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1/4 |
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(2009) |
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"To the annals of romantic stalker comedies, the appallingly creepy Management adds pretension and may blaze new, jaw-dropping territory: the predatory Beast totally rehabilitates Beauty."
[movie review] |
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Slant Magazine |
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3/4 |
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(1987) |
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"The bilingual parrying between the withholding diva and her frustrated chronicler often seems like Sunset Boulevard re-imagined as a radio play, with sex removed from the equation but marlenus interruptus aplenty."
[movie review] |
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Slant Magazine |
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1.5/4 |
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(2009) |
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"A jokey mess so far from the humane, satirical alchemy of Three Kings that a revocation of the producer-star's cinematic passport to the land of military-industrial japery seems in order."
[movie review] |
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Slant Magazine |
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2/4 |
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(2009) |
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"At best a cute anecdote that scrapes by at just over 70 minutes."
[movie review] |
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Slant Magazine |
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2/4 |
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(2009) |
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"Baldwin took a similarly fanciful history-mining approach for Tribulation 99, but Mock Up on Mu is more than twice as long and determinedly more obscure."
[movie review] |
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Slant Magazine |
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3/4 |
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(2008) |
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"A true tall tale that unfolds like the Great Unwritten Cold War Rock Novel."
[movie review] |
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Slant Magazine |
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3/4 |
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(2009) |
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"Chooses not to follow the money but one man's evolution in the pursuit of principle."
[movie review] |
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Slant Magazine |
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1/4 |
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(2009) |
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"Director Katherine Dieckmann, who demonstrated some natural comic rhythms and efficiency with actors in Diggers, is here unable to surmount the sitcom dreariness of her first original screenplay, apparently a "write-what-you-know" misjudgment."
[movie review] |
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Slant Magazine |
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(1979) |
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"A deserved dust-off for an aggressive form of stoner comedy long supplanted by Brand Apatow."
[dvd review] |
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Slant Magazine |
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2.5/4 |
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(1979) |
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"Mondo Video is far from the most refined or successful expression of O'Donoghue's darkly antic vision, but its spray of seething, occasionally fetishistic buckshot is unmistakably in its master's voice."
[movie review] |
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Slant Magazine |
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3.5/4 |
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(2008) |
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"The dominant Maddin is the narrating filmmaker, more palpably present than usual in the sound of his voice, bemoaning a lost golden age of his hometown faced absurdities of the tall tale."
[movie review] |
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Slant Magazine |
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