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Sources
• Bright Lights Film Journal
• Film Threat
• IdentityTheory
• PopMatters
Total Reviews: 149
Matthew Sorrento

Article type:      Default Sorting (most recent)
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4/5
     (2009)      "When (Swank) steps into the right role, she wears and inspires it like Denzel Washington." [movie review]      Film Threat   
  
.5/5
     (2009)      "This wretched thing should have been snuffed out at the drawing board." [movie review]      Film Threat   
  
3/5
     (2009)      "Like in the better moments of Donnie Darko, Kelly serves up suspense and dread - until he moves into act three by sending his story into a nebulous orbit." [movie review]      Film Threat   
  
3/5
     (2009)      "Masterpieces of literature-to-film are a rare breed; this film falls short with satisfaction." [movie review]      Film Threat   
  
4.5/5
     (2009)      "Fate breeds fatalism in a tale that Guillermo Arriaga masterfully writes and directs. It's realized so beautifully and viscerally that - I hate to say it - Alejandro Gonzalez Inarritu now seems a little obsolete." [movie review]      Film Threat   
  
4/5
     (2009)      "The fantastic journey stems from the kids' housebound daydreaming - dinner time is inescapable, after all." [movie review]      Film Threat   
  
4/5
     (2009)      "A mastery of inspiration by writer-director Henry Selick. At the finale of this visual delight, every hired hand and technician also deserve acclaim." [movie review]      Film Threat   
  
5/5
     (2009)      "The humanity of District 9 adds another dimension to this multilayered, rewarding work - one of the best of the summer, and undoubtedly the most inventive from the multiplex this year." [movie review]      Film Threat   
  
5/5
     (2009)      "Resistance and rebellion to the studio routine resounds throughout Drag Me to Hell, and as a return to the filmmaker's original witty shocks and gross-outs, how goddamn touching it is." [movie review]      Film Threat   
  
3/5
     (2009)      "This film entertains through gameplay, turning suspenseful, comic, then romantic as if in the hands of a master card dealer. But Gilroy's trickeries can be revealed by just slightly encroaching the stage." [movie review]      Film Threat   
  
1/5
     (2009)      "Critics galore are fawning over Anderson's move to animation. Why all the fuss? - the man's been staging puppet shows for years." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Be prepared when seeing this film: you'll ponder the old adage about being what you eat." [movie review]      Film Threat   
  
2/5
     (2009)      "Musters all its strength to set up a purportedly true-life scenario about alien sightings, only to give itself away at every turn." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Perhaps Simmons is the man Apatow fears he will become. If so, with Sandler's help the filmmaker's fashioned a solid work of self reflection. There's plenty to love and laugh along with here." [movie review]      Film Threat   
  
4/5
     (2009)      "The high-pressure environment of live television was described as "Summer Stock in an iron lung." Perhaps the programs' invigorating style required such energy." [movie review]      Film Threat   
  
2.5/5
     (2009)      "The Headless Woman settles into the episodic without the necessary character development - it's a slice of life too slight for its own good." [movie review]      Film Threat   
  
4/5
     (2009)      "I Sell the Dead sports playful genre inventiveness, in which fans can delight and even outsiders can enjoy." [movie review]      Film Threat   
  
4.5/5
     (2009)      "The film's elements hum into a glorious experience, with its narrative as captivating as its visualization." [movie review]      Film Threat   
  
3/5
     (2009)      "This children's fantasy flirts with the dark side, though family values win out." [movie review]      Film Threat   
  
2.5/5
     (2009)      "Julie's setbacks are dealt out like the hand in a game we don't want to play anymore. We want to drop the cards and stay over at Julia's winning table." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Hell is upon us in the opening minutes of Left Bank, especially if we think of hell as a state of mind." [movie review]      Film Threat   
  
2/5
     (2009)      "Make-Out with Violence is proud of its dual identity, yet suffers from an identity crisis." [movie review]      Film Threat   
  
4/5
     (2009)      "Oddball horror flicks, sexploitation romps, car-chase extravaganzas - the clips burn throughout this film with a tone as giddy as its subject." [movie review]      Film Threat   
  
2.5/5
     (2009)      "The average viewer will be satisfied with the product, even if the film offers hardly any new information. The doc buff will witness a film that can't surface above the steady nonfiction output at the art house." [movie review]      Film Threat   
  
4/5
     (2009)      "Cinematically speaking, you my find your meeting with psychoanalyst/film theorist Slavoj Zizek to be a near-religious experience." [movie review]      Film Threat   
  
2.5/5
     (2009)      "Things start sinking by the opening minutes." [movie review]      Film Threat   
  
4/5
     (2009)      "I grew a deep hunger while watching Pressure Cooker, not just from the students' mouthwatering dishes, but from the fact that teacher/chef Wilma Stephenson could uniformly inspire such success." [movie review]      Film Threat   
  
5/5
     (2009)      "This is the purest of American narratives, and this, indeed, is one of our finest storytellers." [movie review]      Film Threat   
  
2.5/5
     (2009)      "Kids will want to root for their alien counterparts on screen. But they are second fiddle to the Rock wracking it up." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Director AJ Annila bends the tone before our eyes ... We follow his lead and don't give a damn if it all amounts to nonsense." [movie review]      Film Threat   
  
3.5/5
     (2009)      "As in Barton Fink, all these roles are stylized, artificial; like dream images, they represent fears and desires more than people." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Shadow Billionaire sports many twists and turns, with the intrigue and insight of top-tier journalism." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Clever, campy, even a little endearing, Trek revives itself by going back to the past, but consumes itself by wanting the "Trek" of future, too. In the current remake craze, it's never enough." [movie review]      Film Threat   
  
2.5/5
     (2009)      "After a strong takeoff, Up lands on dead grounds." [movie review]      Film Threat   
  
4.5/5
     (2009)      "Jonze's camera gazes upon Carrol and company just like countless readers have, and thus "Where the Wild Things Are" tributes and adds to its inspiration." [movie review]      Film Threat   
  
4/5
     (2008)      "Plays on conventions so smoothly that we're never distracted from the ride." [movie review]      Film Threat   
  
3.5/5
     (2008)      "With measured visual flash, Luhrmann highlights the delightful presence of his two stars and realizes an unlikely feelgood film, in spite of its grave matters." [movie review]      Film Threat   
  
3.5/5
     (2008)      "Director [Frank Henenlotter] holds fast to his old-school style of goofy thrills and analog FX." [movie review]      Film Threat   
  
4.5/5
     (2008)      "The audio is occupied by only the sounds the characters make ... moments of silence open up an emotional void." [movie review]      IdentityTheory   
  
.5/5
     (2008)      "A relentless eyesore -- like looking into the sky and having sand poured into your eyes." [movie review]      Film Threat   
  
3/5
     (2008)      "The film's stunt is to unveil a simple truth, and its reputation relies on the fact that other filmmakers have yet to make the jump." [movie review]      Film Threat   
  
3.5/5
     (2008)      "Undeniably fun for the kids, though it requires a camp sensibility in its adult audience. But in doing so, it is a warm return to the live-action Disney movies of yesteryear." [movie review]      Film Threat   
  
3.5/5
     (2008)      "A warm return to the live-action Disney movies of yesteryear." [movie review]      Film Threat   
  
.5/5
     (2008)      "Never has fury been deader." [movie review]      Film Threat   
  
3.5/5
     (2008)      "Lets many humorous conceits fly." [movie review]      Film Threat   
  
2.5/5
     (2008)      "A little sentimentality can fuel a lot of action, yet Zwick buries his film in cloying guilt, in the end sinking "Defiance" with the holocaust film's bait." [movie review]      Film Threat   
  
4.5/5
     (2008)      "Exhausting yet invigorating, it's a drama one witnesses more than just views." [movie review]      Film Threat   
  
6/10
     (2008)      "A poor production had its way with an able performer." [dvd review]      PopMatters   
  
3.5/5
     (2008)      "Even if Horton's world can't shine like Whoville, this movie's visuals keeps things vivid, while digital animation is so often crisp, precise, and cold." [movie review]      Film Threat   
  
3/5
     (2008)      "Keeping the style objective and routine, [co-directors Tony] Gerber and [Jesse] Moss remain non-judgmental of the bizarre carnival they have uncovered." [movie review]      Film Threat   
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