|
Sources |
• Cinepinion
• Slant Magazine
• The L Magazine
|
|
|
|
|
|
|
Henry Stewart
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
B |
|
(2007) |
|
"Essentially, the film is about acting consistently with one's faith."
[movie review] |
|
Cinepinion |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"We have no choice but to call Cargo 200 a horror movie...like the best horror movies, though, it's no mere revulser but a violent political parable."
[movie review] |
|
The L Magazine |
|
|
|
|
| |
A- |
|
(1971) |
|
"Carnal Knowledge does nothing if not remind us that life in post-war America was a lot dirtier than we're often led to believe."
[movie review] |
|
Cinepinion |
|
|
|
|
| |
B+ |
|
(2008) |
|
"Allen [is] like an old uncle at a holiday gathering, telling the same old story year after year, but it's such a good story and he tells it so well (and, hell, you love the guy) that you can't help but want to hear him tell it again and again."
[movie review] |
|
Cinepinion |
|
|
|
|
| |
B |
|
(2008) |
|
"Isn't a man more than the sum of his occupation and ideology?"
[movie review] |
|
Cinepinion |
|
|
|
|
| |
3/5 |
|
(2008) |
|
"[Director Desplechin] has a knack with actors, and for up-close, liberated filmmaking, but he has little sense of how to fit the pieces together."
[movie review] |
|
The L Magazine |
|
|
|
|
| |
A+ |
|
(1931) |
|
"Perhaps the purest example of the cinema's potential for pathos."
[movie review] |
|
Cinepinion |
|
|
|
|
| |
A |
|
(2008) |
|
"The student-teacher movie finally done right...[it] unobtrusively doubles as a microcosmic exploration of France's failed melting pot society; Cantet handles the literal and the symbolic with dexterity, allowing both to exist independently."
[movie review] |
|
Cinepinion |
|
|
|
|
| |
A |
|
(2008) |
|
"Cloverfield is about terrorism's human effects, not its spectacle."
[movie review] |
|
Cinepinion |
|
|
|
|
| |
A |
|
(1964) |
|
"Fritz Lang famously quips that Cinemascope, in which the film is shot, is only good for capturing snakes and funerals, and so we get a film full of slimy, serpentine characters and a memorial service for the cinema."
[movie review] |
|
Cinepinion |
|
|
|
|
| |
4/5 |
|
(2009) |
|
"[It] might be thematically unremarkable, even dishearteningly cynical, but it compensates with an unpredictable visual vocabulary that's anything but."
[movie review] |
|
The L Magazine |
|
|
|
|
| |
B |
|
(2008) |
|
"A parade of insipid insight [that] unexpectedly finds strength in the simplicity of an inevitably tragic love story."
[movie review] |
|
Cinepinion |
|
|
|
|
