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 2.5/4 |
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(2007) |
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"P2 trembles in the shadow of Red Eye but it's not without its virtues."
[movie review] |
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Slant Magazine |
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 |
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 2.5/4 |
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(2009) |
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"Paranormal Activity only occasionally rises above the status of a cute haunted house tour or hayride."
[movie review] |
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Slant Magazine |
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 |
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 .5/4 |
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(2007) |
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"Man, have we gone downhill since Short Cuts."
[movie review] |
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Slant Magazine |
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(2009) |
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"It's only almost the making of a comedy classic."
[movie review] |
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The Projection Booth |
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 B- |
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(1925) |
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"While many chunks of the film are indeed effective (and several downright terrifying), the overall effect is unsatisfactory and bipolar."
[movie review] |
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The Projection Booth |
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(2007) |
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"It is not a great film, but it captures an innocence rarely seen in theaters, let alone in mega-hyped summer blockbusters."
[movie review] |
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The Stranger Song |
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(1966) |
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"Unfolds as a series of intriguing contrasts: between life and death, male and female, tradition and modernity, science and voodoo."
[movie review] |
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The Projection Booth |
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(2007) |
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"A collection of cinematic quotations thrown into the melting pot with the heat turned up to eleven"
[movie review] |
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The Projection Booth |
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 .5/4 |
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(2006) |
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"Quite possibly the world's first horror-musical-sex-comedy, the strangely impressive originality of Poultrygeist: Night of the Chicken Dead doesn't come even close to compensating for its everything-plus-the-kitchen-sink midnight-movie awfulness."
[movie review] |
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Slant Magazine |
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 |
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 3/4 |
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(2007) |
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"In the Oscars of my mind there exists a category for Cutest Performance, and Lior Liebling just took home the golden statuette."
[movie review] |
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Slant Magazine |
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(2009) |
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"Though less ravishing than Miami Vice, Public Enemies again finds Michael Mann forging new ground in the digital arts."
[movie review] |
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The Projection Booth |
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 B- |
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(2006) |
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"Even the most superficially glossy of surfaces can't completely extinguish the genuine emotions running beneath them here."
[movie review] |
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The Projection Booth |
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