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Other Info
Sources
• Charlotte Weekly
• Citysearch
• Eclipse Magazine
• Filmcritic.com
• Flipside Movie Emporium
• MovieWeb
• Reel.com
Total Reviews: 917
Sean O'Connell
Sean O'Connell
Sean O'Connell

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1.5/4
     (2007)      "It's afraid to leave its comfort zone, and its primary joke wears thin in a hurry." [movie review]      Charlotte Weekly   
  
3.5/4
     (2005)      "A boot-stomping biography that's as infectious as the tunes Cash penned over the course of a lifetime." [movie review]      Charlotte Weekly   
  
     (2002)      "Remarkably dishonest garbage." [movie review]      Eclipse Magazine   
  
3/5
     (2004)      "You won’t be hungry for seconds by the time the last baddie hits the floor, but you won’t be checking your watch repeatedly, either." [movie review]      Filmcritic.com   
  
5/5
     (2008)      "How much further will they be able to raise the storytelling bar? And how on Earth will I pass the time until Pixar's next endeavor, Up, arrives in theaters to charm, amaze, and enthrall us, as the studio has done time after time?" [movie review]      Filmcritic.com   
  
4/4
     (2008)      "The enchanting tale of a lonely robot's quest for companionship is one of the studio's finest films, an absolute masterpiece that continues Pixar's initial promise to transport us to infinity and beyond." [movie review]      Reel.com   
  
5/5
     (2005)      "crams at least three great gags into every 60-second span" [movie review]      Filmcritic.com   
  
3.5/5
     (2008)      "there are more than enough original thrills to distance Wanted from its assorted predecessors" [movie review]      Filmcritic.com   
  
     (2000)      "An embarrassing hybrid of the worst elements of similar fare." [movie review]      Citysearch   
  
3.5/5
     (2009)      "comes about as close to Moore's intent as we're likely to see in adapting the sprawling Watchmen into manageable, feature-length form" [movie review]      Filmcritic.com   
  
3/5
     (2006)      "mirrors every other football flick we've recently seen" [movie review]      Filmcritic.com   
  
3/4
     (2007)      "Gray keeps his picture interesting with a handful of inspired action scenes" [movie review]      Charlotte Weekly   
  
C
     (2002)      "[Wallace] can write a good fight (Braveheart), but he certainly can't shoot one." [movie review]      Eclipse Magazine   
  
4/5
     (2005)      "Cage hasn’t been this conflicted and impressive in some time" [movie review]      Filmcritic.com   
  
2.5/5
     (2005)      "rides its amusing premise like gangbusters for one solid act, but overextends itself the minute it leaves the comfy confines of its smart setup" [movie review]      Filmcritic.com   
  
1/5
     (2005)      "The shenanigans that first-time screenwriter Dana Cox concocts from this lame scenario fluctuate from stupid to lazy and back to dull" [movie review]      Filmcritic.com   
  
B-
     (2003)      "Moves like a whale, itself. It’s slow and meditative, yet massive in scope and emotional importance." [movie review]      Eclipse Magazine   
  
     (2000)      "The only thing you won't see through the sparkling smiles of the fresh-faced, beautiful cast is an original thought or message." [movie review]      Citysearch   
  
1.5/4
     (2009)      "Preachy, nihilistic, derogatory and unfocused." [movie review]      Charlotte Weekly   
  
     (2000)      "The film solidifies Linda Fiorentino's worth as a leading lady, hopefully rescuing her from the B-movie fare that litters her resume." [movie review]      Citysearch   
  
2/4
     (2009)      "Sendak's book crackled with the combustible energy of adolescent anarchy and creative play -- two elements severely lacking from Spike Jonze's mopey, withdrawn feature-length adaptation." [movie review]      Charlotte Weekly   
  
3/4
     (2009)      "Packs the same unfiltered jolts of grrrrrly-girl empowerment Barrymore likes to embrace in her acting gigs." [movie review]      Charlotte Weekly   
  
B
     (2002)      "Praising the performances in Oleander comes easy. Answering questions about character motivations isn’t so simple." [movie review]      Eclipse Magazine   
  
D
     (2004)      "...criminally deficient." [movie review]      Eclipse Magazine   
  
1/5
     (2006)      "You will not find a worse movie in Walt Disney's animated canon than The Wild" [movie review]      Filmcritic.com   
  
3/5
     (2008)      "light on laughs" [movie review]      Filmcritic.com   
  
3/5
     (2003)      "A perfect synthesis of actor and role. It would be difficult to imagine a better Willard than Glover, and director [Glen] Morgan knows it." [movie review]      Filmcritic.com   
  
C+
     (2004)      "As light and fluffy as it needs to be in select spots, yet soggy and doughy in others." [movie review]      Eclipse Magazine   
  
D+
     (2002)      "The biggest casualty of war is Woo's trademark grace and choreography, which receive fatal gunshot wounds and are left to die on the battlefield." [movie review]      Eclipse Magazine   
  
C+
     (2003)      "If you can get past the agitated visual gimmicks, there’s just enough mystery to sink your teeth in to." [movie review]      Eclipse Magazine   
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