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1/4 |
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(2009) |
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"Disney [hates you and] wants your money."
[movie review] |
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Suite101.com |
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(2005) |
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"Land of the Dead may be the baddest genre film this side of Y2K."
[movie review] |
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The Projection Booth |
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"Do not forget the Infant Island song ("Happiness, why are you sad? Riding on the breeze and crowd, let's look for happiness") and behold the untold wonders of Japanese cinema."
[dvd review] |
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Slant Magazine |
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3/4 |
|
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"Even with a deliberately lighter tone being enforced, this Godzilla film cannot help but lend itself to anti-technology warnings of the implicit kind."
[movie review] |
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Slant Magazine |
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(2007) |
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"Director Mark Steven Johnson is infinitely less concerned with exploring Blaze's smoldering, soul-deprived isolation than he is infatuated with the character's skull-'n'-bones imagery."
[movie review] |
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The House Next Door |
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1.5/4 |
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(2006) |
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"Ghost Train's opening shot recalls the roaring spirits of Sam Raimi's Evil Dead films, but it is, unfortunately, the sole example of what might have otherwise been a favorable comparison."
[movie review] |
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Slant Magazine |
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1.5/4 |
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(2007) |
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"Like some demented cross between a Norman Rockwell painting and an Eli Roth film."
[movie review] |
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Slant Magazine |
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2/4 |
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(2007) |
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"Nothing short of confounding, the film seems to exist in an uneasy limbo between avant-garde brilliance and completely inane abrasiveness."
[movie review] |
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Slant Magazine |
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(1990) |
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"Indeed the disappointment many of its detractors assert it to be - in the same way that some of Orson Welles' subsequent works can be called disappointments when compared to Citizen Kane."
[movie review] |
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The Projection Booth |
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(1977) |
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"Among the most efficient and exciting of the series since the 1954 original."
[movie review] |
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The Projection Booth |
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(1972) |
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"The image of the massive smog beast sucking fumes off of pollutant factory pipes proves almost indelible, but little else registers."
[movie review] |
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The Projection Booth |
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2.5/4 |
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(2009) |
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"Most of the best sequences simply give over to footage of Gogol's live performances, with lead singer Eugene Hütz often seen inviting audience members on stage for any number of gags or creative involvements."
[movie review] |
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Slant Magazine |
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B |
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(1954) |
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"Godzilla is still as relevant a monster as ever."
[movie review] |
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The Projection Booth |
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2.5/4 |
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(2007) |
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"One of many recent works that represent the ripples cast outward from the dialogue begun in Steven Spielberg's masterful Munich."
[movie review] |
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Slant Magazine |
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C- |
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(2006) |
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"Damn near drowns itself with its unwaveringly solemn sense of importance"
[movie review] |
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The Projection Booth |
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3/4 |
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(2009) |
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"Fine performances all around act like vital organs within the body of Bahrani's resonant chamber piece."
[movie review] |
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Suite101.com |
|
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3/4 |
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(2008) |
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"Though far from his best, we're still lucky to have it."
[movie review] |
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Suite101.com |
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C |
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(2007) |
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"As is typical of such fare, the primary goals are commendable for their well-intentioned earnestness, but zero points for such gluttonous condescension."
[movie review] |
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The Projection Booth |
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(2007) |
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"While I believe Tarantino to be a far greater artist when it comes to lining his cinematic and pop culture channelings with elements of profundity, Rodriguez is something of a master at to-the-point entertainment."
[movie review] |
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The Projection Booth |
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1.5/4 |
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(2006) |
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"It's when The Guardian tries to posit profundity that it really wears out its welcome."
[movie review] |
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Slant Magazine |
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