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Sources
• Charlotte Weekly
• Citysearch
• Eclipse Magazine
• Filmcritic.com
• Flipside Movie Emporium
• MovieWeb
• Reel.com
Total Reviews: 917
Sean O'Connell
Sean O'Connell
Sean O'Connell

NEWS & FEATURES
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3/4
     (2006)      "Finds a tense undercurrent (that) keeps us involved through the film's moderate pace and constant narrative shuffling." [movie review]      Charlotte Weekly   
  
3/4
     (2008)      "The year's first film that kept me laughing from end to end with intelligent and perceptive punch lines that don't aim for the broad side of a fraternity house." [movie review]      Charlotte Weekly   
  
     (2002)      "Bored Company." [movie review]      Eclipse Magazine   
  
C-
     (2004)      "Paints vivid noir suspense with extremely broad brushstrokes, often pushing style to the forefront at the expense of story" [movie review]      Charlotte Weekly   
  
1.5/5
     (2005)      "When a movie this awful tosses the adjective “bad” into its title, we call it truth in advertising" [movie review]      Filmcritic.com   
  
B
     (2003)      "The potshots are broad and extremely offensive, but also droll and consistently wicked." [movie review]      Flipside Movie Emporium   
  
     (2000)      "A clever premise that's hampered by insufficient direction and an incoherent screenplay." [movie review]      Citysearch   
  
1/5
     (2002)      "Pay good money to see Ballistic: Ecks Vs. Sever and you have nobody but yourself to blame." [movie review]      Filmcritic.com   
  
     (2001)      "Bandits' problems start early and come often." [movie review]      Eclipse Magazine   
  
2/5
     (2002)      "You just have to wonder if a female writer or director could have had more vision in shaping this fertile material into something worthwhile." [movie review]      Filmcritic.com   
  
3/4
     (2008)      "Bustles along to its central theft, then treads water until (it) can map a proper end game." [movie review]      Charlotte Weekly   
  
B-
     (2002)      "Like a veteran head cutter, Barbershop is tuned in to its community." [movie review]      Eclipse Magazine   
  
4/5
     (2004)      "The sequel doesn’t surprise us ... but that doesn’t make the visit any less pleasant." [movie review]      Filmcritic.com   
  
1.5/4
     (2006)      "A Lion King clone that's tailored to the Fisher-Price crowd." [movie review]      Filmcritic.com   
  
C
     (2003)      "A flashy but flawed military thriller with more false endings than cast members." [movie review]      Eclipse Magazine   
  
1/4
     (2006)      "Embarrassment, thy name is Basic Instinct 2." [movie review]      Charlotte Weekly   
  
4/4
     (2005)      "A smash, one of the finest comic book adaptations of all time and one of the best films of 2005." [movie review]      Charlotte Weekly   
  
2/5
     (2009)      "In this day and age, you simply cannot produce unsophisticated animation like the kind on display in the campy Battle for Terra and hope to compete." [movie review]      Filmcritic.com   
  
3/5
     (2003)      "Perfectly enjoyable without being remarkable, a solid endeavor by a first-time writer and rookie directing team." [movie review]      Filmcritic.com   
  
1.5/5
     (2005)      "has been manufactured to the hilt to appeal to all demographics yet entertains none" [movie review]      Filmcritic.com   
  
3/4
     (2008)      "corny, cool and beautiful" [movie review]      Charlotte Weekly   
  
     (2001)      "The pieces fall into place with the precision of one of Nash's confounding mathematical theories." [movie review]      Eclipse Magazine   
  
2/5
     (2005)      "a series of individual bite-sized conflicts that would fit snuggly in a half-hour sitcom" [movie review]      Filmcritic.com   
  
3/4
     (2007)      "Lumet moves Devil with a purpose, all the while maintaining a firm grip on his live-wire cocktail of guilt and paranoia." [movie review]      Charlotte Weekly   
  
     (2001)      "A ridiculously shallow hack job." [movie review]      Eclipse Magazine   
  
B
     (2004)      "Bening ... is radiant as ever and appears to be having an absolute blast." [movie review]      Eclipse Magazine   
  
1.5/5
     (2004)      "Its heart may be in the right place, but its home should not be your local multiplex." [movie review]      Filmcritic.com   
  
C
     (2005)      "If only someone in the script department could wiggle their nose, we might have had a few more laughs to hang our pointed black caps on." [movie review]      Flipside Movie Emporium   
  
B-
     (2003)      "Goes beyond the vanity project you’d think it to be." [movie review]      Eclipse Magazine   
  
     (1999)      "The most bland, laughless film to come from the artist formerly known as manic in, well, months." [movie review]      Citysearch   
  
3.5/4
     (2009)      "Wrings pain out of heartbreaking truths, and steamrolls to an unpredictable conclusion that's suspenseful, mildly coincidental, but gut-wrenchingly sad." [movie review]      Charlotte Weekly   
  
     (2002)      "Collapses after 30 minutes into a slap-happy series of adolescent violence." [movie review]      Eclipse Magazine   
  
A+
     (2003)      "The tall tales Edward tells in Fish are aided by Burton’s limitless imagination and visual ingenuity." [movie review]      Eclipse Magazine   
  
     (2000)      "Wade through the slower spots and you'll be rewarded with some hilarious bits." [movie review]      Citysearch   
  
C-
     (2002)      "Like attending amateur night at a comedy club, where each contestant is limited to just one joke." [movie review]      Eclipse Magazine   
  
     (2000)      "Leaves you cheering as you dab your eyes with a Kleenex." [movie review]      Citysearch   
  
1.5/5
     (2004)      "plodding and pretentious" [movie review]      Filmcritic.com   
  
2.5/4
     (2007)      "Given his modest talents as a filmmaker, the first half of Book might represent the best Verhoeven can do." [movie review]      Charlotte Weekly   
  
     (2001)      "Lawrence's fans should love Black Knight, though that's hardly a glowing recommendation." [movie review]      Eclipse Magazine   
  
4/5
     (2007)      "If you hunger for something off the safe, mainstream path, let Moan bewitch you with its unusual healing process." [movie review]      Filmcritic.com   
  
C-
     (2002)      "Just never seems very convinced of itself that a sequel was even necessary." [movie review]      Eclipse Magazine   
  
2.5/4
     (2009)      "Recycles the charitable messages of other religion-based films, from "Facing the Giants" to "Fireproof," but presents them in an accessible, mainstream package." [movie review]      Charlotte Weekly   
  
3/4
     (2006)      "A mainstream action adventure that happens to stand on a base of headline-grabbing current events." [movie review]      Charlotte Weekly   
  
D
     (2002)      "Some say Eastwood could sleepwalk through detective thrillers of this nature. I say he just did." [movie review]      Eclipse Magazine   
  
2.5/5
     (2002)      "Flies out of the gate and entertains for a good 30 minutes before the inevitable wipeout." [movie review]      Filmcritic.com   
  
2.5/5
     (2008)      "A bewildering mishmash of double-crosses, cover-ups, and cliches, Monahan's treatment unfortunately undermines some terrific performances and a solid outing for director Ridley Scott." [movie review]      Filmcritic.com   
  
3.5/5
     (2008)      "boasts much of the humor, character development, story layering, and unmistakable heart Pixar has brought to the animation genre" [movie review]      Filmcritic.com   
  
3/4
     (2006)      "Has huge laughs." [movie review]      Charlotte Weekly   
  
3/4
     (2004)      "Wears the confidence of a well-planned feature." [movie review]      Charlotte Weekly   
  
B+
     (2002)      "Confirms that espionage can be compelling without being sexy, even with Matt Damon in the starring role." [movie review]      Eclipse Magazine   
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