 |
|
|
|
|
|
|
|
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"When (Swank) steps into the right role, she wears and inspires it like Denzel Washington."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 .5/5 |
|
(2009) |
|
"This wretched thing should have been snuffed out at the drawing board."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3/5 |
|
(2009) |
|
"Like in the better moments of Donnie Darko, Kelly serves up suspense and dread - until he moves into act three by sending his story into a nebulous orbit."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3/5 |
|
(2009) |
|
"Masterpieces of literature-to-film are a rare breed; this film falls short with satisfaction."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4.5/5 |
|
(2009) |
|
"Fate breeds fatalism in a tale that Guillermo Arriaga masterfully writes and directs. It's realized so beautifully and viscerally that - I hate to say it - Alejandro Gonzalez Inarritu now seems a little obsolete."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"The fantastic journey stems from the kids' housebound daydreaming - dinner time is inescapable, after all."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"A mastery of inspiration by writer-director Henry Selick. At the finale of this visual delight, every hired hand and technician also deserve acclaim."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 5/5 |
|
(2009) |
|
"The humanity of District 9 adds another dimension to this multilayered, rewarding work - one of the best of the summer, and undoubtedly the most inventive from the multiplex this year."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 5/5 |
|
(2009) |
|
"Resistance and rebellion to the studio routine resounds throughout Drag Me to Hell, and as a return to the filmmaker's original witty shocks and gross-outs, how goddamn touching it is."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3/5 |
|
(2009) |
|
"This film entertains through gameplay, turning suspenseful, comic, then romantic as if in the hands of a master card dealer. But Gilroy's trickeries can be revealed by just slightly encroaching the stage."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 1/5 |
|
(2009) |
|
"Critics galore are fawning over Anderson's move to animation. Why all the fuss? - the man's been staging puppet shows for years."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"Be prepared when seeing this film: you'll ponder the old adage about being what you eat."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 2/5 |
|
(2009) |
|
"Musters all its strength to set up a purportedly true-life scenario about alien sightings, only to give itself away at every turn."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"Perhaps Simmons is the man Apatow fears he will become. If so, with Sandler's help the filmmaker's fashioned a solid work of self reflection. There's plenty to love and laugh along with here."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"The high-pressure environment of live television was described as "Summer Stock in an iron lung." Perhaps the programs' invigorating style required such energy."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 2.5/5 |
|
(2009) |
|
"The Headless Woman settles into the episodic without the necessary character development - it's a slice of life too slight for its own good."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"I Sell the Dead sports playful genre inventiveness, in which fans can delight and even outsiders can enjoy."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4.5/5 |
|
(2009) |
|
"The film's elements hum into a glorious experience, with its narrative as captivating as its visualization."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3/5 |
|
(2009) |
|
"This children's fantasy flirts with the dark side, though family values win out."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 2.5/5 |
|
(2009) |
|
"Julie's setbacks are dealt out like the hand in a game we don't want to play anymore. We want to drop the cards and stay over at Julia's winning table."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"Hell is upon us in the opening minutes of Left Bank, especially if we think of hell as a state of mind."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 2/5 |
|
(2009) |
|
"Make-Out with Violence is proud of its dual identity, yet suffers from an identity crisis."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"Oddball horror flicks, sexploitation romps, car-chase extravaganzas - the clips burn throughout this film with a tone as giddy as its subject."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 2.5/5 |
|
(2009) |
|
"The average viewer will be satisfied with the product, even if the film offers hardly any new information. The doc buff will witness a film that can't surface above the steady nonfiction output at the art house."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"Cinematically speaking, you my find your meeting with psychoanalyst/film theorist Slavoj Zizek to be a near-religious experience."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 2.5/5 |
|
(2009) |
|
"Things start sinking by the opening minutes."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"I grew a deep hunger while watching Pressure Cooker, not just from the students' mouthwatering dishes, but from the fact that teacher/chef Wilma Stephenson could uniformly inspire such success."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 5/5 |
|
(2009) |
|
"This is the purest of American narratives, and this, indeed, is one of our finest storytellers."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 2.5/5 |
|
(2009) |
|
"Kids will want to root for their alien counterparts on screen. But they are second fiddle to the Rock wracking it up."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"Director AJ Annila bends the tone before our eyes ... We follow his lead and don't give a damn if it all amounts to nonsense."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"As in Barton Fink, all these roles are stylized, artificial; like dream images, they represent fears and desires more than people."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"Shadow Billionaire sports many twists and turns, with the intrigue and insight of top-tier journalism."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2009) |
|
"Clever, campy, even a little endearing, Trek revives itself by going back to the past, but consumes itself by wanting the "Trek" of future, too. In the current remake craze, it's never enough."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 2.5/5 |
|
(2009) |
|
"After a strong takeoff, Up lands on dead grounds."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4.5/5 |
|
(2009) |
|
"Jonze's camera gazes upon Carrol and company just like countless readers have, and thus "Where the Wild Things Are" tributes and adds to its inspiration."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4/5 |
|
(2008) |
|
"Plays on conventions so smoothly that we're never distracted from the ride."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2008) |
|
"With measured visual flash, Luhrmann highlights the delightful presence of his two stars and realizes an unlikely feelgood film, in spite of its grave matters."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2008) |
|
"Director [Frank Henenlotter] holds fast to his old-school style of goofy thrills and analog FX."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4.5/5 |
|
(2008) |
|
"The audio is occupied by only the sounds the characters make ... moments of silence open up an emotional void."
[movie review] |
|
IdentityTheory |
|
 |
 |
 |
| |
 .5/5 |
|
(2008) |
|
"A relentless eyesore -- like looking into the sky and having sand poured into your eyes."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3/5 |
|
(2008) |
|
"The film's stunt is to unveil a simple truth, and its reputation relies on the fact that other filmmakers have yet to make the jump."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2008) |
|
"Undeniably fun for the kids, though it requires a camp sensibility in its adult audience. But in doing so, it is a warm return to the live-action Disney movies of yesteryear."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2008) |
|
"A warm return to the live-action Disney movies of yesteryear."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 .5/5 |
|
(2008) |
|
"Never has fury been deader."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2008) |
|
"Lets many humorous conceits fly."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 2.5/5 |
|
(2008) |
|
"A little sentimentality can fuel a lot of action, yet Zwick buries his film in cloying guilt, in the end sinking "Defiance" with the holocaust film's bait."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 4.5/5 |
|
(2008) |
|
"Exhausting yet invigorating, it's a drama one witnesses more than just views."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 6/10 |
|
(2008) |
|
"A poor production had its way with an able performer."
[dvd review] |
|
PopMatters |
|
 |
 |
 |
| |
 3.5/5 |
|
(2008) |
|
"Even if Horton's world can't shine like Whoville, this movie's visuals keeps things vivid, while digital animation is so often crisp, precise, and cold."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3/5 |
|
(2008) |
|
"Keeping the style objective and routine, [co-directors Tony] Gerber and [Jesse] Moss remain non-judgmental of the bizarre carnival they have uncovered."
[movie review] |
|
Film Threat |
|
 |