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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE            Mala Noche (1985)      "Before hitching up with Jack and Ennis, be sure to check out the true roots of queer cinema via this fabulous package courtesy of Criterion." [dvd review]      Slant Magazine       4/4      Mala Noche (1985)      "Gritty, dirty, lyrical, altogether sensual." [movie review]      Slant Magazine       B      Manderlay (2006)      "A slightly more ponderous - if less dramatically satisfying - example of a Von Trier puppet show." [movie review]      The Projection Booth            Marie Antoinette (2006)      "The very antithesis of the traditional historical film, approaching its material as an accepted present." [movie review]      The Stranger Song       .5/4      The Marine (2006)      "While The Marine's real-world connections to the War in Iraq are brief and incidental to its minimal plot, that fact doesn't make its reductive attitudes any more pleasant to swallow." [movie review]      Slant Magazine            Masters of Horror - Joe Dante: Homecoming (2005)      "Only in theory does Joe Dante's subversive brand of satire effectively compliment Homecoming's schlocky horror premise." [movie review]      The Projection Booth       2.5/4      Meet Dave (2008)      "Contrary to what its altogether hideous advertising campaign would have you think, the latest collaboration between Eddie Murphy and Norbit director Brian Robbins is not, in fact, the worst movie ever made." [movie review]      Slant Magazine       2/4      Meet the Spartans (2008)      "Is its purported idiocy put to a worthwhile use, or is this just another stale retreat of MADtv?" [movie review]      Slant Magazine            The Men Who Stare at Goats (2009)      "Comes to us as the latest political satire to have inadvertently sliced off its own pair." [movie review]      The Projection Booth       1.5/4      The Messengers (2007)      "The Pangs might know how to knee-jerk shock an audience ad nauseam, but the remainder of The Messengers suffers from shamelessly thudding banality." [movie review]      Slant Magazine       B-      Miami Vice (2006)      "Fans of the theatrical version will have to settle for a slimmer special features department if they don't want the viewing experience unnecessarily botched." [dvd review]      The Projection Booth       4/4      Miami Vice (2006)      "[The punchy] theatrical opening... doesn't so much lead viewers into the film as it injects them." [movie review]      The Stranger Song       2/4      Miriam (2006)      "Miriam is a paean to Jewish oppression as if commissioned by the History Channel." [movie review]      Slant Magazine       3/4      The Monastery: Mr. Vig & the Nun (2006)      "Pernille Rose Grønkjær's portrait of Mr. Vig is one of affecting honesty." [movie review]      Slant Magazine       4/4      Munich (2005)      "A longing for home is the central core to Spielberg's powerful dissertation." [movie review]      The Projection Booth       1.5/4      My Best Friend's Girl (2008)      "My Best Friend's Girl ultimately fails to measure up to its own standards." [movie review]      Slant Magazine            My Bloody Valentine 3D (2009)      "Though it stands as one of the better horror remakes to come along in recent memory, 2009's My Bloody Valentine still only just passes for competent watchability." [movie review]      The Projection Booth

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