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Other Info
Sources
• Apollo Guide
• City Pages, Minneapolis/St. Paul
• House Next Door
• L.A. Weekly
• Los Angeles Times
• Slant Magazine
• Village Voice
Total Reviews: 2521
Ed Gonzalez
Ed Gonzalez
Ed Gonzalez

Article type:      Default Sorting (most recent)
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2.5/4
     (2006)      "Napoleon Dynamite's racism was unmistakable, Nacho Libre's less so, subverted as it is by Jack Black's comic humanism." [movie review]      Slant Magazine   
  
2/4
     (2007)      "Nancy Drew is almost charming when she's out snooping in the boonies, but she doesn't make a whole lot of sense nosing around Hollywood wearing Bree Van De Kamp's hand-me-downs." [movie review]      Slant Magazine   
  
2/4
     (2007)      "Everyone gets a cute nickname, a means for this amateur anthropologist to protect the innocent and maintain some semblance of objectivity while advancing tired stereotypes of what it's like to be made in Manhattan." [movie review]      Slant Magazine   
  
.5/4
     (2004)      "For those who think there'e nothing funnier than yokels acting like idiots for 90 minutes straight." [movie review]      Slant Magazine   
  
2.5/4
     (2002)      "Reggio and Glass put on an intoxicating show." [movie review]      Slant Magazine   
  
     (2002)      "Joe Carnahan’s genre pic gets an equally nifty sound and video transfer on this DVD edition." [dvd review]      Slant Magazine   
  
2.5/4
     (2002)      "Like Slackers, Super Troopers and last year's Wet Hot American Summer, Van Wilder is nostalgic for the gross-out yarns of yesteryear." [movie review]      Slant Magazine   
  
     (2004)      "National Treasure knows how to keep things moving but I was more entranced by the DVD's interactive menus." [dvd review]      Slant Magazine   
  
2/4
     (2006)      "Courtesy of Catherine Hardwicke, The Nativity has become the most boring story ever told." [movie review]      Slant Magazine   
  
4/4
     (1958)      "While the film itself remains a subtle attack on religious naivete, the director would never be as mindful of the possibilities of spiritual healing as he is here." [movie review]      Slant Magazine   
  
1.5/4
     (2006)      "Sucks to be Nearing Grace on the same week that Zerophilia also opens." [movie review]      Slant Magazine   
  
1.5/4
     (2004)      "Think Braveheart Down Under—an impossibly masturbatory, unilateral act of hero worship." [movie review]      Slant Magazine   
  
2/4
     (2005)      "The film isn't very good, but it's refreshing to see a director tell a story without the familiar noise of blinking lights and stringy-haired nymphets." [movie review]      Slant Magazine   
  
2/4
     (2002)      "Do you say "hi" to your lover when you wake up in the morning?" [movie review]      Slant Magazine   
  
     (2004)      "Never Die Alone might just come to replace Showgirls as the nation's premier midnight-movie howler." [movie review]      City Pages, Minneapolis/St. Paul   
  
     (2004)      "Not only should DMX not be allowed to act but he also shouldn’t be allowed to rap on commentary tracks." [dvd review]      Slant Magazine   
  
     (2005)      "Pure bliss, Malick's incantatory New World suspends us in time--regardless of how long it runs." [dvd review]      Slant Magazine   
  
4/4
     (2005)      "The exquisiteness of The New World and how it reveals itself to its audience is flabbergasting...like a heretofore unknown cave painting impeccably preserved except for a few spots here and there eroded by time and nature." [movie review]      Slant Magazine   
  
     (2004)      "The biggest cinematic human rights violation since Bad Boys II." [movie review]      City Pages, Minneapolis/St. Paul   
  
     (2004)      "For foot fetishists, the highlight of this New York Minute DVD is the bloopers section that shows Ashley going for Marky-Kate’s foot with her mouth." [dvd review]      Slant Magazine   
  
2.5/4
     (2007)      "After the sleekly aggressive audio-visual assault of Déjà Vu, Next's B-movie-ness is almost charming." [movie review]      Slant Magazine   
  
3/4
     (2002)      "This may just be the funniest Dickens film ever mounted for the screen." [movie review]      Slant Magazine   
  
     (2002)      "Charlie Hunnam’s banal turn as Nicholas Nickleby may be the only disappointment of Douglas McGrath’s sweet and old-fashioned comedy." [dvd review]      Slant Magazine   
  
2/4
     (2004)      "The smoke that powers the film's narrative is a whole lot of hot air." [movie review]      Slant Magazine   
  
4/4
     (1955)      "Charles Laughton's Night of the Hunter is the character actor's now-classic jab at godliness gone awry." [movie review]      Slant Magazine   
  
2.5/4
     (2002)      "Nothing's at stake, just a twisty double-cross you can smell a mile away--still, the derivative Nine Queens is lots of fun." [movie review]      Slant Magazine   
  
     (2007)      "An unfortunately slim DVD package for the best Oscar top-dog since Clint Eastwood's Million Dollar Baby." [dvd review]      Slant Magazine   
  
2.5/4
     (2007)      "Charles Ferguson has designed No End in Sight to sink in." [movie review]      Slant Magazine   
  
2.5/4
     (2001)      "No Man's Land may end with an honest blip yet its history is remiss." [movie review]      Slant Magazine   
  
3/4
     (2005)      "A meditation on solace and the promise and beauty familial togetherness. " [movie review]      Slant Magazine   
  
2.5/4
     (2004)      "Noel manages to get considerable mileage out of a series of unpredictable and nutty spiritual flights of fancy." [movie review]      Slant Magazine   
  
3/4
     (2005)      "Andrew Horn compellingly chronicles Ziggy-Stardust-cum-Dieter avant-gardist Klaus Nomi’s ability to tap into a missing link in the New York music scene." [movie review]      Slant Magazine   
  
     (2005)      "This may be the best Behind the Music special you'll never see on VH1. " [dvd review]      Slant Magazine   
  
1.5/4
     (2005)      "Single-mindedly and calculatedly devoted to conveying a relentless feeling of sexual terror, Caro's crusade of righteous indignation misrepresents the hostility of the world." [movie review]      Slant Magazine   
  
     (2005)      "Finally, a movie to bring lovers of bad soap opera and aficionados of golden showers and scatting together at last." [dvd review]      Slant Magazine   
  
     (2003)      "Meticulously designed for those who like their movies with turtlenecks and cappuccinos." [dvd review]      Slant Magazine   
  
1.5/4
     (2001)      "A film's always in trouble when it has more screenwriters than cast members." [movie review]      Slant Magazine   
  
2/4
     (2008)      "In the end, it probably doesn't matter if you think Not Your Typical Bigfoot Movie is in fact a documentary, because the film's psychoanalysis is dull and reductive." [movie review]      Slant Magazine   
  
     (2006)      "While it opens a rare window into an unconventional life, this portrait of an artist as an old woman is prone to strange distractions." [movie review]      Village Voice   
  
     (2006)      "This smirky ask-nothing account of Bettie Page's life won't give anyone a rise, good or bad." [dvd review]      Slant Magazine   
  
3/4
     (2002)      "Gloriously straight from the vagina." [movie review]      Slant Magazine   
  
2.5/4
     (2004)      "Taking a cue from Memento, Novo positions a flesh-and-blood man’s short-term memory as a kind of moral invisibility cloak." [movie review]      Slant Magazine   
  
2/4
     (2001)      "About as exciting as dry humping a dentist's chair." [movie review]      Slant Magazine   
  
2.5/4
     (2005)      "Shows genuine compassion and understanding of faith and culture clash." [movie review]      Slant Magazine   
  
     (2007)      "Stuuuuuuuuuuuuuuuuuupid." [dvd review]      Slant Magazine   
  
2.5/4
     (2009)      "Largely coasts on shots of kids being adorable and parents behaving badly, but the film occasionally, if somewhat accidentally, proves illuminating." [movie review]      Slant Magazine   
  
19/100
     (1991)      "This lacklustre effort is a disappointment even to its B-movie predecessors." [movie review]      Apollo Guide   
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