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Total Reviews: 120
Brian Holcomb
Brian Holcomb
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8/10
Damages - The Complete First Season
(2007)
"Staying out of the courtroom, it's about what goes on before the trial, a period of brinksmanship that plays like an intense secret war waged between truly ruthless enemies."
[dvd review]
PopMatters
Days of Heaven
(1978)
"For Malick, Man is just a small part of a world which just keeps going round with or without his petty squabbles, crimes, loves, or melodramatic plots."
[movie review]
PopMatters
4/10
Dead Man's Bounty
(2007)
"In attempting to create a shock effect of the new within the old, the baby is tossed out with the bathwater. The core pleasures of genre still have to be respected."
[movie review]
PopMatters
Dead Silence
(2007)
""Dead Silence" is not going to reinvent the genre. It's actually a big pile of nonsense, but that doesn't stop it from being fun nonetheless."
[movie review]
Beyond Hollywood
6/10
Dean Martin Double Feature - How To Save A Marriage (And Ruin Your Life)/Who Was That Lady
(1960)
"These are far from Martin's best work, but they serve as documents to his likability."
[dvd review]
PopMatters
2.5/5
Deception
(2008)
"This film would make a perfect commercial thriller for James Spader and Rob Lowe were it still 1994."
[movie review]
CinemaBlend.com
The Departed
(2006)
"Scorsese has made an incredible cover version of the original, imbued with every ounce of his artistic personality transforming it into something both familiar and new."
[movie review]
Beyond Hollywood
3/5
Die Hard 2: Die Harder
(1990)
""How can the same thing happen to the same guy twice?" asks a bewildered and ultra-ironic John McClane. Well, make a film as successful as Die Hard and you'll soon find out."
[movie review]
CinemaBlend.com
4.5/5
Diggers
(2007)
"A very detailed portrait of a time and place that is about to change forever. This is a Long Island of 1976 in someone's memory, like a faded Polaroid in an old shoebox."
[movie review]
CinemaBlend.com
4/5
Drag Me To Hell
(2009)
" While it has the energy and the endless cinematic invention of his early work, the film's command of economical storytelling is something that once eluded Raimi."
[movie review]
Kinetofilm
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