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Sources
• House Next Door
• Projection Booth
• Slant Magazine
• Stranger Song
• Suite101.com
Total Reviews: 349
Rob Humanick
Rob Humanick
Rob Humanick

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4/4
     (1919)      "The influence of Robert Wiene's Caligari is so great that it threatens to obscure the work itself." [movie review]      The Projection Booth   
  
     (1980)      "The completely heinous nature of the film...is exposed through its own inconsistencies." [movie review]      The Projection Booth   
  
2.5/4
     (2006)      "Effectively portrays this practice as a deeply spiritual marriage of religious commitment and artistic perseverance." [movie review]      Slant Magazine   
  
.5/4
     (2007)      "A poseur Grand Guignol, artistically indefensible and rank without purpose." [movie review]      Slant Magazine   
  
     (2006)      "This is James Bond before sassy self-awareness set in, and it rattles the cages more than any number of explosions could in letting us know why he's still relevant today." [movie review]      The Stranger Song   
  
     (2006)      "As uncertain and spontaneous as its events are in the moment, Children of Men feels too tightly wound for its own good." [movie review]      The Stranger Song   
  
     (2008)      "Choke sucks." [movie review]      The Projection Booth   
  
     (2005)      "Appreciable is its willingness to tantalize with slow reveals, thus allowing its otherwise obvious religious readings to imbue themselves more fully into the unfolding narrative." [movie review]      The Projection Booth   
  
     (2003)      "Often masterful in its distillation of exposition into pure sight and sound energy... but equally frustrating in its attention-grabbing lack of focus." [movie review]      The Projection Booth   
  
     (2008)      "Cloverfield comes to us packaged like a secret government file; if they wanted to maintain the illusion, why not go all the way as did the film?" [dvd review]      The Projection Booth   
  
     (2008)      "I, for one, would be using the F-bomb far more gratuitously if faced with a possible encounter with a creature that could well swallow me whole." [movie review]      The Projection Booth   
  
B+
     (1985)      "You're welcome, California!" [movie review]      The Projection Booth   
  
     (2009)      "Functions as coach to the titular quarreling couple, almost rigorously evenhanded and unbiased as it details the opposing viewpoints and recollections." [movie review]      The Projection Booth   
  
1/4
     (2006)      "The latest from a generation of filmmakers whose influence stems primarily from WB sitcom aesthetics and PlayStation videogame storylines, The Covenant falls into theaters like a fashion magazine adapted to the screen." [movie review]      Slant Magazine   
  
2.5/4
     (2009)      "Both exhilarating and exhausting, it falls just short of a fever pitch." [movie review]      Suite101.com   
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