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Sources
• House Next Door
• Projection Booth
• Slant Magazine
• Stranger Song
• Suite101.com
Total Reviews: 349
Rob Humanick
Rob Humanick
Rob Humanick

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  (1 - 13) of 13  
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C+
     (2007)      "Halloween 2007 externalizes all that was internal in the original." [movie review]      The Projection Booth   
  
B-
     (2009)      "This film might be the most artfully rendered slasher sequel ever made. Alas, Zombie's dark poetry only goes so far without more substantive justification." [movie review]      The Projection Booth   
  
     (2008)      "Only half good cinema, seemingly the result of its maker's stunted belief/determination in both himself and his audience." [movie review]      The House Next Door   
  
B-
     (2008)      "After two films of their joyous irresponsibility and hedonistic pleasures, I can say with confidence that I wouldn't want to live in a world without them." [movie review]      The Projection Booth   
  
B
     (2004)      "A deserving, albeit minor classic, if only for being so bold as to describe Katie Holmes' breasts as being "the exact opposite" of the Holocaust." [movie review]      The Projection Booth   
  
     (2009)      "The thoughtfully expressive compositions, in their vast, almost embracing depth, suggest a silent film made today." [movie review]      The Projection Booth   
  
C+
     (2007)      "Cinema often requires the sacrifice of facts for feelings, a reality that leaves this barely satisfactory affair clinging to its literary predecessor for life support." [movie review]      The Projection Booth   
  
B+
     (2004)      "Artistically resonant even as it deliberately follows a contemporary narrative structure." [movie review]      The Projection Booth   
  
3/4
     (2008)      "If the first Hellboy was about the loss of our fathers and the mystery of where we come from, Hellboy II centers on where we are going, and what we do when the mantle passes." [movie review]      Suite101.com   
  
F
     (2007)      "One may as well watch a marathon of American beheadings at the hands of Iraqi insurgents with popcorn in hand - the entertainment value is surprisingly comparable." [movie review]      The Projection Booth   
  
B
     (2005)      "The film gains a sense of visual wonder almost completely freed from the strains of a narrative-driven film." [movie review]      The Projection Booth   
  
2.5/4
     (2007)      "Steadfast tradition and encroaching progress lock horns in the surprisingly cheerful Hula Girls." [movie review]      Slant Magazine   
  
     (2003)      "The film almost matches the inner conflict of its titular character, intermittently bogged down even as it soars to occasionally transcendent heights." [movie review]      The Projection Booth   
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