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• Aisle Seat
Total Reviews: 1072
Mike McGranaghan
Mike McGranaghan
Mike McGranaghan

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1/4
     (2009)      "G-Force is being shown in both 2-D and digital 3-D formats. I saw it in 2-D, and that's the preferred format because it's one less dimension for the movie to suck in." [movie review]      The Aisle Seat   
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     (1997)      Click here to see the review! [movie review]      The Aisle Seat   
  
1.5/4
     (2009)      "I don't mind if something blows up every five minutes so long as I'm given a reason to care why something is blowing up every five minutes." [movie review]      The Aisle Seat   
  
4/4
     (2002)      "Scorsese's film is a real epic, and it's clear that the director has a passion for the subject." [movie review]      The Aisle Seat   
  
4/4
     (2004)      "Zach Braff should promptly quit his TV show and devote himself to making movies full-time." [movie review]      The Aisle Seat   
  
3/4
     (2004)      "I recommend it as a family film that kids will enjoy and adults will find unexpectedly pleasant." [movie review]      The Aisle Seat   
   --
     (1999)      Click here to see the review! [movie review]      The Aisle Seat   
  
3/4
     (2005)      "Romero has made a movie that will completely satisfy the Fangoria magazine crowd but, like his previous efforts, also manages to make acute observations about modern society." [movie review]      The Aisle Seat   
  
2.5/4
     (2007)      "There is enough to admire here that you may agree it's worth a look. At the same time, the film doesn't emotionally satisfy as strongly as it should. One thing's clear though: this is Lohan's picture, and she walks away with it." [movie review]      The Aisle Seat   
  
1/4
     (2001)      "Here's a fundamental rule of filmmaking: if you need to rely on a dog humping everything in sight to get laughs, you are not making a good movie." [movie review]      The Aisle Seat   
  
3/4
     (2005)      "Director [Jim Sheridan] was a good choice: he understands the story’s theme and he captures the gritty feel of [50's] world without ever falling into exploitation." [movie review]      The Aisle Seat   
  
3.5/4
     (2008)      "Get Smart is an example of getting the right actors and taking the right approach...It gave me one of the most fun times I've had at the movies all year." [movie review]      The Aisle Seat   
  
2.5/4
     (2007)      "It doesn't necessarily stand alone, although if you saw Get Smart and liked the Bruce and Lloyd characters, then you can get a certain level of enjoyment out of their pseudo-sequel." [movie review]      The Aisle Seat   
  
2.5/4
     (2007)      "Only when the flaming skeleton strides his fiery bike does the film hit high gear which, admittedly, is often enough to make this a passably diverting two hours." [movie review]      The Aisle Seat   
  
3.5/4
     (2008)      "It's terrific entertainment all the way around. Do yourself a favor. Go see it." [movie review]      The Aisle Seat   
  
1/4
     (2009)      "Ideally, you want to see the male and female leads end up together in a romantic comedy; if not, it all starts to become kind of creepy." [movie review]      The Aisle Seat   
  
3.5/4
     (2003)      "The Titanic has a haunting beauty that is served well by the movie's 3-dimensional process." [movie review]      The Aisle Seat   
  
1.5/4
     (2003)      "The truth of the matter is that Gigli is not a good movie, but it also isn’t any worse than a lot of movies that Hollywood puts out in any given year." [movie review]      The Aisle Seat   
  
3/4
     (2004)      "The movie never provides any groundbreaking answers [about teenage sexuality], but I give it credit for at least posing the questions." [movie review]      The Aisle Seat   
  
3.5/4
     (1992)      "It is a testament to the power of Jack Lemmon's performance that it ranks as one of the most recognized of his accomplished career." [movie review]      The Aisle Seat   
  
2.5/4
     (2006)      "Just a retread of an age old formula. The film had the potential to do something a little different with it, but didn't take the opportunity." [movie review]      The Aisle Seat   
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     (1998)      Click here to see the review! [movie review]      The Aisle Seat   
  
2/4
     (2007)      "I heard the dialogue, I saw the images, but I never got into the story. I was always aware that I was sitting in a theater watching a movie." [movie review]      The Aisle Seat   
  
3.5/4
     (2007)      "Gone Baby Gone goes beyond just being a good mystery. This is a film with something valid to say about child welfare, and it imparts its message with passion, depth, and grace." [movie review]      The Aisle Seat   
  
2/4
     (2006)      "While admirable as an example of directorial innovation and homage, The Good German fails to connect on a basic emotional level." [movie review]      The Aisle Seat   
  
3.5/4
     (2002)      "Jennifer Aniston removes her Hollywood glamour to convincingly play a drab Texas cashier teetering on the edge of depression. It's one of the best performances of the year." [movie review]      The Aisle Seat   
  
1.5/4
     (2007)      "Good Luck Chuck is the anti-Superbad." [movie review]      The Aisle Seat   
  
4/4
     (2005)      "While the harmfulness of McCarthyism is a significant part of the film, it approaches the subject by examining the power of the media." [movie review]      The Aisle Seat   
  
3.5/4
     (2006)      "The Good Shepherd feels authentic because it keeps everything on a human scale. There's no mythologizing the agency; there's just a solid depiction of how it was shaped by human beings." [movie review]      The Aisle Seat   
  
2.5/4
     (2006)      "The course A Good Year takes feels like it's on rails: there's only one possible destination and only one way to get there." [movie review]      The Aisle Seat   
  
2/4
     (2009)      "With a comedy like this, you want to be laughing constantly, not every 15 or 20 minutes." [movie review]      The Aisle Seat   
  
1.5/4
     (2001)      "Gosford Park earns the most dreaded label of all: overrated." [movie review]      The Aisle Seat   
  
3/4
     (2003)      "The sincerity Halle Berry brings to the part aids the movie in gliding over some of the more hard-to-swallow moments." [movie review]      The Aisle Seat   
  
3.5/4
     (2008)      "Gran Torino gets laughs when it wants to be funny, earns your empathy when it wants to be affecting, and makes you think when it speaks its mind." [movie review]      The Aisle Seat   
  
3/4
     (2004)      "What I responded to most about Grand Theft Parsons is that it tells the story without excess sentimentality...a funny, engaging movie that’s worth seeking out." [movie review]      The Aisle Seat   
  
3/4
          "Superhero tales are best when they strive for some complexity; this one has an engrossing plot and some solid character development that grown-ups can appreciate." [movie review]      The Aisle Seat   
  
3.5/4
     (2008)      "The movie would almost doubtlessly have garnered Oscar nominations for its two stars had it been released theatrically." [movie review]      The Aisle Seat   
  
4/4
     (2007)      "It's the way Rodriguez, Tarantino, and their guests recreate an experience for you that really makes this one of the most inventive, entertaining, and incessantly cool movies of recent years." [movie review]      The Aisle Seat   
  
2.5/4
     (2004)      "The Grudge is so amazing to look at that some might even be able to forgive the fact that the plot never kicks into gear. But I cannot." [movie review]      The Aisle Seat   
  
1.5/4
     (2006)      "It's hard to know where to begin with this sorry sequel, because when it was over, I felt like I hadn't actually seen a movie. Everything about it just evaporates immediately." [movie review]      The Aisle Seat   
  
3/4
     (2005)      "I don’t think Guess Who is a very good movie about its subject...but it works pretty well as a piece of light entertainment." [movie review]      The Aisle Seat   
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