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3.5/4 |
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(2008) |
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"When [Stone] looks into Bush's eyes... he's reflecting on the long, tormented nights of many an American soul."
[movie review] |
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Suite101.com |
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3/4 |
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(2008) |
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"Fernando Meirelles take note: an honest and unvarnished portrayal of your subject, no matter the intended audience, is the most optimal path toward enlightenment and empathy."
[movie review] |
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Slant Magazine |
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3/4 |
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(2007) |
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"Phillips's singular determination is not unlike that of the artist he aspires to meet."
[movie review] |
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Slant Magazine |
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B |
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(1983) |
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"The film hasn't nearly the despair of Dr. Strangelove, but it retains the same underlining moral questions in its portrayal of these unimaginable dilemmas."
[movie review] |
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The Projection Booth |
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B+ |
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(1978) |
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"The rabbits' interactions mirror those of human behavior, and so too does the film possess a startlingly tangible sense of death."
[movie review] |
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The Projection Booth |
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2/4 |
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(2007) |
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"Like a joint that waits to kick in until after Dumbo's pink elephant dream sequence has already unraveled."
[movie review] |
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Slant Magazine |
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4/4 |
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(2008) |
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"Wendy and Lucy gets under your nails, which is to say, it's the stuff of life."
[movie review] |
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The Projection Booth |
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(2008) |
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"The last masterpiece of 2008, and the perfect yin yang to its first."
[dvd review] |
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The Projection Booth |
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3/4 |
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(2008) |
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"Dean Budnick's nostalgic doc never wants for feeling or a sense of purpose as it examines not simply how this niche in the New York nightlife came to pass, but what it represented and how its presence has since affected the world."
[movie review] |
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Slant Magazine |
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C |
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(2008) |
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"Woefully small-scale, often misguided but never disingenuous."
[movie review] |
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The Projection Booth |
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(1932) |
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"Through its own ravishing simplicity, the film achieves the near-operatic."
[movie review] |
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The Projection Booth |
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(2008) |
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"Feels like little more than one overly drawn-out act of throat-clearing."
[movie review] |
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The Projection Booth |
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4/4 |
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(2006) |
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"Herzog's use of cinema defies the very fabric of our known world."
[movie review] |
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The Projection Booth |
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B+ |
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(2008) |
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"Rourke is sensational, but for me it's Aronofsky's handheld takes that steal the show... achingly, effortlessly evoking the time that hangs on every choice and missed opportunity."
[movie review] |
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The Projection Booth |
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