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1/4 |
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(2006) |
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"Kids, you can tell how much your parents love you by how far away they keep you from this worthless fiasco."
[movie review] |
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Slant Magazine |
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C- |
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(2005) |
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"A Reloaded style one-up in which more people are trapped in bigger places and forced to perform scarier tasks with nastier results. Wow."
[movie review] |
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The Projection Booth |
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F |
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(2006) |
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"Face your fears. A lesson worthy of praise, if the film preaching them weren't so completely full of ****."
[movie review] |
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The Projection Booth |
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(2008) |
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"An insult to fourth-rate ripoffs of Se7en, and even that may not be harsh enough."
[movie review] |
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The Projection Booth |
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2.5/4 |
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(2007) |
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"Sang-Il Lee's Scrap Heaven stands as something of a companion piece to David Fincher's Fight Club."
[movie review] |
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Slant Magazine |
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(1987) |
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"Despite the strongly emphasized exoticness its Haitian scenery, The Serpent and the Rainbow may be Wes Craven's most pedestrian film."
[movie review] |
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The Projection Booth |
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(2004) |
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"In this most apocalyptic of genres, Shaun of the Dead is not unlike a ray of unexpected sunshine - even if it has a little red on it."
[movie review] |
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The Projection Booth |
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2/4 |
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(1994) |
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"Rarely rises above the overbearing, obnoxious and trite."
[movie review] |
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The Projection Booth |
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(2007) |
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"Rock out with your **** out!"
[movie review] |
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The Stranger Song |
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(2007) |
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"Like an overstuffed Happy Meal with a deliberately deceiving nutritional guide."
[movie review] |
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The Stranger Song |
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.5/4 |
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(2008) |
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"Shutter is a ghost story free of logic and spirit, representative of everything that's wrong with so much of current mainstream studio fare."
[movie review] |
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Slant Magazine |
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(2007) |
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"Michael Moore's intentions have always struck me as honest and legitimate, even when his filmmaking practices do not."
[movie review] |
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The Stranger Song |
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B+ |
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(2007) |
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"The Simpsons Movie is perhaps most brilliant in finding that fine line between new and old, current and timeless, specific and universal."
[movie review] |
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The Projection Booth |
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(2009) |
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"This likable indie comedy fails to completely get off the ground."
[movie review] |
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The Projection Booth |
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2.5/4 |
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(2007) |
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"Skinwalkers wears its B-movie badness on its sleeve like a badge of honor."
[movie review] |
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Slant Magazine |
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B+ |
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(2008) |
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"Nothing if not more than the sum of its parts."
[movie review] |
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The Projection Booth |
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(2006) |
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"Its genre elements are completely honed down to their basest elements and exploited for the most fun possible."
[movie review] |
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The Stranger Song |
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B |
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(2008) |
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"Speed Racer may very well give your brain diabetes, and I state that as compliment."
[movie review] |
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The Projection Booth |
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(2007) |
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"Spider-Man 3 is impressive even in light of the fact that its unwieldy ambition often does more harm than good."
[movie review] |
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The Stranger Song |
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0.5/4 |
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(2008) |
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"[There is] no consistency or rhythm to its visual tangents, which splotch about frantically, desperately, like diarrhea spraying about the outside of its porcelain target."
[movie review] |
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Suite101.com |
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.5/4 |
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(2009) |
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"This might be the cheapest-looking production of the year."
[movie review] |
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Slant Magazine |
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(1978) |
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"So astounding in its lack of anything that could be considered reasonably watchable that it achieves something of an unintended, surrealist nightmare vision."
[movie review] |
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The House Next Door |
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2/4 |
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(2007) |
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"A misguided documentary that mistakes cutesy, polished aesthetics for meaningful sentiment."
[movie review] |
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Slant Magazine |
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B |
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(2008) |
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"A cumbersome work but one nevertheless blistering in its excavation of our deepest fears, desires, and the inherent absurdities therein."
[movie review] |
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The Projection Booth |
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B |
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(2007) |
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"A great achievement in many ways, Darabont's biggest misstep is his final submission to the road more traveled."
[movie review] |
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The Projection Booth |
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.5/4 |
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(2009) |
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"Like a failed offspring sullying its family name, this laughable would-be diversion has only its digitally-based predecessors going for it."
[movie review] |
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Slant Magazine |
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2.5/4 |
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(2005) |
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"A much better film in theory than in practice."
[movie review] |
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Slant Magazine |
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B |
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(2007) |
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"Call it sci-fi yoga and enjoy it as an appetizer to Solaris."
[movie review] |
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The Projection Booth |
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2/4 |
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(2009) |
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"Not entirely insubstantial, even as the bulk evaporates from the mind."
[movie review] |
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Suite101.com |
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B+ |
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(2007) |
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"Its keen sense of self-criticism makes it the superbaddest one of all."
[movie review] |
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The Projection Booth |
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1.5/4 |
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(2008) |
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"Essentially a retread of every bad grade-school joke you're happy to have forgotten."
[movie review] |
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Slant Magazine |
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(2009) |
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"Seems less like a 21st Century would-be blockbuster than a lost 80's relic only just rediscovered. Either way, we're lucky to have it."
[movie review] |
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The Projection Booth |
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B+ |
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(2007) |
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"The most accomplished almost-remake of The Cabinet of Dr. Caligari since the passing of the silent era."
[movie review] |
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The Projection Booth |
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2.5/4 |
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(2006) |
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"The film's multilayered narrative (which employs a flashback within a flashback) and complementary use of organic transitions is nothing if not breathtaking."
[movie review] |
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Slant Magazine |
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