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1.5/4 |
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(2009) |
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"Witch Mountain isn't escapism but a feature-length reminder that things are bad all over."
[movie review] |
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Slant Magazine |
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(2007) |
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"In an already stellar year for animation, Ratatouille - dare I say it? - takes the cake."
[movie review] |
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The Stranger Song |
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(1985) |
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"In its best moments, the film itself practically leaps off the screen."
[movie review] |
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The Projection Booth |
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C |
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(2008) |
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"Suffers chiefly from a distasteful thematic overemphasis, though not far behind is the film's rather insistent self-flattery."
[movie review] |
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The Projection Booth |
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.5/4 |
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(2007) |
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"Redline continues the mind-boggling trend of films that choose to justify their existence by piling on layer after layer of meaningless excess."
[movie review] |
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Slant Magazine |
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2/4 |
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(2007) |
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"Without the aid of substances, Reno 911!: Miami is as much in need of laughs as its characters are in need of a collective brain transplant."
[movie review] |
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Slant Magazine |
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(2008) |
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"If you're looking for insight into the death and resurrection of Christ, look no further: I can think of no better means by which to experience the cumulative effect of three days in hell in under 100 minutes."
[movie review] |
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The Projection Booth |
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(2002) |
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"Entertainment in dire need of its own self-assurance."
[movie review] |
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The Projection Booth |
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(2004) |
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"Resident Evil: Apocalypse is utterly shameless whereas its predecessor tried to play things with a straight face... you can practically see the popcorn "butter" running off the screen."
[movie review] |
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The Projection Booth |
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2.5/4 |
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(2007) |
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"Resident Evil: Extinction brings to mind an alt-metal remake of Romero's Day of the Dead."
[movie review] |
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Slant Magazine |
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(1975) |
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"It's only a matter of time before the film reverts to the pattern of poorly established characters coming to grisly ends."
[movie review] |
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The Projection Booth |
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(1985) |
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"Effectively announces itself as a horror movie deliberately pitted against customary cinematic values."
[movie review] |
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The Projection Booth |
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(1936) |
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"A barely-there soap opera with superstitious underpinnings thrown in for good measure."
[movie review] |
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The Projection Booth |
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1.5/4 |
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(2008) |
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"The cinematic equivalent of watching a balloon deflate slowly, agonizingly, through a microscopic pinprick."
[movie review] |
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Suite101.com |
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(2007) |
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"Like De Palma before him, Ritchie knows how to express substance through style."
[movie review] |
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The Stranger Song |
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(2008) |
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"An overly decorated pinata afraid to expose the vacuum inside."
[movie review] |
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The Projection Booth |
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(1964) |
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"Robinson Crusoe practically bursts at the seams with its glorious Technicolor, while sound is crisp and booming throughout."
[dvd review] |
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The House Next Door |
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(1964) |
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"In creating a work of spiritual, rather than physical, focus, Robinson Crusoe on Mars becomes more than just another post-50's sci-fi flick."
[movie review] |
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The House Next Door |
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2.5/4 |
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(2007) |
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"Rock the Bells' homespun documentary aesthetic evokes a DVD special feature more than an actual film."
[movie review] |
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Slant Magazine |
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3/4 |
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(2007) |
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"Edited not unlike a fine silk tapestry of audio interviews, stock footage, and historic montage, woven together in ways that truly tingle the subconscious."
[movie review] |
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Slant Magazine |
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2.5/4 |
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(2007) |
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"Its creative impulses are an empowering example of do-it-yourself filmmaking, even if its encounters are subtly nuanced as often as they are unnecessarily schematic."
[movie review] |
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Slant Magazine |
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