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Brian Holcomb
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5/5 |
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(2008) |
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"This isn't the kind of melodrama where a happy facade is slowly torn away-the tensions are there from the start and no one has illusions that things are nice and rosy."
[movie review] |
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CinemaBlend.com |
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5/5 |
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(1985) |
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"This is one of the greatest films ever made. Period. It's outrageous, erotic, gory, jaw-dropping, genre-busting ,shocking, and altogether exhilarating filmmaking."
[movie review] |
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PopMatters |
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4.5/5 |
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(2008) |
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"It's not the characteristically sharp Mamet dialogue that makes Ejiofor effective so much as what he does between the lines: Moments of powerful contemplation and silence."
[movie review] |
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CinemaBlend.com |
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(2007) |
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"At first glance, "Rescue Dawn" might seem like Herzog gone Hollywood, but it's still very much the man's work. Herzog has his cake and eats it too."
[movie review] |
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Beyond Hollywood |
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(2006) |
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"Built from spare parts left over by American remakes of Japanese copies of "Ringu", "The Return" is at least two steps removed from the first generation copy."
[movie review] |
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Beyond Hollywood |
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1.5/5 |
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(2008) |
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"Pacino. DeNiro. Armed and dangerous. In a cop drama. In NYC. Together. Written by the writer of Inside Man. Sounds great, doesn't it? Well, what could've gone so wrong?"
[movie review] |
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CinemaBlend.com |
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8/10 |
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(2006) |
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"With "Rocky Balboa", Stallone's created the first real "sequel" to his original, a deserving bookend that recaptures that film's sense of character and realistic detail."
[movie review] |
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PopMatters |
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2/10 |
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(2006) |
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"The real shame is that Roy's story is riveting stuff and would've made a great honest documentary or at least an amazing '70s crime picture with Oliver Reed as Shaw."
[dvd review] |
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PopMatters |
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