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Sources
• Charlotte Weekly
• Citysearch
• Eclipse Magazine
• Filmcritic.com
• Flipside Movie Emporium
• MovieWeb
• Reel.com
Total Reviews: 917
Sean O'Connell
Sean O'Connell
Sean O'Connell

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3/4
     (2009)      "Feeds our ever-growing need to root for talented performers seeking that proverbial big break." [movie review]      Charlotte Weekly   
  
3.5/4
     (2009)      "Smaller, intimate, personal and fragile. It almost feels as if nothing happens ... until you step back and realize everything is happening in this film." [movie review]      Charlotte Weekly   
  
1.5/4
     (2009)      "This is what happens when the guy who directed two "Home Alone" movies collaborates with the screenwriter of "Looney Tunes: Back in Action."" [movie review]      Charlotte Weekly   
  
3/4
     (2009)      "Comparisons to "2001" or even Ridley Scott's "Alien" aren't far-fetched." [movie review]      Charlotte Weekly   
  
3/4
     (2009)      "It's an "Inconvenient Truth" for food, minus the droning Al Gore and a handful of PowerPoint slides." [movie review]      Charlotte Weekly   
  
2/4
     (2009)      "Goes for broke on sentiment but overlooks important details that make decent films great." [movie review]      Charlotte Weekly   
  
1.5/4
     (2009)      "Preachy, nihilistic, derogatory and unfocused." [movie review]      Charlotte Weekly   
  
2/4
     (2009)      "The third time's less of a charm and more of a thin attempt to cash in on the success of the previous installments." [movie review]      Charlotte Weekly   
  
2/4
     (2009)      "More enamored with the Dillinger myth than with the actual man." [movie review]      Charlotte Weekly   
  
3.5/4
     (2009)      "The first film I've seen this year that made me feel something." [movie review]      Charlotte Weekly   
  
2/5
     (2009)      "an overly sentimental movie-of-the-week, masquerading as counterprogramming to Michael Bay's box-office-blasting robots." [movie review]      Filmcritic.com   
  
3/4
     (2009)      "The quintessential Michael Bay movie, though in this instance I mean that as high compliment." [movie review]      Charlotte Weekly   
  
1/4
     (2009)      "At its best, "Year One" is offensive. ... At its worst, however, it's downright repulsive." [movie review]      Charlotte Weekly   
  
2.5/4
     (1927)      "The main reason to stop on PBS when the network airs "Easy Virtue" a few months from now is to witness Biel's complete departure." [movie review]      Charlotte Weekly   
  
2.5/4
     (2009)      "It's the undeniable chemistry %u2013 both romantic and comedic %u2013 shared between Reynolds and Bullock that ultimately carries "The Proposal" over its mediocre, formulaic writing and predictable plotting." [movie review]      Charlotte Weekly   
  
3/4
     (2009)      "Warmly lit and beautifully acted, but cynical enough %u2013 and chock-full of enough dark humor %u2013 to avoid what might have been unbearably schmaltzy." [movie review]      Charlotte Weekly   
  
1.5/4
     (2009)      "Bahrani's his experimental (and, some might argue, pretentious) dramas can wander off course in search of honest emotion, often to the detriment of his story." [movie review]      Charlotte Weekly   
  
3/4
     (2008)      "A frothy concoction that thrives on the improvisational creativity found on a stage." [movie review]      Charlotte Weekly   
  
3/4
     (2008)      "Pays such attention to detail ... that it's easy to forget you're watching a work of fiction and not a documentary about a real-life star on the rise." [movie review]      Charlotte Weekly   
  
2.5/4
     (2009)      "A one-sided account of Mike Tyson's compelling rise and fall, told by the man who lived the tale." [movie review]      Charlotte Weekly   
  
3/4
     (2009)      "Follows an offbeat path to reach that destination, and most will enjoy the journey." [movie review]      Charlotte Weekly   
  
2.5/4
     (2009)      "Proves Raimi still knows how to crawl under an audience's skin." [movie review]      Charlotte Weekly   
  
3/4
     (2009)      "Stout performances and Helgeland's screenplay keep "Pelham" grounded." [movie review]      Charlotte Weekly   
  
1/5
     (2009)      "Nia Vardalos is the new Yakov Smirnoff" [movie review]      Filmcritic.com   
  
3/5
     (2009)      "as much of a nonsensical head-scratcher as the source show." [movie review]      Filmcritic.com   
  
3.5/5
     (2009)      "good, not great, Pixar" [movie review]      Filmcritic.com   
  
2/5
     (2009)      "applies big-budget defibrillator paddles to the hulking franchise but can't breathe fresh life into the now 25-year-old concept." [movie review]      Filmcritic.com   
  
3/5
     (2009)      "never comes close to duplicating the urgent pacing of Brown's crackling source material" [movie review]      Filmcritic.com   
  
4/5
     (2009)      "With one film, J.J. Abrams has made Star Trek younger, flashier, sexier, funnier, and less intelligent, but more exhilarating than it has been in decades" [movie review]      Filmcritic.com   
  
1/5
     (2009)      "a rare type of disaster... putrid" [movie review]      Filmcritic.com   
  
3/5
     (2009)      "McConaughey is mildly coasting. He has danced these steps before." [movie review]      Filmcritic.com   
  
2/5
     (2009)      "In this day and age, you simply cannot produce unsophisticated animation like the kind on display in the campy Battle for Terra and hope to compete." [movie review]      Filmcritic.com   
  
3.5/5
     (2009)      "entertains as much as it educates" [movie review]      Filmcritic.com   
  
1.5/5
     (2009)      "There's no real structure to Jordan's film, so stories haphazardly begin and disappear without ending" [movie review]      Filmcritic.com   
  
1.5/5
     (2009)      "peddles safe humor that's mashed up and spoon-fed to an audience craving toothless comedy" [movie review]      Filmcritic.com   
  
3.5/5
     (2009)      "now, at least, I understand the hoopla surrounding this spunky, cool, and charismatic young performer" [movie review]      Filmcritic.com   
  
3.5/5
     (2009)      "comes about as close to Moore's intent as we're likely to see in adapting the sprawling Watchmen into manageable, feature-length form" [movie review]      Filmcritic.com   
  
4/5
     (2009)      "traces its bloodline back to the paranoia peddlers of the 1970s" [movie review]      Filmcritic.com   
  
4/5
     (2006)      "leaves no fin unturned" [movie review]      Filmcritic.com   
  
3/5
     (2009)      "finds sharp laughs in the nooks and crannies of the formula" [movie review]      Filmcritic.com   
  
3/5
     (2008)      "an interesting story, sporadically told in an interesting way." [movie review]      Filmcritic.com   
  
2.5/5
     (2008)      "reminds us how, in 120 minutes, a picture can go from "I can not wait to see that" to "I never want to see that again."" [movie review]      Filmcritic.com   
  
3.5/5
     (2008)      "a riveting military drama, a popcorn thriller masquerading as a political potboile" [movie review]      Filmcritic.com   
  
5/5
     (2008)      "Brilliant... beautiful and incredibly moving." [movie review]      Filmcritic.com   
  
1.5/5
     (2008)      "the flimsiest comedic premise of Carrey's career" [movie review]      Filmcritic.com   
  
1.5/5
     (2008)      "Do you miss Archie Bunker? Then Clint Eastwood's Gran Torino is the movie for you... Graceless and insensitive." [movie review]      Filmcritic.com   
  
4/5
     (2008)      "powerful" [movie review]      Filmcritic.com   
  
3/5
     (2008)      "alternately painful, perplexing, awkward, melodramatic, and slow to overwhelm." [movie review]      Filmcritic.com   
  
5/5
     (2008)      "If there's a single misstep in Ron Howard's expertly calibrated Frost/Nixon, it eluded me." [movie review]      Filmcritic.com   
  
3/5
     (2008)      "Van Sant's tender human-interest story, which showcases Sean Penn's considerable talents, is a closer relative to earlier efforts such as Finding Forrester or Good Will Hunting than to recent, abstruse features like Elephant and Gerry" [movie review]      Filmcritic.com   
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