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(1976) |
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"Welles revels in the duplicity of his subject, reminding us time and time again that we can't trust the medium of film"
[movie review] |
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rec.arts.movies.reviews |
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(1980) |
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"Greenaway's punning and deadpan humour underscore the futility of this project."
[movie review] |
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rec.arts.movies.reviews |
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(1996) |
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"(The Coen's) assured steps from darkness into light is a cinematic balancing act"
[movie review] |
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rec.arts.movies.reviews |
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(1979) |
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"A most unusual entry in the oeuvre of horror director David Cronenberg"
[movie review] |
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rec.arts.movies.reviews |
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(1982) |
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"Works well because we have the sense that, like Crowe, we are listening in."
[movie review] |
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rec.arts.movies.reviews |
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(1965) |
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"A rondo of lechery, betrayals, bitching and plotting"
[movie review] |
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rec.arts.movies.reviews |
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(1953) |
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"It's probably the film's metaphorical riffs that Kubrick found most pretentious"
[movie review] |
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rec.arts.movies.reviews |
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(1998) |
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"It is Gilliam fastening his lance to a Chevrolet convertible and charging at the windmills with his foot to the floor"
[movie review] |
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rec.arts.movies.reviews |
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(1986) |
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"Overall, BUELLER has a relaxed, kick-back-your-heels feeling to it, like driving along the road listening to one of your favorite songs on the radio"
[movie review] |
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rec.arts.movies.reviews |
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(1980) |
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"FFOLKES appears in the middle of Moore's run of Bond films, and you have to wonder how strongly he was attracted to the part just to escape that image"
[movie review] |
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rec.arts.movies.reviews |
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(1958) |
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"Falls into the wave of horror productions that presented atomic radiation as the new boogeyman of the postwar era"
[movie review] |
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rec.arts.movies.reviews |
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(1997) |
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"His enthusiasm for this project is so pervasive that you can't help share his sense of enjoyment"
[movie review] |
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rec.arts.movies.reviews |
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(1980) |
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"About the only thing that isn't red in this movie is the blood"
[movie review] |
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rec.arts.movies.reviews |
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(1965) |
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"Absorbing study of men under pressure never flags"
[movie review] |
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rec.arts.movies.reviews |
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(1967) |
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"In keeping with their shifty con tricks, the characters stay on the move"
[movie review] |
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rec.arts.movies.reviews |
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(1958) |
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"A barometer for what some people perceive as funny and what others think is creepy"
[movie review] |
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rec.arts.movies.reviews |
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(1980) |
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"Patently the only film of its kind that could give a home to its nutso musical numbers"
[movie review] |
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rec.arts.movies.reviews |
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(1993) |
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"If you're tired of computer-generated visuals then you'll appreciate the domestic feel of the film's effects"
[movie review] |
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rec.arts.movies.reviews |
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(1964) |
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"One of the most light-hearted efforts from the irreverent director, who was liberated with a widescreen palette after years of working for TV
"
[movie review] |
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rec.arts.movies.reviews |
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(1996) |
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"For every weak moment there is a directorial flourish that compensates"
[movie review] |
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rec.arts.movies.reviews |
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(1994) |
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"Witt is so natural it's hard to believe her lines were scripted"
[movie review] |
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rec.arts.movies.reviews |
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