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(1974) |
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"Sutherland and Gould were a comedy team nobody wanted, and the simple act of stranding them in a substandard espionage spoof with no script wasn't enough to guarantee laughs. A nadir for espionage spoofs, S*P*Y*S is S*T*U*P*I*D."
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(1997) |
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"Sabrina, The Teenage Witch: The Second Season isn't necessarily an improvement over the first season, but the inventive fantasy sequences and the witty one-liners (particularly from Salem the Cat) keep you laughing."
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(1998) |
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"A little sillier this season, and delightfully so, Sabrina, The Teenage Witch: The Third Season gets Harvey and Sabrina back together where they belong, accompanied by plenty of hilarious catcalls by Salem. Bright, happy entertainment."
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(1935) |
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"The Sagebrush Troubadour is a sprightly musical mystery from Gene Autry's early days, and it bears noting for its quick pace, unpretentious attitude, and breezy style."
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(1943) |
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"Of interest only to hard-core Donald Duck and Goofy fanatics."
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(2008) |
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"The Sam Elliott Western Collection features three intriguing cable westerns that fans of the genre will most certainly want to at least rent."
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DVDTalk.com |
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(20) |
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"Running a tight set at 58 minutes, Davis proves his versatility and showmanship in this entertaining 1985 concert film, performed in Germany."
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(1945) |
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"One of Flynn's most enjoyable Westerns."
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(1965) |
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"Certainly it's junk. But whatever were Taylor and Burton to do with the silly characters they were asked to enact? And yet, it's almost impossible to truly hate The Sandpiper; it's such a gawd awful mess that it's practically endearing in its inep"
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(1971) |
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"Sanford and Son may not have been as socially relevant as other Norman Lear hits like All in the Family or Maude, but it's goddamned funny, and that's about all the justification it needs."
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(2006) |
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"Sasquatch Mountain fails to deliver even a modicum of Bigfoot thrills or action, substituting instead a cliched, tired story of cops and robbers on the run, bonding through their shared humanism (blah, blah, blah)."
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(1970) |
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"Some good looking girls, a stupid plot, some nice cinematography, and all the cliches of an early 1970s sexploitation film make Schoolgirl Report: Volume #1: What Parents Don't Think is Possible exactly what you'd think it was: a particularly Germa"
[dvd review] |
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(1972) |
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"What may have started out innocuously enough in the first German Schoolgirl Report has now, in a bid to be more "shocking," become uncomfortable and distasteful, to say the least."
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(1975) |
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"The Secrets of Isis: The Complete Series plays extremely well today, with plenty of fantasy-based action (but no overt violence), moral lessons that don't grate, and a fine array of 70s supporting players moving the action along."
[movie review] |
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(2006) |
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"While the actual production of Dogfight Over Guadalcanal is impressive, the slant to the story of the famous aerial dogfight between Saburo Sakai and James "Pug" Sutherland, interpreting the combat as ultimately an act of mercy by Sakai, flies in t"
[dvd review] |
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(1981) |
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"Stevens acquits himself well, and Fairchild tries to pull it out at the end, but they're both defeated by an essentially empty premise."
[movie review] |
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"England's "crime of the century," the Moors murders committed by serial killers Ian Brady and Myra Hindley, is given a far too respectful, too muted presentation in this cipher of a film."
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(2006) |
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"The Sensational 70's is a fun, energetic documentary from 1979, taking an eclectic look back at that celebrated decade, the 70's."
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(1955) |
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"Action-packed, square-as-the-day-is-long, with a simplicity borne out of primitive storytelling."
[movie review] |
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(1956) |
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"Just as primitively exciting and heroic as the first season...because the episodes don't differ one iota from the first go-around."
[movie review] |
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(2008) |
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"Not nearly enough detail about the actual crime, nor depth of characterization, combined with a curiously tame treatment of a decidedly lurid love triangle and murder, hobble Sex & Lies in Sin City: The Ted Binion Story before it gets out of the ga"
[movie review] |
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(1964) |
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"A pre-packaged "deal" picture if there ever was one, Sex and the Single Girl features mismatched stars, a compromised, largely unbelievable script, and tentative direction by a fading comic helmer."
[movie review] |
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(1938) |
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"Sexton Blake and the Hooded Terror is a perfectly acceptable programmer that doesn't outstay its welcome, and which provides a bit of fun and minor chills in the less-demanding form of the traditional 'B' filler."
[movie review] |
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"A serious left turn occurred when the producers redesigned Scooby's face, virtually eliminating any of the character's wonderful expressiveness by pinpointing two mean little black dots for his new eyes."
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(1960) |
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"The Shari Lewis Show showcases not only her dazzling ventriloquism and puppetry skills, but also her own winning talents in dance, song, and comedic patter. She's wonderful (and a doll, too), and these Christmas episodes hit the nostalgic spot for"
[movie review] |
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"Sharpe makes for a fine action hero, with Sean Bean's assured performance aiding immeasurably. The location work is first-rate, with director Clegg guiding the hand-to-hand stuff admirably."
[movie review] |
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(2006) |
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"If you don't believe that Pierce Brosnan is a vicious, sadistic psychopath (just writing that makes me giggle), there's not much more you can do with Shattered."
[movie review] |
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(2003) |
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"This has to be one of the most boring, bland, colorless disaster "epics" I've ever suffered through."
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(2007) |
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"As much a Boys Own adventure (mixed in with Oliver!) as it is a Sherlock Holmes mystery, Sherlock Holmes and the Baker Street Irregulars does generate some suspense during its running time, and gives the Holmes fan a new variation on"
[movie review] |
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3/5 |
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(1989) |
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"Manipulative, stagy, and maybe not even fair, Shirley Valentine still achieves a depth of feeling in its familiar mid-life crisis story, mainly through the thoughtful, emotionally true performance by Pauline Collins."
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4/5 |
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(1984) |
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"Forget the obvious straining to make The Shooting Party larger and more important than it really is; it's a marvelously evocative dissertation on the romantic follies and emotional pretensions of the English idle rich during that last peaceful autu"
[dvd review] |
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(2007) |
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"The two leads are funny and smart as bullied and bully, and one or two moments shine in the script, but a funereal pace and obvious padding stretch the 30-minute idea of Shredderman Rules! into a dull 90-minute cable mess."
[movie review] |
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(1960) |
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"The Siege on Sydney Street presents very little facts to begin with, to the point that anyone not already familiar with the actual event might wonder what, exactly, is going on."
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2/5 |
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(2000) |
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Click here to see the review!
[dvd review] |
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(1981) |
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"Simon & Simon: Season One is a great introduction to the laid-back, funky, cool detective show that featured great star chemistry between Gerald McRaney and Jameson Parker."
[movie review] |
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DVDTalk.com |
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(2007) |
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"Dogs are known to eat their own vomit and sh*t; it's an unpleasant fact of life, but at least most of us don't have to view it on a regular basis. Which brings us to The Simple Life 5: Goes to Camp."
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(1968) |
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"Single Room Furnished is laughably inept in almost all departments."
[movie review] |
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(1965) |
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"Not especially well known, Ski Party is a funny little comedy that may ape Some Like it Hot's basic premise, but when taken on its own, is quite amusing and tuneful."
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(1950) |
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"I'm not sure what Secret Key was trying to do, splicing in arcade loop nudes into The Flesh Merchant (as well as matting in a totally unnecessary - and confusing - nude directly into a sequence)."
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B+ |
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(1972) |
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"Cold, hard, professional steel from action pro director John Guillermin"
[dvd review] |
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(1969) |
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"Slogan comes off as a watchable, familiar, but certainly not memorable examination of a love affair between a cultured, bored, cynical, uncommitted, unattractive middle-aged man and an innocent, trusting, unbelievably gorgeous young kid."
[movie review] |
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(1931) |
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"Fans of the great Robinson will be intrigued by Smart Money's twist on the "Little Caesar" persona that made Robinson a world-wide icon."
[movie review] |
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(2006) |
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"We never really believe in the cyphers that pass for characters in The Snow Queen; they're merely more props for the computer artists to manipulate for effect. Not helping matters is an overblown, ineffectual musical score."
[movie review] |
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2/5 |
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(1974) |
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"With no attempt to fairly intellectualize the proceedings, Soldier Blue winds up only celebrating the barbarities it so lovingly depicts. Soldier Blue is essentially nothing more than a snuff film with a conscience - and a particularly susp"
[dvd review] |
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DVDTalk.com |
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(1958) |
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"Except for its brilliant last carnival sequence, serious miscasting, and a truncated, disjointed script sinks this Minnelli work."
[movie review] |
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(1959) |
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"Perhaps the first modern, adult, large-scale, all-star "buddy" comedy -- a masterpiece."
[movie review] |
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DVDTalk.com |
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(2008) |
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"A mucky mess. Kevin Sorbo wears a priest collar, Natalie Brown curls that sexy little mouth of hers, and someone spilled too much MiracleGrow down the drain. Cheap special effects, cheap one-liners and cheap thrills equal Something Beneath, which i"
[movie review] |
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(1976) |
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"These colorful, action-filled exploitation films hit the targets they're aiming at more often than not, with Legend of the Eight Samurai crossing the line from pulp to pulp classic."
[movie review] |
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DVDTalk.com |
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(2002) |
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"Failing to translate D. H. Lawrence's literary voice into cinematic terms, Sons and Lovers becomes a long, drawn-out historical period piece that substitutes melodrama for art."
[dvd review] |
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(1966) |
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"Politics aside, The Sons of The Great Bear viewed strictly in terms of a commercially viable action film suffers in comparison to its Hollywood and Italian cousins. It's a fairly lugubrious Western, with much exposition for the ears, and little ac"
[movie review] |
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