Alamo to destroy the man-child’s memory." [dvd review]      Slant Magazine   
  
     (2004)      "Strictly for women who complain about being treated badly by men but don’t care if they’re as cute as Jude Law." [dvd review]      Slant Magazine   
  
     (2001)      "A flawed film about boxing's greatest heavyweight gets a lightweight DVD treatment." [dvd review]      Slant Magazine   
  
4/4
     (1974)      "Ali’s terse speaking matter is ripe with aphorisms, but it’s also another way for Fassbinder to evoke the suspended animation of his character’s lives." [movie review]      Slant Magazine   
  
3.5/4
     (1977)      "Possibly the closet American relation to an Italian giallo." [movie review]      Slant Magazine   
  
     (1979)      "Unless David Fincher ever decides to talk about Alien³, this 9-disc set is pretty definitive. Mostly." [dvd review]      Slant Magazine   
  
2.5/4
     (1997)      "The much-maligned last part in the Alien quadrilogy should be approached as the comic book actioneer that it is." [movie review]      Slant Magazine   
  
2.5/4
     (1986)      "The Director’s Cut of the film hauntingly amplifies Ripley’s disconnect from her dead daughter and her relationship to the young Newt." [movie review]      Slant Magazine   
  
3/4
     (2002)      "She's all-powerful, a voice for a pop-cyber culture that feeds on her Bjorkness." [movie review]      Slant Magazine   
  
4/4
     (1999)      "Pedro Almodóvar's best film to date, a heart-breaking paean to femininity, the maternal instinct and the thirst for drama." [movie review]      Slant Magazine   
  
2.5/4
     (2002)      "Thanks to Ice Cube, Benjamins feels an awful lot like Friday in Miami." [movie review]      Slant Magazine   
  
     (2003)      "Too bad the disc’s video transfer doesn’t do Tim Orr’s cinematography justice." [dvd review]      Slant Magazine   
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