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(1997) |
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"Obsession is one of those noodling kind of European romances that rely heavily on atmosphere and good performances, but which eventually wind up going nowhere."
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"This remarkably solid, consistent season doesn't have a misfire in the bunch, and many episodes rank right up there with series' favorites. Bright, sophisticated, urbane TV farce at its very best."
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(1975) |
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"One of the brightest, wittiest, most urbane sitcoms from any decade, comes to a triumphant close."
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(1970) |
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"Playing better today than it did over 35 years ago, The Odd Couple: The First Season is sophisticated adult sitcom humor at its absolute finest. Tony Randall and Jack Klugman go down as one of the great comedy teams of any medium."
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(1973) |
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"After a shaky first episode, The Odd Couple: The Fourth Season picks up steam like a freight train and delivers some of the series' best episodes."
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(2007) |
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"Totally different in structure and tone from the first season, The Odd Couple: The Second Season trades one-camera solidity for three-camera spontaneity, and Klugman and Randall are liberated in their spirited, manic performances."
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 2/5 |
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(1982) |
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"Cliched and simplistic to beat the band, An Officer and a Gentleman plays even worse than it did 25 years ago."
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(1982) |
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"Cliched and simplistic to beat the band, An Officer and a Gentleman plays even worse than it did 25 years ago."
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(1948) |
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"Absolutely gorgeous to look at, Esther doesn't get to swim too much here, but she looks pretty good in that deep tan and wrap-around sarong, so.... Her leading men are rather glum, and her comedy relief strident, at best."
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(1951) |
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"They're not just documentaries about trains; they provide a tantalizing, layered look at how Britain viewed itself from the early 1950s to the late 1970s."
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(1951) |
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"For pure, unadulterated fantasy nostalgia, On Moonlight Bay is about as perfect a musical vehicle as you can find."
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(2008) |
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"Bugliosi and Spence make an entertaining pair of legal combatants, and the parade of real-life witnesses to the assassination get a work-out in their cross-examinations."
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DVDTalk.com |
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(1975) |
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"First and foremost an entertaining, fast-paced comedy (with special mention going out to Pat Harrington, Jr. as macho goofball Dwayne Schneider), that benefitted from amazing cast chemistry."
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"Brilliantly funny and surreal, as well as touching and thoughtful at times, too."
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"The heavy dramatics sometimes feel heavy-handed, and you'll wonder if the finale is all wrong with its central accident/murder/revenge plot, but there's no denying that writer David Renwick, stars Richard Wilson and Annette Crosbie, and the rest of the ca"
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(1965) |
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"One Shocking Moment is nothing new dramatically, to be sure, but it's competently handled, with some fairly good direction and lighting (for a nudie), and it boasts a (relatively) attractive cast."
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(1950) |
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"For a curiosity piece, Operation Haylift is an acceptable time passer precisely because it doesn't seem to fit neatly inside an established genre."
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(1959) |
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"A rather tame, almost desultory affair, which is particularly surprising considering the talent in front of and behind the camera."
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(1980) |
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"Densely plotted and quite complex in its portrayal of the deeply conflicted, talented J. Robert Oppenheimer, 1980's Oppenheimer is a fascinating miniseries that may challenge your preconceived notions of the "father of the atomic bomb.""
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"Origins of the Mafia is a leisurely paced, confident, cleanly executed TV miniseries that tells five absorbing Mafia-related stories."
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(1963) |
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"All content aside, this collection sports the same transfers as earlier releases, and is therefore, totally superfluous."
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(1952) |
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"Not only is it an important show in the history of television sitcoms, it holds up amazingly well today, with show creator, writer, director and performer Ozzie Nelson delivering some surreal, gently hilarious episodes that stand against the best of moder"
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