 |
|
|
|
|
|
|
|
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"Feeds our ever-growing need to root for talented performers seeking that proverbial big break."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3.5/4 |
|
(2009) |
|
"Smaller, intimate, personal and fragile. It almost feels as if nothing happens ... until you step back and realize everything is happening in this film."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 1.5/4 |
|
(2009) |
|
"This is what happens when the guy who directed two "Home Alone" movies collaborates with the screenwriter of "Looney Tunes: Back in Action.""
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"Comparisons to "2001" or even Ridley Scott's "Alien" aren't far-fetched."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"It's an "Inconvenient Truth" for food, minus the droning Al Gore and a handful of PowerPoint slides."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 2/4 |
|
(2009) |
|
"Goes for broke on sentiment but overlooks important details that make decent films great."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 1.5/4 |
|
(2009) |
|
"Preachy, nihilistic, derogatory and unfocused."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 2/4 |
|
(2009) |
|
"The third time's less of a charm and more of a thin attempt to cash in on the success of the previous installments."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 2/4 |
|
(2009) |
|
"More enamored with the Dillinger myth than with the actual man."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3.5/4 |
|
(2009) |
|
"The first film I've seen this year that made me feel something."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 2/5 |
|
(2009) |
|
"an overly sentimental movie-of-the-week, masquerading as counterprogramming to Michael Bay's box-office-blasting robots."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"The quintessential Michael Bay movie, though in this instance I mean that as high compliment."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 1/4 |
|
(2009) |
|
"At its best, "Year One" is offensive. ... At its worst, however, it's downright repulsive."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 2.5/4 |
|
(1927) |
|
"The main reason to stop on PBS when the network airs "Easy Virtue" a few months from now is to witness Biel's complete departure."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 2.5/4 |
|
(2009) |
|
"It's the undeniable chemistry %u2013 both romantic and comedic %u2013 shared between Reynolds and Bullock that ultimately carries "The Proposal" over its mediocre, formulaic writing and predictable plotting."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"Warmly lit and beautifully acted, but cynical enough %u2013 and chock-full of enough dark humor %u2013 to avoid what might have been unbearably schmaltzy."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 1.5/4 |
|
(2009) |
|
"Bahrani's his experimental (and, some might argue, pretentious) dramas can wander off course in search of honest emotion, often to the detriment of his story."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3/4 |
|
(2008) |
|
"A frothy concoction that thrives on the improvisational creativity found on a stage."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3/4 |
|
(2008) |
|
"Pays such attention to detail ... that it's easy to forget you're watching a work of fiction and not a documentary about a real-life star on the rise."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 2.5/4 |
|
(2009) |
|
"A one-sided account of Mike Tyson's compelling rise and fall, told by the man who lived the tale."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"Follows an offbeat path to reach that destination, and most will enjoy the journey."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 2.5/4 |
|
(2009) |
|
"Proves Raimi still knows how to crawl under an audience's skin."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"Stout performances and Helgeland's screenplay keep "Pelham" grounded."
[movie review] |
|
Charlotte Weekly |
|
 |
 |
 |
| |
 1/5 |
|
(2009) |
|
"Nia Vardalos is the new Yakov Smirnoff"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2009) |
|
"as much of a nonsensical head-scratcher as the source show."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"good, not great, Pixar"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2/5 |
|
(2009) |
|
"applies big-budget defibrillator paddles to the hulking franchise but can't breathe fresh life into the now 25-year-old concept."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2009) |
|
"never comes close to duplicating the urgent pacing of Brown's crackling source material"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"With one film, J.J. Abrams has made Star Trek younger, flashier, sexier, funnier, and less intelligent, but more exhilarating than it has been in decades"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 1/5 |
|
(2009) |
|
"a rare type of disaster... putrid"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2009) |
|
"McConaughey is mildly coasting. He has danced these steps before."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2/5 |
|
(2009) |
|
"In this day and age, you simply cannot produce unsophisticated animation like the kind on display in the campy Battle for Terra and hope to compete."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"entertains as much as it educates"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 1.5/5 |
|
(2009) |
|
"There's no real structure to Jordan's film, so stories haphazardly begin and disappear without ending"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 1.5/5 |
|
(2009) |
|
"peddles safe humor that's mashed up and spoon-fed to an audience craving toothless comedy"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"now, at least, I understand the hoopla surrounding this spunky, cool, and charismatic young performer"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"comes about as close to Moore's intent as we're likely to see in adapting the sprawling Watchmen into manageable, feature-length form"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"traces its bloodline back to the paranoia peddlers of the 1970s"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4/5 |
|
(2006) |
|
"leaves no fin unturned"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2009) |
|
"finds sharp laughs in the nooks and crannies of the formula"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2008) |
|
"an interesting story, sporadically told in an interesting way."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2.5/5 |
|
(2008) |
|
"reminds us how, in 120 minutes, a picture can go from "I can not wait to see that" to "I never want to see that again.""
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2008) |
|
"a riveting military drama, a popcorn thriller masquerading as a political potboile"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 5/5 |
|
(2008) |
|
"Brilliant... beautiful and incredibly moving."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 1.5/5 |
|
(2008) |
|
"the flimsiest comedic premise of Carrey's career"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 1.5/5 |
|
(2008) |
|
"Do you miss Archie Bunker? Then Clint Eastwood's Gran Torino is the movie for you... Graceless and insensitive."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4/5 |
|
(2008) |
|
"powerful"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2008) |
|
"alternately painful, perplexing, awkward, melodramatic, and slow to overwhelm."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 5/5 |
|
(2008) |
|
"If there's a single misstep in Ron Howard's expertly calibrated Frost/Nixon, it eluded me."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2008) |
|
"Van Sant's tender human-interest story, which showcases Sean Penn's considerable talents, is a closer relative to earlier efforts such as Finding Forrester or Good Will Hunting than to recent, abstruse features like Elephant and Gerry"
[movie review] |
|
Filmcritic.com |
|
 |