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Other Info
Sources
• Cinepinion
• Slant Magazine
• The L Magazine
Total Reviews: 288
Henry Stewart

NEWS & FEATURES
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A
     (1962)      "It's a sad lesson for the nostalgic in all of us." [movie review]      Cinepinion   
  
B+
     (2007)      "An intriguing and finger-pointing addition to the global warming canon that's still sufficiently wacky to be a thoughtful hoot." [movie review]      Cinepinion   
  
A+
     (1961)      "The film seems set inside cinema itself...it takes as its model the abstract senselessness of our unconscious recesses." [movie review]      Cinepinion   
  
B
     (1962)      "The problem with Le Doulos is that riding along with its plot...is an up-and-down process, having all the vacillating emotionality of a snowy day spent sledding--the thrill of the rapid descent, and the trudgery of the uphill return." [movie review]      Cinepinion   
  
B
     (2008)      "Clooney's actors...deliver their lines as though their tongues were packed with lead weights." [movie review]      Cinepinion   
  
B+
     (2008)      "From the country that didn't sign up with the Coalition of the Willing...the remake should be awful." [movie review]      Cinepinion   
  
B-
     (1988)      "While Let's Get Lost is easy to admire, it's tougher to enjoy...if it's not self-indulgent, it's certainly Chet-indulgent." [movie review]      Cinepinion   
  
D+
     (2009)      "An exercise in pseudo-stylishness finds Jarmusch clinging to a faded notion of what constitutes cool, to an ideal of hip that smacks distastefully of the '90s--back when this brand of indie-pretentious, faux-mystical hitman bull could pass muster." [movie review]      Cinepinion   
  
B+
     (2006)      "The Lives of Others addresses the transformative power of art and how our ordinary lives can be interpreted as narrative." [movie review]      Cinepinion   
  
B
     (2007)      "As the caper comes to overpower the narrative in the third act...Frank loses his way, allowing the proceedings to unforgiveably descend, starting with the climactic crime itself that features a cheaply manipulative development, into formulaic hokum." [movie review]      Cinepinion   
  
C
     (2008)      "In contrast to, say, Shine a Light's big-screen verve, Berlin is YouTube-ready: visually banal, spiritlessly assembled." [movie review]      The L Magazine   
  
B-
     (2008)      "Yamada's latest owes as much to Douglas Sirk as Akira Kurosawa." [movie review]      The L Magazine   
  
B-
     (2008)      "If cinema is a glass of water, Honore and Garrel are two tablets of Alka Seltzer. Unfortunately their carbonating effects wear off after about 45 minutes and the glass of water that is Love Songs goes tepid again." [movie review]      Cinepinion   
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