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Sources
• Apollo Guide
• City Pages, Minneapolis/St. Paul
• House Next Door
• L.A. Weekly
• Los Angeles Times
• Slant Magazine
• Village Voice
Total Reviews: 2521
Ed Gonzalez
Ed Gonzalez
Ed Gonzalez

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3.5/4
     (2005)      "As loyal as Chéreau's film is to Conrad's story, the director expands its point of view by giving more authority to the female experience Conrad suppresses in his text." [movie review]      Slant Magazine   
  
     (2005)      "Those who love Chéreau should not miss this exquisite chamber drama." [dvd review]      Slant Magazine   
  
2.5/4
     (2005)      "L’Esquive consistently teeters on the brink of tragedy but dares to end on a chipper note." [movie review]      Slant Magazine   
  
1.5/4
     (2008)      "A tapestry of intersecting Hollywood lives that illuminates nothing except for writer-director Jason Freeland's obvious fondness for Short Cuts." [movie review]      Slant Magazine   
  
     (2004)      "New Jersey is not as ugly as Solondz would have us believe, nor is it as precious as Braff tells us, but we’ll take Garden State over Palindromes any day." [dvd review]      Slant Magazine   
  
     (2008)      "The film never quite recovers from writer-director Damian Harris's dithering way of shooting things." [movie review]      Village Voice   
  
     (2004)      "In the immortal words of Bob Barker: Remember to have your pets spayed or neutered." [dvd review]      Slant Magazine   
  
.5/4
     (2004)      "Strictly for those who didn’t want to crawl into the fetal position and die when Shaggy grew breasts in Monsters Unleashed." [movie review]      Slant Magazine   
  
1/4
     (2006)      "The film plays it straight and boring, chasing its predecessor's tail of mediocrity." [movie review]      Slant Magazine   
  
1.5/4
     (2003)      "What is Garmento but a lame approximation of sexier and deadlier works like Altman's The Player?" [movie review]      Slant Magazine   
  
3.5/4
     (2004)      "A stirring work of magical realist activism that documents over 50 years in the lives of an oppressed people." [movie review]      Slant Magazine   
  
     (2005)      "Do you know that feline AIDS is the number one killer of domestic cats?" [dvd review]      Slant Magazine   
  
2/4
     (2005)      "Low on context and consequence if not sex appeal, Gay Sex in the 70s is only desirable if Fleshbot is having a slow gay news week." [movie review]      Slant Magazine   
  
     (2008)      "Romero gives his original masterpiece a modern-day reboot and scores a comeback after the dismal Land of the Dead." [dvd review]      Slant Magazine   
  
     (2000)      "Sundance has never had a film this good and Criterion has made sure that we never forget it." [dvd review]      Slant Magazine   
  
4/4
     (2000)      "George Washington is the closest thing we have to William Faulkner on screen" [movie review]      Slant Magazine   
  
4/4
     (2003)      "Not since his first film, Mala Noche, has Van Sant produced a film so pure, uncompromising and ravishing to watch." [movie review]      Slant Magazine   
  
     (2003)      "Were you frustrated by Gerry? If so, “Salt Lake Van Sant” should equally annoy you." [dvd review]      Slant Magazine   
  
2/4
     (2004)      "One could say that Innocence thinks so much that it ultimately has very little to say." [movie review]      Slant Magazine   
  
.5/4
     (2002)      "Not only is the film's boo-yah opening sequence derivative of Beck's 13 Ghosts, so are all the music video tableau morts and cheesy one-liners." [movie review]      Slant Magazine   
  
     (2002)      "Acid freaks can rejoice: the DVD’s holographic cover art will give you something interesting to look at for hours on end." [dvd review]      Slant Magazine   
  
4/4
     (2001)      "An ironic, humorous, painful and never pandering account of the ghostly nature that accompanies loss, hurt, regret, love and, ultimately, memory itself." [movie review]      Slant Magazine   
  
2.5/4
     (2009)      "Gigante isn't a great movie, but it's likeably humble and scruffy around the edges." [movie review]      Slant Magazine   
  
     (2003)      "Did you know that “It’s turkey time. Gobble, gobble” translates into French as “C’est l’heure d l’amuse-bouche. Scrountch, scrountch”?" [dvd review]      Slant Magazine   
  
1/4
     (2003)      "Gigli pretends to be a sophisticated comedy of the sexes yet it’s written with the adolescent gusto of a fifty-year-old who’s finally discovered that a penis goes inside a vagina." [movie review]      Slant Magazine   
  
2/4
     (2006)      "Call it Through a Glass Fatuously." [movie review]      Slant Magazine   
  
3/4
     (2001)      "John Fawcett's Ginger Snaps cleverly links lycanthropy to vaginal flow." [movie review]      Slant Magazine   
  
2/4
     (2008)      "One of those Chabrol productions perched awkwardly between thriller and comedy." [movie review]      Slant Magazine   
  
2/4
     (2004)      "The filmmakers end up with one too many Superman fantasies piled up on top of each other." [movie review]      Slant Magazine   
  
     (2004)      "Don’t bother looking for the political comedy buried somewhere beneath this 90-minute-plus male fantasy for heterosexual geeks." [dvd review]      Slant Magazine   
  
2/4
     (2003)      "Peter Webber’s gorgeous Girl With a Pearl Earring is a work of lightweight conjecture." [movie review]      Slant Magazine   
  
2/4
     (2002)      "Yes they can swim, the title is merely Anne-Sophie Birot's off-handed way of saying girls find adolescence difficult to wade through." [movie review]      Slant Magazine   
  
2.5/4
     (2003)      "Girls Will Be Girls is every bit as dull and offensive as it is frequently hysterical." [movie review]      City Pages, Minneapolis/St. Paul   
  
2.5/4
     (2006)      "Keating wants to bust apart the myth of Giuliani's sanctification after 9/11, but with the film set to open only in New York, what he's really doing is preaching to the choir." [movie review]      Slant Magazine   
  
2/4
     (2009)      "Represents the most attractively shot twin porn off all time." [movie review]      Slant Magazine   
  
2.5/4
     (2001)      "Is Terry reaching for her vagina or was he really trying to fasten her seatbelt?" [movie review]      Slant Magazine   
  
3/4
     (2001)      "Singer Carey has learned to nurture her inner kitsch, giving way to camp Mariah." [movie review]      Slant Magazine   
  
     (2001)      "The DVD incarnation of the campy Glitter deserves much more than what's offered here." [dvd review]      Slant Magazine   
  
3.5/4
     (2005)      "Alexis Dos Santos's artful doodle about a boy and his seething hormones in Argentina's dreary Patagonia region that recalls some of the seminal works of the New Queer Cinema movement." [movie review]      Slant Magazine   
  
2/4
     (2004)      "Go For Zucker's humor is rooted in Jewish comic traditions, but does its broad, equal-opportunity kvetching disguise honest-to-God contempt?" [movie review]      Slant Magazine   
  
3/4
          "Welcome to the seedy demimonde of the club Paradise, where Ferrara probes the dreams of lives less ordinary, including his own." [movie review]      Slant Magazine   
  
2/4
     (2008)      "Behold, indie-rock hipsters: The Go-Getter, the cinematic navel lint from which She & Him crawled out to produce the almost cruel monotony of Volume One." [movie review]      Slant Magazine   
  
2.5/4
     (1969)      "The narrative is random and disposable, which means you’ll have to settle for the allure of the film’s many women." [movie review]      Slant Magazine   
  
2.5/4
     (2005)      "The assemblage of archival footage reveals itself as a rivetingly experimental evocation of the Nazi rise to power." [movie review]      Slant Magazine   
  
     (2005)      "Something of a historical-publicity experiment, the film should only be played with by those who appreciated Downfall." [dvd review]      Slant Magazine   
  
2/4
     (2006)      "Going Under is mustier than Secretary." [movie review]      Slant Magazine   
  
2.5/4
     (2004)      "Going Upriver really concerns all soldiers who returned from Vietnam only to discover that their nation had failed them." [movie review]      Slant Magazine   
  
3.5/4
     (2007)      "Hung up on the nature of procedure, the film transpires in very distinct, hellish parts, as if moving slowly along the links of a great and heavy metal chain." [movie review]      Slant Magazine   
  
     (2007)      "Thanks to Martin Scorsese's seal of approval, Emanuele Crialese's Golden Door may now he salvaged from critical and popular disinterest." [dvd review]      Slant Magazine   
  
     (2009)      "Drably redundant, the over-praised Gomorrah may not deserve the Criterion treatment, but fans will be pleased by the solid audio/video treatment it has received." [dvd review]      Slant Magazine   
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