 |
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| |
4/5 |
|
(2004) |
|
"The further Ladder gets into the story of Jack’s past, the deeper we care about his uncertain present."
[movie review] |
|
Filmcritic.com |
|
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| |
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(2000) |
|
"In Phelps' own words, the tedious Ladies Man is a dirty, bus stop skank."
[movie review] |
|
Citysearch |
|
|
|
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| |
2.5/4 |
|
(2006) |
|
"Lady would be nothing without the man that rides to her rescue, Paul Giamatti."
[movie review] |
|
Charlotte Weekly |
|
|
|
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| |
2.5/5 |
|
(2004) |
|
"A productive failure that’s silly rather than sophisticated. We’re engaged by its oddities, but never really entertained."
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
3/4 |
|
(2006) |
|
"Taps subtle, soft-spoken beats of a passionate and lonely heart that, in time, helps us forget the overall implausibility of the situation."
[movie review] |
|
Charlotte Weekly |
|
|
|
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| |
3/5 |
|
(2009) |
|
"as much of a nonsensical head-scratcher as the source show."
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
2/4 |
|
(2007) |
|
"Even under his own established guidelines, Gillespie pushes his fantasy past the point of possibility."
[movie review] |
|
Charlotte Weekly |
|
|
|
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| |
|
|
(2001) |
|
"It's Gandolfini who sets the bar high from the beginning of the film, and he actually challenges Redford to rise up to his level."
[movie review] |
|
Eclipse Magazine |
|
|
|
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| |
3/5 |
|
(2006) |
|
"Holiday belongs with those formulaic comedies that bug critics as they please crowds."
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
2.5/4 |
|
(2006) |
|
"A dominant Whitaker lords over this flawed mixture of history and intrigue."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
2.5/5 |
|
(2006) |
|
"disconnected... mundane"
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
3.5/5 |
|
(2007) |
|
"many parents in the audience will identify"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
C |
|
(2003) |
|
"Possesses a well-developed role for Tom Cruise, but dabbles in reheated concepts pulled from similar fare."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
C+ |
|
(2003) |
|
"With vocal inflections and a caring glance, McDormand rescues the mother-son dynamic that twists through Canyon like the famed Mulholland Drive."
[movie review] |
|
Flipside Movie Emporium |
|
|
|
|
| |
2.5/4 |
|
(2009) |
|
"The ultimate explanation behind Shelton's methods deflates some of the picture's fun, but by then you've enjoyed most of Gray's gritty ride."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
D+ |
|
(2004) |
|
"Phony in every place it wants to be funny."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
3/4 |
|
(2005) |
|
"Nimbly dances through a handful of plot twists as we track who set up whom, and who hired whom to whack whom."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
C- |
|
(2003) |
|
"A noticeable absence of common sense overpowers the inherent sense of adventure."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"hangs so close to films produced during a forgotten age that audiences who don't recall how quick-witted screwball comedies used to be might not fully appreciate it (or even care to)."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
|
|
(2001) |
|
"Behind weaves a satisfactorily compelling end-of-the-world drama."
[movie review] |
|
Citysearch |
|
|
|
|
| |
3/5 |
|
(2003) |
|
"Takes the formula from the original 2001 hit and simply lathers, rinses and repeats."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/4 |
|
(2006) |
|
"Brings Eastwood's detached puzzle pieces together, giving us a clearer understanding of the director's grand intentions."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
2.5/4 |
|
(2005) |
|
"Loquacious, though (the) characters are talking in circles."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"[Krasinski and Moore] have bankable chemistry, and it allows License to float along for longer than you'd think possible."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
|
|
(2001) |
|
"On the rare occasion that House does connect, it's because of Kline's tender performance."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
C- |
|
(2003) |
|
"Makes simple sense while you're watching it, but can not hold up to the slightest bit of scrutiny after its ballyhooed “twist” is revealed."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
3.5/5 |
|
(2002) |
|
"Life may be pre-packaged goodness, but it's served warm by a director comfortably basking in the glow of his preferred genre."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
B+ |
|
(2002) |
|
"Lil' Bow Wow's got game."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
|
|
(2002) |
|
"Ultimately turns out to be another mild Disney adventure that waves the banner of friendship and acceptance."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"An op-ed piece masquerading as a motion picture."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/4 |
|
(2006) |
|
"Counters its levity with welcome kindness that's trumpeted by a first-rate cast."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
|
|
(1999) |
|
"A quirky jaunt that will tickle the frontal lobes of any kid who's currently devouring the similar Harry Potter series."
[movie review] |
|
Citysearch |
|
|
|
|
| |
3/4 |
|
(2006) |
|
"Reels us in and keeps us engaged."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
C+ |
|
(2003) |
|
"Scrubbed so squeaky clean, you can eat off of the film stock."
[movie review] |
|
Flipside Movie Emporium |
|
|
|
|
| |
2/5 |
|
(2005) |
|
"The product placement cluttering professional sports also taints ... an otherwise faithful remake."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2008) |
|
"plummets from sentimental to sappy"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/5 |
|
(2006) |
|
"Maybe placing the word "comedy" in the title is just another failed attempt at humor?"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2003) |
|
"Tunes strives for the surrealism of Roger Rabbit, yet delivers the entertainment equivalent of life inside a pinball machine."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
|
|
(2001) |
|
"Endless close-ups of Wood’s icy eyes and repeated zooms on the golden ring fail to draw us in to what’s supposed to be a riveting quest."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
A- |
|
(2003) |
|
"Surpasses the extraordinary visual standards set by its predecessors."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
B |
|
(2002) |
|
"Possesses a strong central story and works independently as well as part of a bigger picture."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
C- |
|
(2005) |
|
"Hardwicke and her cast have managed the unthinkable -- they've turned these legends of the skate scene into poseurs."
[movie review] |
|
Flipside Movie Emporium |
|
|
|
|
| |
|
|
(2001) |
|
"After a dismal first act salvaged only by Barton's natural talent, Lost slowly settles onto its chosen path."
[movie review] |
|
Citysearch |
|
|
|
|
| |
|
|
(2003) |
|
"Esoteric, atmospheric, and far more concerned with mood than it is with telling a legitimate story"
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
|
|
(2000) |
|
"Kaminski is content to play mental games with an occasional fright, confusing ambiguity with fear."
[movie review] |
|
Citysearch |
|
|
|
|
| |
D+ |
|
(2005) |
|
"The audience waits an eternity for two beautiful but baffled meant-to-be wanderers to realize they belong together, which we figured out before we stepped foot in the theater."
[movie review] |
|
Flipside Movie Emporium |
|
|
|
|
| |
D+ |
|
(2003) |
|
"You can go into this expecting to be spoon-fed sugary sap until cotton candy churns out of your ears, and you’ll still be surprised by the level of overkill."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
2/4 |
|
(2006) |
|
"Screenwriting 101 professors likely would hand Lucky Number Slevin back to scripter Jason Smilovic with the helpful critique "Too much Tarantino" scribbled in red ink across the top of the cover sheet."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
1/5 |
|
(2008) |
|
"The actual lucky ones will be sitting in a different movie theater, watching anything but this."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"a decent movie with good performances and a hopelessly saccharine script"
[movie review] |
|
Filmcritic.com |
|
|
