Online Film Critics Society
Home     About OFCS     Member Profiles     Schedule     Forum     Awards     OFCS Blog
    O.F.C.S. Members: Sign In    

Other Info
Sources
• Apollo Guide
• City Pages, Minneapolis/St. Paul
• House Next Door
• L.A. Weekly
• Los Angeles Times
• Slant Magazine
• Village Voice
Total Reviews: 2521
Ed Gonzalez
Ed Gonzalez
Ed Gonzalez

Article type:      Default Sorting (most recent)
A  B  C  D  E  F  G  H  ( I )  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
  (1 - 50) of 87  Next
Sort by
RATING
    
Sort by
TITLE/YEAR
    
Sort by
QUOTE
    
Sort by
SOURCE
  
  
4/4
     (1964)      "I Am Cuba is a cinephile's wet dream, a collage of Herculean feats of technical wizardry that would be easy to dismiss if it wasn't so humane." [movie review]      Slant Magazine   
  
     (1964)      "The only thing that's missing from what may be the DVD release of the year, which comes to us inside a makeshift cigar box, is an actual Cuban cigar." [dvd review]      Slant Magazine   
  
2/4
     (2002)      "I Am Sam is the green eggs and ham rendition of the custody battle melodrama" [movie review]      Slant Magazine   
  
     (2004)      "If you’re an I Heart Huckabees fan you’re probably not even going to bother with this DVD and go straight for the two-disc DVD edition." [dvd review]      Slant Magazine   
  
     (2009)      "At the very least, I Love You, Man warns us of the risks of telling someone to clean up their dog's ****." [dvd review]      Slant Magazine   
  
2/4
     (2007)      "The film is pro-gay but it's less interested in collapsing straight-male hang-ups about gay men than is in putting on a surprisingly mawkish show of political correctness." [movie review]      Slant Magazine   
  
1/4
     (2002)      "File the film and Murphy's performance under Motion Sickness." [movie review]      Slant Magazine   
  
     (2002)      "The transfer doesn’t do the film justice, but cinephilles will have a hard time coming by another recent DVD release of a crucial film accompanied by an equally crucial commentary track." [dvd review]      Slant Magazine   
  
3.5/4
     (2002)      "Oliveira seems to pursue silent film representation with every mournful composition." [movie review]      Slant Magazine   
  
2/4
     (2009)      "What are these two privileged teens doing besides recreating scenes from Jean-Luc Godard's canon?" [movie review]      Slant Magazine   
  
43/100
     (1988)      "Since we are dealing with parody here, every aspect of black communities is open territory for Wayans’ brand of humour." [movie review]      Apollo Guide   
  
     (2004)      "Finally, I can say that Will Smith and I have something in common: We’re both allergic to bull****." [dvd review]      Slant Magazine   
  
     (2002)      "There's plenty here to keep kids entertained but what's with the Papa John's advertisement inside the DVD case?" [dvd review]      Slant Magazine   
  
2.5/4
     (2002)      "Leguizamo's motor-mouth sloth has more punch n' bite than Eddie Murphy's ***." [movie review]      Slant Magazine   
  
1.5/4
     (2006)      "Ice Age: The Meltdown acknowledges something the Bush administration doesn't believe in: global warming." [movie review]      Slant Magazine   
  
     (2005)      "Hot on the heels of Cadet Kelly and Herbie: Fully Loaded, Ice Princess once again proves that Disney probably loves your tween more than you do." [dvd review]      Slant Magazine   
  
1.5/4
     (2007)      "Let us praise If I Didn't Care for living up to its title: You will not see another film this year made with so little ambition." [movie review]      Slant Magazine   
  
     (2002)      "Sadists, masochists, wife beaters and child abusers rejoice: on home video, you can now watch Igby going down in slow motion." [dvd review]      Slant Magazine   
  
1.5/4
     (2002)      "As disconcerting as LaBute's equally nasty though less charming dramedy Your Friends & Neighbors." [movie review]      Slant Magazine   
  
2.5/4
     (2007)      "A problematic but compelling exaltation of violence, privilege, and ethnic pride, Illegal Tender is incessantly but hotly scored, suggesting something of a Sirk melodrama for our Reggaeton times." [movie review]      Slant Magazine   
  
3/4
     (1953)      "Illusion Travels by Streetcar is the more aesthetically and politically astringent but less heartfelt cousin to Bunuel’s Mexican Bus Ride." [movie review]      Slant Magazine   
  
4/4
     (1959)      "Sirk immediately and deliberately acknowledges the film’s metaphoric, almost pathological obsession with surfaces." [movie review]      Slant Magazine   
  
4/4
     (1950)      "Like Albert Camus' The Stranger, In a Lonely Place is the epitome of existentialist primers." [movie review]      Slant Magazine   
  
4/4
     (1978)      "Comes down to a series of operatic examinations of questions pertaining to free will, chance, cause and effect, moral responsibility, self-sacrifice and spiritual atonement." [movie review]      Slant Magazine   
  
3.5/4
     (2003)      "In America is simple and unpretentious but its humanity and message of inclusiveness is evoked with heart-warming profundity." [movie review]      Slant Magazine   
  
     (2003)      "Sheridan’s film is not about what it means to live in America as much as it is about what it means to be human." [dvd review]      Slant Magazine   
  
2/4
     (2005)      "Suggests a mash-up of Before Sunrise and Tape run through Altavista's unreliable Babel Fish Translation service." [movie review]      Slant Magazine   
  
3/4
     (2006)      "The most intriguingly circumscribed romance of the year, In Between Days locates two Korean teens at a precarious point in their relationship." [movie review]      Slant Magazine   
  
1.5/4
     (2004)      "A single-minded ode to international camaraderie and American perseverance." [movie review]      Slant Magazine   
  
2/4
     (2003)      "How “numb” do you have to be in order not to know that you’ve seriously injured yourself?" [movie review]      Slant Magazine   
  
1.5/4
     (2001)      "A grand fart coming from a director beginning to resemble someone's crazy French grandfather." [movie review]      Slant Magazine   
  
3/4
     (2004)      "Even in the wake of wars, people continue to experience everyday melodramas, a point Aribid stresses in paralleling a country's social unrest with a girl's coming-of-age." [movie review]      Slant Magazine   
  
3.5/4
     (2001)      "From subdued study of loss to airtight thriller, In the Bedroom's fascinating lack of closure suggests that grief is eternal." [movie review]      Slant Magazine   
  
     (2001)      "This impressive feature is well worth a look but with no extras on hand, make this one a rental. Better yet: wait two months and buy it on eBay." [dvd review]      Slant Magazine   
  
3/4
     (2008)      "This sensualist delight is an immaculate expression of the thrill of the hunt and the cruel damage our hearts of glass incur from an unexpected loss or missed opportunity." [movie review]      Slant Magazine   
  
4/4
     (2001)      "Wong Kar Wai's latest masterpiece is an erotic and visually stunning meditation on the confines of love." [movie review]      Slant Magazine   
  
2.5/4
     (2007)      "In the Shadow of the Moon reminds us of a seemingly distant time when the United States was not so alienated from the rest of the world." [movie review]      Slant Magazine   
  
1/4
     (2007)      "A namby-pamby tirade against the war in Iraq, In the Valley of Elah is a Canadian's Sydney Pollack-inspired drag revue." [movie review]      Slant Magazine   
  
3/4
     (2006)      "In Your Hands means to convey the divinity of human interaction." [movie review]      Slant Magazine   
  
     (2004)      "Family-friendly entertainment for left-wingers and right-wingers alike. " [dvd review]      Slant Magazine   
  
3/4
     (2004)      "The Incredibles may fight to save the world, but they teach us to know thyself." [movie review]      Slant Magazine   
  
     (2006)      "Superior to Capote in almost every way, proving that victims of hype do not come bigger or more transparent than AMPAS." [dvd review]      Slant Magazine   
  
2/4
     (2003)      "Infernal Affairs could be the syllabus for “The Effects of Michael Mann, Tony Scott, and the American Police Procedural on Asian Cinema.”" [movie review]      Slant Magazine   
  
2/4
     (2003)      "Less show-offy than Infernal Affairs, its prequel is also considerably over-plotted." [movie review]      Slant Magazine   
  
2/4
     (2003)      "It seemingly exists to buff its predecessors’ rough spots but only tarnishes their memories. " [movie review]      Slant Magazine   
  
3/4
     (1978)      "More so than any other Argento film, this one is for the fans." [movie review]      Slant Magazine   
  
3/4
     (2009)      "Tarantino seems to be scrutinizing his obsession with the cinema by cleverly placing it into an apt historical context." [movie review]      Slant Magazine   
  
1.5/4
     (2003)      "Every character trajectory is painfully schematic, and the filmmakers evoke cause-and-effect in the simplest terms possible." [movie review]      Slant Magazine   
  
     (2006)      "Inland Empire is another excuse for Lynch heads not to leave their house. Fine, just make sure to change the batteries in your smoke detectors." [dvd review]      Slant Magazine   
  
4/4
     (2006)      "The Atlas Shrugged of narrative avant-garde films, compulsively watchable and insanely self-devouring." [movie review]      Slant Magazine   
A  B  C  D  E  F  G  H  ( I )  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
  (1 - 50) of 87  Next

powered by ROTTEN TOMATOES
All articles and reviews on this website © the respective authors.
All other content © The Online Film Critics Society (0.48)