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Sources
• Charlotte Weekly
• Citysearch
• Eclipse Magazine
• Filmcritic.com
• Flipside Movie Emporium
• MovieWeb
• Reel.com
Total Reviews: 917
Sean O'Connell
Sean O'Connell
Sean O'Connell

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C+
     (2003)      "So clearly constructed for home video worship, (it) should go directly to the shelves so fanatics can start establishing midnight screenings in their darkened basements." [movie review]      Eclipse Magazine   
  
4/5
     (2003)      "Fills that sassy feminine void of comedy left by Bea Arthur, Betty White, and the rest of television’s Golden Girls." [movie review]      Filmcritic.com   
  
1/5
     (2007)      "¡Cómo terrible!" [movie review]      Filmcritic.com   
  
2/4
     (2009)      "Comes across like a refresher course, and not the higher education Moore has strived for in the past." [movie review]      Charlotte Weekly   
  
3.5/5
     (2006)      "For the first time in Pixar's young history, the meaningful lessons of the plot take a back seat to the filmmaker's breathtaking art." [movie review]      Filmcritic.com   
  
A-
     (2003)      "With the help of his cast, Sayles fashions Babys into a passionately interesting social discourse. He slips in touches of irony, and beautiful moments of raw sentiment." [movie review]      Flipside Movie Emporium   
  
2/4
     (2005)      "a tongue-in-cheek sex romp that barely hides its Mel Brooks-inspired puns under powdered wigs." [movie review]      Charlotte Weekly   
  
4/5
     (2006)      "performs a succinct Ctrl-Alt-Delete on the flailing series" [movie review]      Filmcritic.com   
  
3.5/4
     (2006)      "I can't say enough about Luke, who has been good before but breaks out with this multifaceted performance." [movie review]      Charlotte Weekly   
  
3.5/5
     (2002)      "With its inventive story, eclectic cast, and authentic period feel, Catch Me should fly by but doesn't." [movie review]      Filmcritic.com   
  
D
     (2004)      "(Audiences) quickly will grow tired of the film’s childish antics." [movie review]      Eclipse Magazine   
  
B
     (2004)      "A breathless, energetic, impulsive and silly bit of popcorn fun." [movie review]      Eclipse Magazine   
  
C
     (2002)      "Blows a tire and careens off the road of sensibility before it reaches its final destination." [movie review]      Eclipse Magazine   
  
3.5/4
     (2005)      "Burton’s modernized take ... benefits from improved special effects and the unhinged brilliance of his repeat collaborator, Johnny Depp." [movie review]      Charlotte Weekly   
  
2/4
     (2007)      "Bartlett would make a decent sitcom character, and the uneven film plays out accordingly." [movie review]      Charlotte Weekly   
  
D+
     (2003)      "The original's high caloric cinematic treats actually generated a sugar rush. Full Throttle serves up the same sweets, but only causes a belly ache." [movie review]      Flipside Movie Emporium   
  
2.5/4
     (2006)      "Winick's Web can't contend with White's lyrical book or the flawless animated feature in the long run." [movie review]      Charlotte Weekly   
  
C-
     (2004)      "Liberty could be mistaken for Moore’s best film, though the weight of that compliment depends on your opinion of her past works." [movie review]      Eclipse Magazine   
  
2/5
     (2003)      "surprisingly unpleasant" [movie review]      Filmcritic.com   
  
4/5
     (2002)      "As rousing, robust, and extremely contagious as any film I've seen this year." [movie review]      Filmcritic.com   
  
2/4
     (2005)      "An 80-minute sprint on a treadmill, a frantic romp with no destination." [movie review]      Charlotte Weekly   
  
     (2001)      "Thanks to the director's exceptional visual style, Chopper evokes a life of emotional baggage before a single word is spoken." [movie review]      Citysearch   
  
D
     (2004)      "Contains momentum-halting continuity errors and clownish antics from hammy performers that will have Santa scribbling furiously on next year’s “Naughty” list." [movie review]      Eclipse Magazine   
  
4/4
     (2005)      "A wonderful excursion that's alive with the imagination of fantasy literature and in tune with the beating heart of family cinema." [movie review]      Charlotte Weekly   
  
2.5/5
     (2005)      "Apes the Rocky series, lifting bits and pieces from all five installments...I begged for Baer to shout in his best Mr. T voice, 'I pity the fool'" [movie review]      Filmcritic.com   
  
3.5/5
     (2004)      "Compelling performances and a manipulation of the narrative keep Clearing unclear, which keeps us interested." [movie review]      Filmcritic.com   
  
1.5/4
     (2006)      "Smith has nothing original left to say and no original ways left to say it." [movie review]      Charlotte Weekly   
  
B
     (2004)      "An observant, probing and uncomfortable relationship quarrel between selfish, morally bankrupt but multilayered individuals." [movie review]      Eclipse Magazine   
  
2.5/4
     (2009)      "Where Pixar would have made a nutritious main course out of the character issues in Lord and Miller's script, "Meatballs" skips them in favor of dessert." [movie review]      Charlotte Weekly   
  
4/5
     (2008)      "a milestone in contemporary filmmaking [that] appeals directly to the maturing YouTube generation without pandering." [movie review]      Filmcritic.com   
  
3/5
     (2005)      "Utilizes an alternating formula of motivational speeches and current hip-hop tracks meant to sell Coach Carter soundtracks." [movie review]      Filmcritic.com   
  
2/4
     (2009)      "A familiar lemonade-from-lemons period biopic or, in the case of the fashionista, a smart-suit-from-tattered-threads tale." [movie review]      Charlotte Weekly   
  
D
     (2003)      "A by-the-book stalker picture marred by sloppy plotting. It's only scary if a malicious redneck holding a grudge terrifies you." [movie review]      Flipside Movie Emporium   
  
2/5
     (2003)      "scaling a mountain might be easier than swallowing this pompous bag of feed" [movie review]      Filmcritic.com   
  
D
     (2004)      "As realistic as an episode of HBO’s Taxicab Confessions, without that stimulating voyeuristic quality modern audiences crave." [movie review]      Eclipse Magazine   
  
     (2002)      "Age, and a steady diet of Republican conservatism, has mellowed the once lethal action figure to a Richard Dean Anderson-level of hero." [movie review]      Eclipse Magazine   
  
3.5/5
     (2002)      "Charles dives into the booze-tinged, cigarette-soaked comedy clubs of New York with the finesse of a low-budget documentary filmmaker." [movie review]      Filmcritic.com   
  
A-
     (2002)      "A satisfying trip for idiot box fans who like their kitschy television nostalgia mixed with a hint of imagination." [movie review]      Eclipse Magazine   
  
A-
     (2003)      "As tasty treats for the brain go, this one’s quick, stylish and, last but not least, confident." [movie review]      Eclipse Magazine   
  
C
     (2005)      "I spent the better half of Constantine wondering what in the Hellblazer was going on." [movie review]      Charlotte Weekly   
  
B-
     (2003)      "For every neon glimpse of Vegas “cool,” we must endure a fair share of faded Vegas clichés." [movie review]      Eclipse Magazine   
  
2/5
     (2003)      "For a science-fiction yarn, it skims over the science and pours on the fiction. And as a special effects extravaganza, its effects just aren't very special." [movie review]      Filmcritic.com   
  
     (2002)      "Provides Caviezel with a star-making turn, and he picks up the gauntlet with two gloved hands." [movie review]      Eclipse Magazine   
  
3/4
     (2009)      "Visceral enough to inspire action, no matter your politics." [movie review]      Charlotte Weekly   
  
D
     (2003)      "Am I surprised that director Andrzej Bartkowiak’s Cradle 2 the Grave is choppy, one-sided and utterly punchless? Not really." [movie review]      Eclipse Magazine   
  
C-
     (2005)      "What happens between the film's opening and closing car accidents more closely resembles a train wreck." [movie review]      Flipside Movie Emporium   
  
2.5/5
     (2004)      "an easy mark to make and a hard movie to sell to paying customers." [movie review]      Filmcritic.com   
  
     (2001)      "The latest Dundee is equal parts tame sequel and 95-minute commercial for the Subaru Outback." [movie review]      Citysearch   
  
C-
     (2002)      "Lacks the conviction to deliver a true message to [teens], and winds up saying nothing." [movie review]      Eclipse Magazine   
  
3/4
     (2006)      "Never lacks for material, it may be a bit too smart for its own good." [movie review]      Charlotte Weekly   
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