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Sources
• Charlotte Weekly
• Citysearch
• Eclipse Magazine
• Filmcritic.com
• Flipside Movie Emporium
• MovieWeb
• Reel.com
Total Reviews: 917
Sean O'Connell
Sean O'Connell
Sean O'Connell

NEWS & FEATURES
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B
     (2003)      "Starts off strong, delivers a few adrenaline rushes, and loses steam before it coasts to a stop and drops us off safe and sound." [movie review]      Flipside Movie Emporium   
  
C+
     (2002)      "(Niccol's) screenplay for The Truman Show explored similar themes, though that film worked from a better blueprint to reach a more satisfying conclusion." [movie review]      Eclipse Magazine   
  
2.5/4
     (2005)      "On the occasional moment when McConaughey actually works himself up to being heroic, Sahara positively soars." [movie review]      Charlotte Weekly   
  
3/4
     (2005)      "The movie rests on (Adam) Butcher, and the actor proves to be a well-rounded smart aleck in the making." [movie review]      Charlotte Weekly   
  
C-
     (2002)      "Silly in all the places the first one was sincere." [movie review]      Eclipse Magazine   
  
1.5/4
     (2005)      "(Silverman) finds what's funny about an uncomfortable situation, then plunges past the point of good taste to end on shocking instead of entertaining." [movie review]      Charlotte Weekly   
  
D
     (2004)      "Takes cheap swings at easy targets and gift wraps a tidy message of forgiveness that’s as empty as (its) put-on Christian attitude." [movie review]      Eclipse Magazine   
   --
     (2001)      Click here to see the review! [movie review]      Eclipse Magazine   
  
2/5
     (2003)      "A collaboration between indie auteur director Richard Linklater and taboo-pushing screenwriter Mike White shouldn’t feel so mainstream." [movie review]      Filmcritic.com   
  
2.5/4
     (2006)      "Even the most experimental moviegoers, though, may wish for more of a story than what's provided." [movie review]      Charlotte Weekly   
  
3/5
     (2002)      "As clever, mysterious, and inventive as an episode of the popular cartoon series, a high compliment indeed." [movie review]      Filmcritic.com   
  
1/4
     (2006)      "Every bit as soggy and silly as "Match Point" was passionate and sharp." [movie review]      Charlotte Weekly   
  
     (2001)      "The patient and meticulous Oz discards the camera tricks and MTV-style quick cuts that allow directors like Dominic Sena and Simon West to have careers, relying solely on a well-thought-out script." [movie review]      Eclipse Magazine   
  
B-
     (2002)      "Isn't afraid to borrow from multiple sources, but it certainly has its own brand of fun." [movie review]      Eclipse Magazine   
  
2.5/5
     (2003)      "It’s scary to think of how much better this king of the jungle could’ve been had it possessed the sharp teeth of its animal namesake and took a serious bite out of the plump themes of family greed, lost love and misspent youth." [movie review]      Filmcritic.com   
  
A-
     (2003)      "A moving and eerily accurate glance into the wandering mind of a married man." [movie review]      Eclipse Magazine   
  
B+
     (2002)      "When Maggie Gyllenhaal finally becomes a household name, audiences will look back on her role in Secretary as the push that started her ball rolling." [dvd review]      Eclipse Magazine   
  
2/5
     (2008)      "it's time Ferrell gives these sports comedies a little time on the bench before his big-screen career fouls out." [movie review]      Filmcritic.com   
  
3/4
     (2009)      "Even a haute couture heathen such as I recognizes that to full-blown fashionistas, "September Issue" is nothing short of a religious experience." [movie review]      Charlotte Weekly   
  
     (2001)      "Various 'new age' detours addressing destiny and soulmates, as well as a jazzy soundtrack of original tunes by Alan Silvestri, make the familiar material seem lively and original." [movie review]      Eclipse Magazine   
  
2/4
     (2005)      "A television-sized adventure populated by thinly constructed sidekicks and a hero suffering from Han Solo envy." [movie review]      Charlotte Weekly   
  
D+
     (2002)      "The only thing Sara serves is lame, stereotypical humor coupled with predictable shenanigans." [movie review]      Eclipse Magazine   
  
     (2001)      "Glazer provides hope that filmmakers eventually will step out from Tarantino's shadow, but they have to bring something new to the table." [movie review]      Citysearch   
  
C-
     (2004)      "Wishy-washy ... fluctuates between two opposing opinions of gentlemen in soft shoes." [movie review]      Eclipse Magazine   
  
     (2001)      "Paltrow's performance alone is worth seeing, but the rest of the film can't shed its dead weight." [movie review]      Eclipse Magazine   
  
C
     (2003)      "Tries so hard to be footloose and fancy free, but the signs of strain are evident." [movie review]      Eclipse Magazine   
  
B+
     (2003)      "[LaBute's] stagy but delectable dialogue drips with effective urgency." [movie review]      Flipside Movie Emporium   
  
4/5
     (2006)      "leaves no fin unturned" [movie review]      Filmcritic.com   
  
C+
     (2004)      "Defers to easy sludge, whale poop and passed gas jokes meant to reel kids back into their seats every time the mature Mafia references swim over their heads." [movie review]      Eclipse Magazine   
  
B+
     (2003)      "A riveting drama spelled out by an excellent cast." [movie review]      Eclipse Magazine   
  
3.5/5
     (2002)      "A delectable little treat that's sunny, funny, and far more intelligent than you'd expect." [movie review]      Filmcritic.com   
  
2/4
     (2008)      "The legendary rockers never did much for me musically, and so a film that's 95 percent live performance does even less." [movie review]      Charlotte Weekly   
  
2.5/5
     (2007)      "The thinly veiled political rant hits all cylinders whenever its crosshairs land in action mode" [movie review]      Filmcritic.com   
  
2/4
     (2005)      "An elegant distraction, Shopgirl does everything in its power to eliminate human connection." [movie review]      Charlotte Weekly   
  
2.5/4
     (2006)      "Rises above late-night basic cable trash thanks to the courageous cast and Mitchell's accomplished direction." [movie review]      Charlotte Weekly   
  
1.5/4
          "An imaginative but shamefully unsophisticated fantasy." [movie review]      Charlotte Weekly   
  
B
     (2002)      "Sly, sharp and frequently funny, Murphy displays a rare return to 48 Hours form." [movie review]      Eclipse Magazine   
  
A-
     (2004)      "Mixes its spot-on fairy tale digs with a sprawling knowledge of Hollywood history." [movie review]      Eclipse Magazine   
  
3.5/5
     (2007)      "Subversive humor, long the calling card of the Shrek films, is present here but in shorter supply" [movie review]      Filmcritic.com   
  
B+
     (2004)      "Thrives on adult conversation so curvy and rich, we swear we can taste it." [movie review]      Eclipse Magazine   
  
B
     (2002)      "Shyamalan wears his influences on his sleeve, from composer James Newton Howard's Hitchcockian score to the absorbing Close Encounters by way of Amazing Stories screenplay." [movie review]      Eclipse Magazine   
  
4/5
     (2007)      "The humor stays irreverent without making the still-running sitcom irrelevant." [movie review]      Filmcritic.com   
  
1.5/4
     (2005)      "Clichéd characters mutter dated noir dialogue through sadistic stories you can predict in your sleep." [movie review]      Charlotte Weekly   
  
2.5/5
     (2003)      "DreamWorks’ animated division continues its mediocre streak of family-centered adventures with the visually stimulating but substandard Sinbad." [movie review]      Filmcritic.com   
  
D+
     (2003)      "Bad pulp that results in flaccid fiction." [movie review]      Eclipse Magazine   
  
B-
     (2005)      "It can be overly sappy but sweet enough to please. All four actresses are believable, particularly when Sisterhood sells tough resolutions to the issues raised." [movie review]      Flipside Movie Emporium   
  
3/5
     (2008)      "Seriously, this sounds like The Young and the Restless." [movie review]      Filmcritic.com   
  
2.5/5
     (2005)      "a parade of phony horror clichés meant to generate predictably cheap scares" [movie review]      Filmcritic.com   
  
B+
     (2004)      "(Conran's) passion for this particular story elevates his film to great heights. Pour yourself a large glass of chocolate Ovaltine and enjoy." [movie review]      Eclipse Magazine   
  
2/4
     (2008)      "As much as I enjoyed Quaid's introspective turn, his co-stars play characters lifted straight out of Screenwriting 101." [movie review]      Charlotte Weekly   
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