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Sort by
RATING |
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3.5/5 |
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(2004) |
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"Garner manages a natural sweetness that sells Jenna’s inherent adolescence, and her wide-mouthed grin wipes the grime off of the simplistic script"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2007) |
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"gruesome and psychologically chilling, not gory and shockingly gross"
[movie review] |
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Filmcritic.com |
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3/4 |
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(2006) |
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"a polished, professional, by-the-book approach to the improving real-time plot strategy."
[movie review] |
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Charlotte Weekly |
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3/4 |
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(2007) |
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"(Has) an acerbic sense of humor and a fantastic ear for struggling-relationship dialogue."
[movie review] |
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Charlotte Weekly |
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B |
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(2002) |
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"Those who can’t tell their Johnny Rotten’s from their Right Said Fred’s will be entertained by Coogan’s charmingly relaxed turn and Frank Cottrell Boyce’s ardent script."
[movie review] |
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Eclipse Magazine |
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B+ |
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(2003) |
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"Manifests and maintains a drug-induced nightmare state of apocalyptic proportions."
[movie review] |
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Eclipse Magazine |
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4/5 |
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(2007) |
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"far more original than I thought possible"
[movie review] |
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Filmcritic.com |
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3/4 |
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(2008) |
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"The riveting second half rewards your patience and tolerance for emotional pain."
[movie review] |
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Charlotte Weekly |
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2.5/4 |
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(2005) |
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"These R-rated comedies sure know how to be raunchy. They just don’t know how to be short."
[movie review] |
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Charlotte Weekly |
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4/4 |
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(2009) |
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"The kind of movie where telling people to see it isn't enough. You physically want to drive them to the theater so they'll be there in time for the next showing."
[movie review] |
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Charlotte Weekly |
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3.5/5 |
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(2002) |
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"Eminem kept his cool, and his new movie was straight dope."
[movie review] |
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Filmcritic.com |
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3/4 |
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(2009) |
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"Adam's disorder is but one piece of a tender relationship puzzle that's nurtured out of its shell by the performers."
[movie review] |
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Charlotte Weekly |
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2.5/4 |
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(2006) |
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"The message remains fantastic for kids, even if the director allows his events to teeter toward comical near the end."
[movie review] |
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Charlotte Weekly |
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(2001) |
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"Does pack plenty of punches, most notably the mesmerizing turn by Smith."
[movie review] |
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Eclipse Magazine |
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B+ |
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(2003) |
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"The introspective Girls is frequently beautiful, though it occasionally slips out of focus for brief stints."
[movie review] |
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Eclipse Magazine |
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B |
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(2004) |
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"Another high-brow laugher that delights in running (Ben Stiller) through the ringer."
[movie review] |
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Eclipse Magazine |
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(2001) |
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"With Pie 2, Biggs' Jim finally rises to the challenge of being the main character the first film desperately needed him to be."
[movie review] |
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Eclipse Magazine |
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A- |
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(2003) |
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"A blast of originality, an oddly poignant and viciously entertaining glance into the conflicted mind of a genius."
[movie review] |
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Eclipse Magazine |
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B- |
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(2003) |
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"We didn't need a third American Pie, but you'll still get a few laughs out of it."
[movie review] |
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Flipside Movie Emporium |
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3/4 |
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(2005) |
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"On almost every level, this remake is a marked improvement."
[movie review] |
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Charlotte Weekly |
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3/4 |
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(2009) |
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"A handsomely crafted and beautifully acted awakening story that's predictable but consistently rewarding."
[movie review] |
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Charlotte Weekly |
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B |
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(2003) |
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"Though Management might be the comedian’s most mainstream effort to date, the end result is still very much an Adam Sandler comedy."
[movie review] |
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Eclipse Magazine |
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4/5 |
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(2002) |
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"Uniformly well-performed and blessed with a spotless screenplay that could easily pass a naval inspection."
[movie review] |
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Filmcritic.com |
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(1999) |
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"The brutal game sequences, combined with a thumping soundtrack you feel in your stomach, should make his target audience drool."
[movie review] |
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Citysearch |
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3/4 |
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(2006) |
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"Takes some getting used to, but ends up being as bleak as Zwigoff's coal-blackened Bad Santa."
[movie review] |
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Charlotte Weekly |
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3.5/4 |
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(2007) |
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"Smaller than you'd expect, though many may remember it for the exquisite period detail, production design or fluid camera work."
[movie review] |
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Charlotte Weekly |
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B- |
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(2002) |
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"Falls short of being a 24-karat comedy, but might be as funny as an Austin Powers movie gets."
[movie review] |
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Eclipse Magazine |
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C+ |
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(2002) |
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"Translates into a mediocre episode of E!’s True Hollywood Story with more nudity."
[movie review] |
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Eclipse Magazine |
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(2000) |
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"The predictable screenplay overcomes the obvious age difference and eventually generates genuine emotion."
[movie review] |
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Citysearch |
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3.5/4 |
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(2009) |
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"The first film I've seen this year that made me feel something."
[movie review] |
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Charlotte Weekly |
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3/4 |
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(2006) |
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"Finds a tense undercurrent (that) keeps us involved through the film's moderate pace and constant narrative shuffling."
[movie review] |
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Charlotte Weekly |
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3/4 |
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(2008) |
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"The year's first film that kept me laughing from end to end with intelligent and perceptive punch lines that don't aim for the broad side of a fraternity house."
[movie review] |
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Charlotte Weekly |
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B |
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(2003) |
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"The potshots are broad and extremely offensive, but also droll and consistently wicked."
[movie review] |
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Flipside Movie Emporium |
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3/4 |
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(2008) |
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"Bustles along to its central theft, then treads water until (it) can map a proper end game."
[movie review] |
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Charlotte Weekly |
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B- |
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(2002) |
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"Like a veteran head cutter, Barbershop is tuned in to its community."
[movie review] |
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Eclipse Magazine |
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4/5 |
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(2004) |
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"The sequel doesn’t surprise us ... but that doesn’t make the visit any less pleasant."
[movie review] |
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Filmcritic.com |
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4/4 |
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(2005) |
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"A smash, one of the finest comic book adaptations of all time and one of the best films of 2005."
[movie review] |
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Charlotte Weekly |
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3/5 |
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(2003) |
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"Perfectly enjoyable without being remarkable, a solid endeavor by a first-time writer and rookie directing team."
[movie review] |
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Filmcritic.com |
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3/4 |
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(2008) |
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"corny, cool and beautiful"
[movie review] |
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Charlotte Weekly |
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(2001) |
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"The pieces fall into place with the precision of one of Nash's confounding mathematical theories."
[movie review] |
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Eclipse Magazine |
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3/4 |
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(2007) |
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"Lumet moves Devil with a purpose, all the while maintaining a firm grip on his live-wire cocktail of guilt and paranoia."
[movie review] |
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Charlotte Weekly |
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B |
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(2004) |
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"Bening ... is radiant as ever and appears to be having an absolute blast."
[movie review] |
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Eclipse Magazine |
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B- |
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(2003) |
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"Goes beyond the vanity project you’d think it to be."
[movie review] |
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Eclipse Magazine |
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3.5/4 |
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(2009) |
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"Wrings pain out of heartbreaking truths, and steamrolls to an unpredictable conclusion that's suspenseful, mildly coincidental, but gut-wrenchingly sad."
[movie review] |
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Charlotte Weekly |
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A+ |
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(2003) |
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"The tall tales Edward tells in Fish are aided by Burton’s limitless imagination and visual ingenuity."
[movie review] |
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Eclipse Magazine |
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(2000) |
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"Wade through the slower spots and you'll be rewarded with some hilarious bits."
[movie review] |
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Citysearch |
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(2000) |
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"Leaves you cheering as you dab your eyes with a Kleenex."
[movie review] |
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Citysearch |
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2.5/4 |
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(2007) |
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"Given his modest talents as a filmmaker, the first half of Book might represent the best Verhoeven can do."
[movie review] |
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Charlotte Weekly |
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4/5 |
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(2007) |
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"If you hunger for something off the safe, mainstream path, let Moan bewitch you with its unusual healing process."
[movie review] |
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Filmcritic.com |
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2.5/4 |
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(2009) |
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"Recycles the charitable messages of other religion-based films, from "Facing the Giants" to "Fireproof," but presents them in an accessible, mainstream package."
[movie review] |
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Charlotte Weekly |
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