 |
|
|
|
|
|
|
|
|
 |
 |
 |
| |

|
|
(2008) |
|
"One can only infer that, in order for it to be taken seriously, the makers expected audiences to forget pretty much every movie they'd ever seen before in their entire life."
[movie review] |
|
The Projection Booth |
|
 |
 |
 |
| |

|
|
(1957) |
|
"Makes no self-saluting motions to greater importance, which gives the material the much-desired breathing room it needs to reach full potency."
[movie review] |
|
The Projection Booth |
|
 |
 |
 |
| |
 1.5/4 |
|
(2009) |
|
"Renny Harlin's 12 Rounds attempts to put the final nail into the coffin of the static shot."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |

|
|
(2007) |
|
"A savvy slab of undecorated cheese, made compelling by its unflinching willingness to dive into its material headfirst."
[movie review] |
|
The Projection Booth |
|
 |
 |
 |
| |
 4/4 |
|
(1968) |
|
"Central to the profundity of the film is the notion that few things are more meaningful than a child's first steps, the emotive impact of this scenario manifest in every one of the film's dizzying set pieces, albeit multiplied to epic proportions."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |

|
|
(1968) |
|
"My God, it's full of stars: a fitting DVD package for the greatest film ever made."
[dvd review] |
|
Slant Magazine |
|
 |
 |
 |
| |

|
|
(2003) |
|
"The film itself seems to exist in a state of perpetual imbalance... between life and death, the real and the surreal, civilization and chaos."
[movie review] |
|
The Projection Booth |
|
 |
 |
 |
| |

|
|
(2007) |
|
"Suggests the kind of fable as might be shared from generation to generation, albeit in its own nerve-racking, nihilistic way of directing these metaphors into our psyche."
[movie review] |
|
The Projection Booth |
|
 |
 |
 |
| |

|
|
(2007) |
|
"A merely competent package for one of the finest horror films of the past few years."
[dvd review] |
|
The Projection Booth |
|
 |
 |
 |
| |

|
|
(2007) |
|
"It would now seem that the notebook drawings of troubled teenage boys have been elevated to the status of "high art". God save us all."
[movie review] |
|
The Stranger Song |
|
 |
 |
 |
| |

|
|
(1957) |
|
"Though it is masterful in stretches, it ultimately mistakes feel-good qualities for truly satisfying ones."
[movie review] |
|
The Projection Booth |
|
 |
 |
 |
| |

|
|
(2007) |
|
"Bears many of the same fatalistic concerns as its 1957 predecessor, but its totally slick execution... polishes the feeling right out of them."
[movie review] |
|
The Stranger Song |
|
 |
 |
 |
| |

|
|
(2006) |
|
"The 4th Dimension prevails for both its overall lack of pretension, as well as a more implicit approach to such psychological mind games."
[movie review] |
|
The Projection Booth |
|
 |