 |
|
|
|
|
|
|
|
|
 |
 |
 |
| |
 4.5/5 |
|
(2007) |
|
"the only film out this summer I have been begging everyone to see, and the one film I'm willing to see again and again."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/4 |
|
(2006) |
|
"Takes the inspirational-teacher formula and reverses it point by point to create a fresh struggle with familiar messages."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 2/5 |
|
(2002) |
|
"Don Michael Paul uses quick-cuts, (very) large shadows and wide-angle shots taken from a distance to hide the liberal use of a body double (for Seagal)."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"now, at least, I understand the hoopla surrounding this spunky, cool, and charismatic young performer"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 1.5/5 |
|
(2007) |
|
"As bad as Hannibal Rising is -- and believe me, it's terrible -- this fictional biography of the beloved Dr. Hannibal Lecter could have been worse."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |

|
|
(1964) |
|
"A kinetic musical extravaganza that proved to detractors there was more to the Beatles than mop-tops and melodic pop hooks."
[movie review] |
|
Citysearch |
|
 |
 |
 |
| |

|
|
(2001) |
|
"Hardball might have been a decent movie, if it wasn't so racially insensitive, monotonous, stale, insulting and completely predictable."
[movie review] |
|
Eclipse Magazine |
|
 |
 |
 |
| |
 B- |
|
(2004) |
|
"[Cho and Penn] form an immediately likeable twosome with enough chemistry to carry this comedy ... past some obvious faults."
[movie review] |
|
Eclipse Magazine |
|
 |
 |
 |
| |
 B+ |
|
(2002) |
|
"Returns the original’s cast and director, and retains that film’s winning combination of limitless imagination and exhilarating adventure."
[movie review] |
|
Eclipse Magazine |
|
 |
 |
 |
| |
 2.5/4 |
|
(2005) |
|
"An acceptable but far from challenging adaptation that almost any director could duplicate."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3.5/4 |
|
(2009) |
|
"Smaller, intimate, personal and fragile. It almost feels as if nothing happens ... until you step back and realize everything is happening in this film."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 A |
|
(2004) |
|
"How ironic that a story dealing with an escaped prisoner actually manages to set this franchise free."
[movie review] |
|
Eclipse Magazine |
|
 |
 |
 |
| |

|
|
(2001) |
|
"No, I didn't think (Columbus) would be able to do it this well, either, but I stand corrected."
[movie review] |
|
Eclipse Magazine |
|
 |
 |
 |
| |
 1/4 |
|
(2006) |
|
"Bale is more sparkler than powder keg, though he's only one of many actors who give terribly overblown performances."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3/5 |
|
(2003) |
|
"Rock and co-screenwriter Ali LeRoi save their best material for the campaign, when State's anonymous political party morphs into an old school house party, electric slide and all."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2007) |
|
"the brothers' most deliberate effort to recapture that Mary magic."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |

|
|
(2001) |
|
"It's difficult to believe these unpolished, self-centered vixens could master a con."
[movie review] |
|
Citysearch |
|
 |
 |
 |
| |

|
|
(2001) |
|
"Once again, Hicks filters a best-selling author's beautful prose through his camera's lens with lifeless results."
[movie review] |
|
Eclipse Magazine |
|
 |
 |
 |
| |
 B- |
|
(2004) |
|
"Extremely original yet routine in parts."
[movie review] |
|
Eclipse Magazine |
|
 |
 |
 |
| |
 2.5/5 |
|
(2005) |
|
"Brainless but painless"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 C |
|
(2004) |
|
"Why am I so surprised that a movie about a grueling endurance race takes so long to reach its own finish line?"
[movie review] |
|
Eclipse Magazine |
|
 |
 |
 |
| |
 1/4 |
|
(2005) |
|
"Isn’t so much a bad movie as it is a despicable one."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |

|
|
(2000) |
|
"Adrian Paul carries the burden here, making Endgame feel like an extended episode of the popular television show."
[movie review] |
|
Citysearch |
|
 |
 |
 |
| |
 2/4 |
|
(2006) |
|
"The unique duplication of stage cast to screen cast might be the most exciting thing about this conventional classroom exercise."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 A- |
|
(2005) |
|
"Thought-provoking drama that's content to reveal its puzzle pieces, even though they don't all snap firmly into place."
[movie review] |
|
Flipside Movie Emporium |
|
 |
 |
 |
| |
 B- |
|
(2005) |
|
"Proves how the occasional TV actor (or two) can, indeed, make a smooth transition to motion pictures."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3/4 |
|
(2007) |
|
"Stretches credibility for the benefit of its premise but never bends so far as to break the whole ride."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 2/5 |
|
(2003) |
|
"Plods along with the velocity of molasses and really does feel like manual labor."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2006) |
|
"largely entertains, but has no business being two hours and 15 minutes long"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2/5 |
|
(2003) |
|
"Shelton coerces a handful of noteworthy performances from his cast, but does nothing with his paint-by-numbers detective story."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2/5 |
|
(2006) |
|
"It's not unheard of for a movie detective to be more interesting than the corpse he (or she) is investigating. This just isn't one of those times."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2004) |
|
"Home reminds us that cartoons can be fun as well as funny"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 C- |
|
(2003) |
|
"Not terrible, just lazy."
[movie review] |
|
Flipside Movie Emporium |
|
 |
 |
 |
| |
 3/5 |
|
(2006) |
|
"clever and funny, though overly corny in spots"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2006) |
|
"mildly suspenseful and mostly rewarding entertainment the whole family can enjoy."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/4 |
|
(2007) |
|
"Mixes the chemically enhanced intensity of a Godzilla sequel with the single-minded mission status of Harold and Kumar."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 D+ |
|
(2005) |
|
"By the film's conclusion, Willis grows tired of the holes in his plot and starts putting holes in the bad guys. This from a guy who swore off action movies."
[movie review] |
|
Flipside Movie Emporium |
|
 |
 |
 |
| |
 B+ |
|
(2004) |
|
"Despite the shocking realities, you’ll leave Rwanda discussing one positive above all the negatives, and that’s Cheadle’s tremendous performance."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3/5 |
|
(2002) |
|
"Conjures some spectacular settings and grown-up topics, but has no story to speak of."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2003) |
|
"Is House anti-American? Possibly."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 1.5/5 |
|
(2005) |
|
"Sadism is the only thing House has going for it"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 1/5 |
|
(2003) |
|
"You could take a camcorder to the mall, videotape strangers at random, and end up with a better movie."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2/4 |
|
(2005) |
|
"The story ... carries a weak narrative thread that gets lost in the shuffle of magic and mayhem."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3.5/5 |
|
(2003) |
|
"(Lee) successfully elevates the comic book adaptation to an art form without forgetting his source."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 C+ |
|
(2003) |
|
"Whenever the screenplay bogs down the hunt with inconsequential matters ... Friedkin sweeps these issues away and coaxes his antagonists to lock horns."
[movie review] |
|
Eclipse Magazine |
|
 |
 |
 |
| |
 2.5/5 |
|
(2007) |
|
"wants to cover a lot of ground, but shortchanges most of it."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"There's a definite absence of Hollywood gloss in Bigelow's film, which was appreciated."
[movie review] |
|
Charlotte Weekly |
|
 |