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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE       3/4      Nana (2005)      "The film is most impressive as that rarest of creatures: a crowd-pleaser with a genuinely artistic touch." [movie review]      Slant Magazine            National Treasure (2004)      "It's so completely okay it hurts. It would make a perfect screensaver." [movie review]      The Projection Booth       C-      Night of the Living Dead (1990)      "This Night barely musters the energy to pass for a rank special effects showcasing." [movie review]      The Projection Booth       B      A Nightmare on Elm Street 2 - Freddy's Revenge (1985)      "Although Jesse and Lisa are granted some much-needed time to get it on, he and the film would appear in unison in that they're still waiting to come out of the closet." [movie review]      The Projection Booth       1.5/4      Nina's Heavenly Delights (2007)      "It's ironic how a film whose outcome depends on the difference between technical perfection and perceived, artistic greatness, would itself prove a slave to shallow screenplay mechanics deprived of nuance." [movie review]      Slant Magazine       2/4      Norbit (2007)      "A film like Anchorman turns everyday scenarios upside down and then runs for a touchdown; here, the jokes stop short at basic perversion." [movie review]      Slant Magazine            North Country (2005)      "Would have you believe it's no more complex than a playground quarrel between boys, girls, and cooties." [movie review]      The Projection Booth       4/4      Nosferatu (1922)      "Watching Nosferatu is like standing in the same room as death itself." [movie review]      Slant Magazine            Nosferatu (1922)      "Before there was Bela Lugosi, there was Max Schreck. Grab this ultimate edition of one of the greatest of all horror films, preferably during daylight hours." [dvd review]      Slant Magazine

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