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3/4 |
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(2008) |
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"The film itself evokes the collision of an unstoppable force with an immovable object."
[movie review] |
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Suite101.com |
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(2008) |
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"An insult to Dark Knight fans, cinematic technophiles, and DVD special features everywhere."
[dvd review] |
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Suite101.com |
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(1978) |
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"Romero's framing of social ills via his rotting, walking metaphors is ingenious but it's the more subtle, unspoken statements that register with the greatest force."
[movie review] |
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The Projection Booth |
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(2004) |
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"Zack Snyder's zombies are like his stylistic flourishes: big, dumb, and obvious."
[movie review] |
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The Projection Booth |
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(1985) |
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"This deconstruction is so thorough and encompassing that the climactic explosion of zombie mayhem - revealing and awesome though it is - is practically an afterthought."
[movie review] |
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The Projection Booth |
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3/4 |
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(2008) |
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"Money makes the world go round in Days and Clouds, a darling relationship drama that probes our collective fears about financial instability with an almost profoundly empathetic detachment."
[movie review] |
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Slant Magazine |
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(1993) |
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"Rarely has the urge to expectorate one's lunch been a feeling so sublime."
[movie review] |
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The Projection Booth |
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(1989) |
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"Recommended only to viewers with blood alcohol concentrations well above the legal driving limit."
[movie review] |
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The Projection Booth |
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1/4 |
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(2007) |
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"Wan lays it on thick, for sure, but without feeling and (even worse) without reason."
[movie review] |
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Slant Magazine |
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B |
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(2009) |
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"The pre-credits opening - a hilariously self-aware, subversive chase scene scored to "In the Hall of the Mountain King" - stands as an easy comedic high point."
[movie review] |
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The Projection Booth |
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3.5/4 |
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(2008) |
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"The most ambitious work of its kind."
[movie review] |
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Slant Magazine |
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(2008) |
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"Though disappointingly lax in the features department, Dear Zachary is a work that truly speaks for itself."
[dvd review] |
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Slant Magazine |
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(2007) |
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"Death Proof doesn't simply comment on its genre inspirations - it adds to their very legacy."
[movie review] |
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The Projection Booth |
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2.5/4 |
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(2007) |
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"With Death Sentence, James Wan continues to beat us over the head, though this time he has the decency to do so with some semblance of human emotion."
[movie review] |
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Slant Magazine |
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C |
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(2008) |
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"Emotionally robotic and superficially deliberate."
[movie review] |
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The Projection Booth |
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2/4 |
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(2007) |
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"A positively neutered affair, unlikely to offend...or thrill...virtually anyone."
[movie review] |
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Slant Magazine |
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2.5/4 |
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(2007) |
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"Succeeds in furthering the much-needed dialogue on a defining event in our current political moment."
[movie review] |
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Slant Magazine |
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C+ |
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(1990) |
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"Merely a serviceable action flick, sorely missing both a sense of stylistic clarity as well as the glorious excess this kind of modern western-meets-Indiana Jones affair deserves."
[movie review] |
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The Projection Booth |
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2/4 |
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(1987) |
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"An animated rendering of its characters is virtually the only thing preventing the formulaic Dirty Dancing from being another one of Disney's crappy romances."
[movie review] |
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Slant Magazine |
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(1971) |
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"Little in Dirty Harry aims above the barely cognizant."
[movie review] |
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The Projection Booth |
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.5/4 |
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(2008) |
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"Cobbled together with plotlines, characters, catchphrases and other assorted gimmicks still lodged in the short-term memory cavities of our pop cultural consciousness."
[movie review] |
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Slant Magazine |
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B+ |
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(2006) |
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"Both smart and direct, District B13 is the kind of lean, mean action film most of America's working directors only wish they could pull off."
[movie review] |
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The Projection Booth |
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3/4 |
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(2008) |
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"Pristine cinematic journalism."
[movie review] |
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Slant Magazine |
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2/4 |
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(2009) |
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"Dog Eat Dog's choice of hyper-stylized, overexposed cinematography is ultimately more concerned with creating a mood of jittery, hell-on-earth claustrophobia than it is with forcibly exoticizing its crime-stricken Colombian setting."
[movie review] |
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Slant Magazine |
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2.5/4 |
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(2008) |
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"Totally earnest but in complete awe of its predecessors."
[movie review] |
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Slant Magazine |
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C |
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(1991) |
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"The Doors plays out like an epic hangover one expects to never recover from."
[movie review] |
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The Projection Booth |
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B- |
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(2008) |
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"[The cast's] eagerly mucking about the film's thematic underbelly almost justifies the relative triteness with which the material is presented."
[movie review] |
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The Projection Booth |
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(2009) |
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"Stands as the latest in a line of occasional, much-needed reminders that the horror genre isn't going completely downhill anytime soon."
[movie review] |
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The Projection Booth |
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1/4 |
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(2009) |
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"A more accurately descriptive moniker would have been Dragonball Stagnation."
[movie review] |
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Slant Magazine |
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