 |
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|
|
|
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| |
1.5/4 |
|
(2007) |
|
"Lame."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
C+ |
|
(2005) |
|
"Family-man Vin actually runs a gamut of emotions, expressing four different facial expressions throughout Pacifier, which is three more than I expected."
[movie review] |
|
Flipside Movie Emporium |
|
|
|
|
| |
3/4 |
|
(2006) |
|
"An easy movie to admire but a difficult one to embrace."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
2.5/4 |
|
(2006) |
|
"Del Toro has realized a work of art that's too terrifying and politically motivated for young audience members who should be swept up in Ofelia's royal dreams."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
B |
|
(2002) |
|
"Offers a tight plot audiences can digest with a mild suspension of disbelief."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
B |
|
(2004) |
|
"Segments shot in hindsight pale in comparison to the actual, effective, and emotional recollections of survivors who come to Whitwell to share their past with the school."
[movie review] |
|
Flipside Movie Emporium |
|
|
|
|
| |
3/4 |
|
(2009) |
|
"Far more effective during its nighttime scenes"
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
3/4 |
|
(2008) |
|
"A frothy concoction that thrives on the improvisational creativity found on a stage."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
3/4 |
|
(2007) |
|
"Offers a smorgasbord of distinct styles as it compiles an unprecedented movie mix tape of poetic interludes."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
4.5/5 |
|
(2004) |
|
"An unquestionable work of conviction that should outlast the controversy and trigger constructive dialogue for years to come."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/4 |
|
(2006) |
|
"Only in filmmaker Victor Salva's world are impossibly chiseled, Abercrombie-ready gymnasts worshipped by their peers on college campuses and in adjoining dive bars."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
2/4 |
|
(2008) |
|
"the girl's ungainly snout is the only unique feature in this otherwise textbook fantasy."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
2/4 |
|
(2009) |
|
"Can't get away from the psycho-stalker formula, so predictability trumps creativity in the end."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
1/5 |
|
(2005) |
|
"Dear Hilary... I can’t see you or your movies anymore."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2004) |
|
"(Scarlett) Johansson fashions a memorably acidic personality that fits this material perfectly."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
5/5 |
|
(2003) |
|
"If cheerful children were granted $80 million dollars, a bevy of cameras, and access to a seasoned crew, this is the version of Pan they’d envision."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
B |
|
(2003) |
|
"Watching any guy talking on the phone for 80 minutes could have grown tiresome. Farrell keeps us enthralled and, in the process, entertained."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
A- |
|
(2002) |
|
"(An) emotional salute to the human spirit."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
B- |
|
(2003) |
|
"You may leave on a high note, but you’ll quickly remember how long it took you to reach that pinnacle"
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
1.5/5 |
|
(2006) |
|
"Steve Martin should have his SAG card revoked for even considering an attempt at filling Sellers' shoes"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/4 |
|
(2009) |
|
"Alive with the full-bodied embrace of anarchy"
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
2/4 |
|
(2007) |
|
"A lazy rehash spun together to satisfy booty-hungry studio heads ... it's as explosive as a firearm loaded with wet gunpowder"
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
3.5/4 |
|
(2006) |
|
"Boasts the summer's best effect so far"
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
3.5/5 |
|
(2003) |
|
"Boasts the season’s best production values, first-rate computer-animated special effects and a strong ensemble cast ready to toss your low expectations overboard."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2001) |
|
"The director's gaudy approach to his individual frames begs for a deeper meaning that you’re going to have to bring to the table yourself."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/4 |
|
(2009) |
|
"Stargazers believe there's intelligent life out there. You just won't find much of it on "Planet 51.""
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
|
|
(2001) |
|
"Burton brings time and experience to this advanced retelling of the familiar tale."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
1/4 |
|
(2009) |
|
"Did you ever wonder what face Andy Griffith makes when he's having an intimate moment with a lady friend? Me neither. Yet that's one of many "delights" foisted on us during writer-director Marc Fienberg's feature-length debut comedy."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
2/4 |
|
(2006) |
|
"A big, dumb disaster movie that grows more ridiculous as it proceeds."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
3.5/4 |
|
(2006) |
|
"A beautiful farewell party, one that balances drama and comedy with ample, unexpected heart."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
2.5/4 |
|
(2006) |
|
"Filters its lessons through contemptuous twin brothers before settling on the redemptive power of gospel music sung by a church ensemble."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
3/4 |
|
(2009) |
|
"Recommending "Precious" proves challenging, regardless of the film's quality. ... But to skip it would mean missing some fantastic performances."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"answers most of its mysteries, even if the resolutions are disappointingly vague"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
5/5 |
|
(2006) |
|
"the wunderkind director's latest in a growing line of masterpieces."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"stitched together with a thick emotional fabric that is weaved by the excellent cast"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/4 |
|
(2005) |
|
"Comes across as prim and rigid, a feature bound by a corset."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
3/5 |
|
(2005) |
|
"competently trots through predictable terrain"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
|
|
(2001) |
|
"Andrews' performance is the spoon full of sugar that helps this medicine go down."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
C |
|
(2004) |
|
"Blows through the better stuff quickly and settles into a routine romance."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
3/4 |
|
(2005) |
|
"Little more than the show audiences paid to see in New York."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
B+ |
|
(1968) |
|
"Mostel doesn’t quite perform as much as he projects through the back of the wall, and Wilder perfectly counters him with a clipped nervousness that’s sweet and compassionate."
[dvd review] |
|
Eclipse Magazine |
|
|
|
|
| |
1.5/5 |
|
(2005) |
|
"Proof can’t conjure a single legitimate thread, or an emotion to back it up."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/4 |
|
(2009) |
|
"It's the undeniable chemistry %u2013 both romantic and comedic %u2013 shared between Reynolds and Bullock that ultimately carries "The Proposal" over its mediocre, formulaic writing and predictable plotting."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
3/4 |
|
(2006) |
|
"Intentionally strips the polish from Hollywood's overproduced outlaw epics.
"
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
2/4 |
|
(2009) |
|
"More enamored with the Dillinger myth than with the actual man."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
A |
|
(2002) |
|
"The sheer unpredictability of Love intoxicates you while you watch it, leaving you lightheaded, woozy."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
3/4 |
|
(2006) |
|
"What seems like a departure for (Will) Smith actually fits comfortably with his heroic oeuvre."
[movie review] |
|
Charlotte Weekly |
|
|
