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(2002) |
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"Penn's towering performance as Sam bolsters the film's highs."
[movie review] |
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Eclipse Magazine |
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1.5/4 |
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(2009) |
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"This is what happens when the guy who directed two "Home Alone" movies collaborates with the screenwriter of "Looney Tunes: Back in Action.""
[movie review] |
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Charlotte Weekly |
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1/5 |
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(2007) |
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"Suffering through Wife actually makes you miserable."
[movie review] |
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Filmcritic.com |
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2/4 |
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(2007) |
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"ponderous and self-absorbed"
[movie review] |
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Charlotte Weekly |
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D |
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(2002) |
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"Needs a hit of Ritalin as much as it needs an original idea."
[movie review] |
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Eclipse Magazine |
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2/4 |
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(2009) |
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"The third time's less of a charm and more of a thin attempt to cash in on the success of the previous installments."
[movie review] |
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Charlotte Weekly |
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4/5 |
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(2006) |
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"a smarter and funnier adventure"
[movie review] |
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Filmcritic.com |
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1/4 |
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(2005) |
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"A total (bomb), the wrong project for almost everyone involved."
[movie review] |
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Eclipse Magazine |
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3/4 |
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(2006) |
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"(Norton and Giamatti's) chess match ... ultimately triumphs over the movie's more marketable but opaque affair of the heart."
[movie review] |
|
Charlotte Weekly |
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(2000) |
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"Crowd tries to be suspenseful, but fails to make sense."
[movie review] |
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Citysearch |
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| |
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(2001) |
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"A piece of film that reminds us just how powerful this medium can be."
[movie review] |
|
Eclipse Magazine |
|
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1/5 |
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(2003) |
|
"Congratulations to In the Cut, currently the worst film of 2003."
[movie review] |
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Filmcritic.com |
|
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2/5 |
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(2007) |
|
"a near-two-hour marathon of phony soul-searching by suburban caricatures set to a grating soundtrack"
[movie review] |
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Filmcritic.com |
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3/4 |
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(2009) |
|
"One of the year's most intelligent (scripts), unifying political intrigue and backroom muckraking with stinging, pop-culture putdowns."
[movie review] |
|
Charlotte Weekly |
|
|
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| |
C- |
|
(2003) |
|
"Just about every other thing on display in The In-Laws is damaged beyond repair."
[movie review] |
|
Flipside Movie Emporium |
|
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3.5/4 |
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(2006) |
|
"It's a "must see, then go and do" film."
[movie review] |
|
Charlotte Weekly |
|
|
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3/5 |
|
(2008) |
|
"The Hulk looks like a dark, shiny, muscular pickle."
[movie review] |
|
Filmcritic.com |
|
|
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| |
B- |
|
(2004) |
|
"A standard issue superhero adventure? Probably not the most original thought that’s ever crossed (Pixar's) collective minds."
[movie review] |
|
Eclipse Magazine |
|
|
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2.5/4 |
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(2008) |
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"I enjoyed "Skull" more the second time because my expectations had been lowered. Yours should be, as well."
[movie review] |
|
Charlotte Weekly |
|
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3.5/4 |
|
(2006) |
|
"A career-defining role for (Toby) Jones, one that will wither beneath the shadow of Philip Seymour Hoffman's Oscar-winning turn."
[movie review] |
|
Charlotte Weekly |
|
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| |
3/4 |
|
(2009) |
|
"Beneath the feathered toupee, that disturbingly fuzzy mustache, and 30 pounds of listless, desk-job body fat lies Matt Damon, giving an outstanding comedic performance."
[movie review] |
|
Charlotte Weekly |
|
|
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| |
1.5/5 |
|
(2009) |
|
"There's no real structure to Jordan's film, so stories haphazardly begin and disappear without ending"
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
1.5/4 |
|
(2009) |
|
"The pop-art auteur's least-focused film to date, a rambling wreck of shrewd ideas and cinematic influences that never interlock into their own identifiable movie."
[movie review] |
|
Charlotte Weekly |
|
|
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| |
2/4 |
|
(2006) |
|
"We've come to expect more from a Lee-Washington joint than by-the-book cat-and-mouse charades."
[movie review] |
|
Charlotte Weekly |
|
|
|
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| |
B+ |
|
(2002) |
|
"Skillfully blurs the already thin line between cop and crook."
[movie review] |
|
Eclipse Magazine |
|
|
|
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| |
B+ |
|
(2004) |
|
"Opts for a back-breaking, soul-aching, and occasionally violent path to the heart."
[movie review] |
|
Eclipse Magazine |
|
|
|
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| |
4/5 |
|
(2009) |
|
"traces its bloodline back to the paranoia peddlers of the 1970s"
[movie review] |
|
Filmcritic.com |
|
|
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| |
1/4 |
|
(2005) |
|
"Lumbers in circles before crashing into a surprisingly sadistic finale."
[movie review] |
|
Charlotte Weekly |
|
|
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| |
3.5/4 |
|
(2007) |
|
"Poetic, resourceful, sparse and marginally pretentious."
[movie review] |
|
Charlotte Weekly |
|
|
|
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| |
A- |
|
(2003) |
|
"Despite the film’s conventional comedic material, we’re still rooted firmly in Coen Brothers territory."
[movie review] |
|
Eclipse Magazine |
|
|
|
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| |
3.5/5 |
|
(2006) |
|
"About the only people bound to find fault are die-hard Giants, Cowboys, and Redskins fans"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2008) |
|
"a solid, well-crafted launch for what should be a lucrative franchise."
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
|
|
(1993) |
|
"Strength lies in its fight sequences, brilliantly choreographed dances made possible with the aide of well-placed wires."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
C |
|
(2003) |
|
"This story told in natural progression would be far too ironic and predictable to hold our interest."
[movie review] |
|
Eclipse Magazine |
|
|
|
|
| |
3/4 |
|
(2009) |
|
"Warmly lit and beautifully acted, but cynical enough %u2013 and chock-full of enough dark humor %u2013 to avoid what might have been unbearably schmaltzy."
[movie review] |
|
Charlotte Weekly |
|
|
|
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| |
2/4 |
|
(2005) |
|
"Order from McDonald’s and you shouldn’t expect steak. Buy tickets for a Bay film and you shouldn’t expect Oscar-worthy cinema."
[movie review] |
|
Charlotte Weekly |
|
|
|
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| |
2/4 |
|
(2009) |
|
"Listening to rock gods speak about their music isn't nearly as enjoyable as listening to them play it."
[movie review] |
|
Charlotte Weekly |
|
|
|
|
| |
3/5 |
|
(2003) |
|
"Coasts along smoothly and generates enough heat to warm the heart."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2003) |
|
"Feels more like an exercise. Or as the title suggests, a job."
[movie review] |
|
Filmcritic.com |
|
|
