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Paul Mavis
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(1950) |
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"Historically wacky, Kansas Raiders still entertains with a terrific volley of gunfire throughout its sprightly running time. Audie Murphy is fine as always."
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(2007) |
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"As a non-think time-waster, Kaw is perfectly acceptable in the made-for-cable horror mold. But good ideas not developed sinks the project."
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(1962) |
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"One of Elvis' last, strong dramatic parts is showcased nicely in director Phil Karlson's speedy, efficient boxing/crime/musical programmer, Kid Galahad."
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"Some of it is dated, some of it was overrated at the time, but most of it is still very, very funny."
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(1958) |
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"Elvis' last hurrah - in black & white, no less - before he was shoehorned into a color-soaked, stifling fluffy movie career, King Creole is a worthwhile combination of film noir and musical, with Elvis, sadly, just within reach of becoming a seriou"
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(1978) |
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"A punches-pulled, non-exploration of the gypsy culture, and a bad Godfather B-movie rip-off, to boot. It's all surface play, with no resonance or understanding. And marginal performances don't help."
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 1/5 |
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(1978) |
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Click here to see the review!
[dvd review] |
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(1964) |
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"Not ground breaking, not nearly as dirty as you've heard, and most criminally -- not nearly funny enough. The loss of Peter Sellers probably killed it."
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"Knots Landing gets its own horny evildoer (just like parent show Dallas) in the guise of sultry sex kitten Donna Mills. Let the humping begin!"
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(2006) |
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"The Krays: Geordie Connection, directed by Liam Galvin, won't help explain the gangster mind, as the cover promises, but it may turn you into a lawbreaker, after watching 147 minutes of "Gangstervision." Its brain-numbing effects are criminal."
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