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 1.5/4 |
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(2007) |
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"Until the mess in the Middle East has found its way to a resolution, we can continue to expect films like Badland as part of the collateral damage in the War on Terror."
[movie review] |
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Slant Magazine |
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 2.5/4 |
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(2007) |
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"Banished effectively evokes the manner in which events of the past are carried into the present via cultural traditions, artifacts, and unspoken local histories."
[movie review] |
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Slant Magazine |
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(2008) |
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"The film comes out on the upper side of things by managing to avoid blue balls."
[movie review] |
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The Projection Booth |
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(1989) |
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"A hollow void of underdeveloped style and half-hearted execution."
[movie review] |
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The Projection Booth |
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(2008) |
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"Ultimately trades in schmaltz of the unearned kind."
[movie review] |
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The Projection Booth |
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(2007) |
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"Decade-old leftovers reaching for laughs."
[movie review] |
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The Projection Booth |
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 1.5/4 |
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(2007) |
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"For all of its lame distastefulness, Behind the Mask: The Rise of Leslie Vernon is a sadly appropriate reflection of its time."
[movie review] |
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Slant Magazine |
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(1983) |
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"If greatness is determined less by perfection than by sheer forward thrust, I can think of few better examples than Berlin Alexanderplatz."
[movie review] |
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The House Next Door |
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(1983) |
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"This Criterion release could have been entirely without features and it would still rank among the finest DVDs of the year."
[dvd review] |
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The House Next Door |
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 3/4 |
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(2008) |
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"A probing, textured mix of historical and personally shot footage set to an effectively disembodied voiceover."
[movie review] |
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Slant Magazine |
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 4/4 |
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(1915) |
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"Links the divide between American past and American present."
[movie review] |
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The Projection Booth |
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(2007) |
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"Its sleazy, scuzzy nature comes not from a forward desire to push the standards of taste but a been-there sense of the ways of the world."
[movie review] |
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The Projection Booth |
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 3/4 |
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(2007) |
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"Draws out the unseen riches that exist within what may otherwise appear typical or commonplace."
[movie review] |
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Slant Magazine |
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 1/4 |
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(2006) |
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"Truly offensive is the film's go-nowhere result, its purported liberal ideologies untapped beyond their potential for speedy, soulless entertainment."
[movie review] |
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The Projection Booth |
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 2.5/4 |
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(2008) |
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"As purportedly nonfictional cinema, Bloodline poses an implicit dilemma to viewers and critics: How do we know if what we're watching is real?"
[movie review] |
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Slant Magazine |
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 2/4 |
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(2006) |
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"The film isn't illuminating, just inflammatory."
[movie review] |
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Slant Magazine |
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(2007) |
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"Zzzzzzzzz."
[movie review] |
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The Projection Booth |
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 3/4 |
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(2009) |
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"Not unlike Dear Zachary: A Letter to a Son About His Father, personal anguish here proves emotionally cathartic."
[movie review] |
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Slant Magazine |
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(1988) |
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"Disney can't touch this."
[movie review] |
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The Projection Booth |
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(2007) |
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"If nothing else, enjoy Nicky Katt's hilariously smart-ass one-liners."
[movie review] |
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The Projection Booth |
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(1995) |
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"The only thing missing from this set is the preview for Gibson's next film: Dead Things I Beat with a Mace and Smear Across My Hairy Catholic Chest."
[dvd review] |
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Slant Magazine |
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 2/4 |
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(1995) |
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"So inspiring is his message that my own girlfriend channeled it, in the warning I received prior to my reviewing the film: You'd better love it, or I'll disembowel you."
[movie review] |
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Slant Magazine |
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(2006) |
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"High-aimed intentions are thrown askew by the reliance on inconsistent laughs seemingly meant to break the otherwise overriding tension."
[movie review] |
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The Projection Booth |
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(2006) |
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"Brick exemplifies the difference between a cinematic talent show and mere karaoke."
[movie review] |
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The Projection Booth |
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(2009) |
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"Enough to make one yearn for the rich complexity of Home Improvement."
[movie review] |
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The Projection Booth |
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(2007) |
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"A freakishly metaphorical look at the self-destructive implications of paranoia gone awry."
[movie review] |
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The Projection Booth |
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 2/4 |
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(2008) |
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"You'll learn more about the pathos of hanging ten from Surf's Up."
[movie review] |
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Slant Magazine |
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