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Other Info
Sources
• Apollo Guide
• City Pages, Minneapolis/St. Paul
• House Next Door
• L.A. Weekly
• Los Angeles Times
• Slant Magazine
• Village Voice
Total Reviews: 2521
Ed Gonzalez
Ed Gonzalez
Ed Gonzalez

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     (2002)      "K-19: The Widowmaker may not be a keeper but Bigelow's films do lend themselves to repeat viewings." [dvd review]      Slant Magazine   
  
2.5/4
     (2002)      "First Sergei, then Lena, now Kathryn. Who knew?" [movie review]      Slant Magazine   
  
0/4
     (2001)      "Tailor-made for the K-Mart sect, K-PAX is a weepy regression fantasy for the psychologically half-conscious." [movie review]      Slant Magazine   
  
2.5/4
     (2008)      "There's real wit to Prendergast's aesthetic." [movie review]      Slant Magazine   
  
1.5/4
     (2004)      "However startling Delaporte’s images are, not only do they lack emotion, but a theoretical and philosophical foundation as well." [movie review]      Slant Magazine   
  
     (2004)      "Like Kaena’s breasts, a video and audio presentation that will keep both eyes and ears popping." [dvd review]      Slant Magazine   
  
2/4
     (2005)      "In spite of its individual pleasures, the film has very little in its head." [movie review]      Slant Magazine   
  
2.5/4
     (2007)      "The film is ungainly and lacks for focus, not unlike its subjects, but it has a heart as big as the Mississippi and believes in the future of New Orleans and its people." [movie review]      Slant Magazine   
  
3/4
     (2001)      "Kandahar is Mohsen Makhmalbaf's wondrously absurd, always evocative (though sometimes heavy-handed ode) to the perpetually disguised Afghani woman." [movie review]      Slant Magazine   
  
1/4
     (2003)      "Despite the film's offbeat premise, Kangaroo Jack's every twist and turn has been plotted with sad desperation." [movie review]      Slant Magazine   
  
     (2009)      "Kassim the Dream's aestheticization of human despair is nearly obscene." [movie review]      Village Voice   
  
     (2001)      "Wrap it up and give it to that woman in your life still hung up on Meg Ryan faking orgasms." [dvd review]      Slant Magazine   
  
1.5/4
     (2001)      ""You're sucking the life out of American cinema," says a market research exec to Meg Ryan's titular Kate." [movie review]      Slant Magazine   
  
     (2006)      "One of the best films of the year is also one of the best looking. This DVD edition honors the film's vibrant aesthetic even if it is sadly without extras." [dvd review]      Slant Magazine   
  
3/4
     (2006)      "Ranks alongside Werner Herzog's Lessons of Darkness as one of the most succinct and distressing expressions of landscape in crisis." [movie review]      Slant Magazine   
  
3/4
     (2002)      "Less a film than a moment in time--at least that’s what Ken Park’s dreamy bookends would have you believe." [movie review]      Slant Magazine   
  
3/4
     (2005)      "Hong's film is simply told but resonates with profound meaning." [movie review]      Slant Magazine   
  
3.5/4
     (2004)      "Feels as if its being telegraphed from a cosmic fugue state, and means to get (and stay) beneath the skin." [movie review]      Slant Magazine   
  
2/4
     (2008)      "As in the recent Planet B-Boy, the impoverished conditions of the film's subjects matter significantly less than the rush of competition, but at least Planet B-Boy was a thrill to watch." [movie review]      Slant Magazine   
  
3.5/4
     (1974)      "Quite cynically, Bava evokes a human society where no one is to be trusted." [movie review]      Slant Magazine   
  
     (1989)      "You’ve gotta love the type of show that can name their sketches “Power of My ****,” “Fat Hitch-hiker,” and “Stinky Pink.”" [dvd review]      Slant Magazine   
  
3/4
     (2003)      "The film's raw, sensual realism and social consciousness brings to mind Frears's My Beautiful Laundrette." [movie review]      City Pages, Minneapolis/St. Paul   
  
4/4
     (1966)      "This conflict between modern medicine and superstition lends Kill, Baby…Kill! a moral volatility that’s noticeably absent from other films in Bava’s canon." [movie review]      Slant Magazine   
  
     (2003)      "Kill Bill: Volume 1 is a film that inspires audio-visual overloaded. Pity that it gets a video transfer here that nearly inspires blindness." [dvd review]      Slant Magazine   
  
1.5/4
     (2003)      "Kill Bill: Volume 1 is essentially a pop culture wanker’s failed multimedia experiment, a vacuous junk heap of dorky gags and riffs, violent anime and offensive slapstick." [movie review]      Slant Magazine   
  
     (2004)      "The deleted scene included on this Kill Bill: Volume 2 DVD is sure to whet everyone’s whistle until the inevitable two-film box set arrives." [dvd review]      Slant Magazine   
  
1.5/4
     (2001)      "A spiritless Gen X whine." [movie review]      Slant Magazine   
  
2/4
     (2006)      "Nowhere near as provocative as its title might imply." [movie review]      Slant Magazine   
  
2.5/4
     (2006)      "The film's construction isn't groundbreaking but the shrill freakshow of talking heads is revealing, conveying how revolutionary spirits can spread their own form of oppressive bile." [movie review]      Slant Magazine   
  
     (1969)      "A glaring gap in movie history has now been filled with the long-awaited release of Burnett's Killer of Sheep on DVD." [dvd review]      Slant Magazine   
  
     (2008)      "Well, at least its better than Chapter 27." [dvd review]      Slant Magazine   
  
2/4
     (2008)      "Piddington never dares to diagnose Chapman's rage, settling for Wikipedia-style objectivity dressed in the more fatuous-than-provocative manner of Robinson Devor's Zoo." [movie review]      Slant Magazine   
  
3/4
     (1950)      "A class can be taught comparing British and American manners using only Kind Hearts and Coronets and The Family Jewels." [movie review]      Slant Magazine   
  
     (1950)      "The film's laughs are served on the rocks, but in spite of the humor feeling watered-down, this 1949 Ealings Studios comedy remains an interesting dissection of the pathologies of the British class system." [dvd review]      Slant Magazine   
  
85/100
     (1964)      "Losey creates a chilling sense of mood with nothing more than horrifying still images of a war-torn landscape." [movie review]      Apollo Guide   
  
2.5/4
     (2001)      "Some Latin boys go to hell while others just need a loving home." [movie review]      Slant Magazine   
  
     (2005)      "Also add the film to that ever-growing list of films only Earl Dittman likes." [dvd review]      Slant Magazine   
  
     (2005)      "Between Elizabethtown, Domino, and Kingdom of Heaven, Bloom and the Brothers Scott have this week's entertainment market cornered. God help us." [dvd review]      Slant Magazine   
  
2.5/4
     (2005)      "An extravagant doodle dealing with family and mental illness, this is Arnaud Desplechin's most straightforward and scattershot film to date." [movie review]      Slant Magazine   
  
     (2006)      "These boots, alas, are too creaky to be used for walking." [dvd review]      Slant Magazine   
  
1.5/4
     (2006)      "Somewhere, Jeffrey Lyons is rolling on the floor laughing." [movie review]      Slant Magazine   
  
     (2004)      "One question noticeably missing from the Interactive Sex Questionnaire: "When you take interactive sex questionnaires, do you easily become sexually aroused?"" [dvd review]      Slant Magazine   
  
2.5/4
     (2001)      "Where fools cheered the recycled explosions of Swordfish and the vapidity of Pearl Harbor, Kiss of the Dragon delivers the goods." [movie review]      Slant Magazine   
  
3/4
     (2008)      "For a G-rated film, Kit Kittredge's profound insight into the breakdown of society and families during the Depression and the country's subsequent rebirth is surprising." [movie review]      Slant Magazine   
  
2/4
     (2004)      "A male weepie with a serious case of the cutes." [movie review]      Slant Magazine   
  
1/4
     (2007)      "Forster transforms a presumably brutal and nuanced account of class difference and innocence lost into Disney-style kitsch." [movie review]      Slant Magazine   
  
     (2007)      "The ridiculous amount of extras packed into this two-disc DVD expand on the film's humor to unprecedented, at once hilarious and completely unnecessary degrees." [dvd review]      Slant Magazine   
  
3/4
     (2002)      "Like any Warhol/Morrissey relic, Arnon Goldfinger's The Komediant rediscovers chapters in New York's cultural past." [movie review]      Slant Magazine   
  
2.5/4
     (2005)      "Like Pen-ek Ratanaruang’s Last Life in the Universe, Kontroll is another “chill out” production that’s alternately lovely and sinister." [movie review]      Slant Magazine   
  
     (1983)      "Both Koyaanisqatsi and Powaqqatsi should find a comfortable home next to Baraka." [dvd review]      Slant Magazine   
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