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Sources
• Bright Lights Film Journal
• Film Threat
• IdentityTheory
• PopMatters
Total Reviews: 149
Matthew Sorrento

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3/5
     (2006)      "Twelve and Holding unfortunately breaks down by trying to wrap up its problems too neatly." [movie review]      Film Threat   
  
2/5
     (2006)      "In this Kill Billish revenger pastiche, the humorous tone of the script appears alien to the filmmakers." [movie review]      Film Threat   
  
4/5
     (2009)      "When (Swank) steps into the right role, she wears and inspires it like Denzel Washington." [movie review]      Film Threat   
  
4/5
     (1997)      "Here's an old pile of trash, every inch of it delightfully reeking. It goes back a decade, when it was released as Generation X-Tinct, though its style is situated among the grimiest floors of the 70s grindhouse." [movie review]      Film Threat   
  
.5/5
     (2009)      "This wretched thing should have been snuffed out at the drawing board." [movie review]      Film Threat   
  
4/5
     (2008)      "Plays on conventions so smoothly that we're never distracted from the ride." [movie review]      Film Threat   
  
3.5/5
     (2007)      "In a case where the most dangerous are kept dangerously close, here we have a rarity: a suspenseful, yet dramatic Western." [movie review]      Film Threat   
  
3.5/5
     (2008)      "With measured visual flash, Luhrmann highlights the delightful presence of his two stars and realizes an unlikely feelgood film, in spite of its grave matters." [movie review]      Film Threat   
  
3.5/5
     (2008)      "Director [Frank Henenlotter] holds fast to his old-school style of goofy thrills and analog FX." [movie review]      Film Threat   
  
4.5/5
     (2008)      "The audio is occupied by only the sounds the characters make ... moments of silence open up an emotional void." [movie review]      IdentityTheory   
  
5/10
     (2007)      "What a quirky pair of brothers do Philip Seymour Hoffman and Ethan Hawke make." [dvd review]      PopMatters   
  
4/5
     (1932)      "These minor classics have been unavailable on DVD until now, and what a treat it is that they've arrived together in a slick little digipak, especially for you 'Legacy Collection' owners." [movie review]      Film Threat   
  
3.5/5
     (1973)      "Forget the 'Moan' -- Russ Meyer sensationalizes the whip and offers maniacal slaveowners in this screwy vision of a colonial plantation, circa 1835." [movie review]      Film Threat   
  
.5/5
     (2008)      "A relentless eyesore -- like looking into the sky and having sand poured into your eyes." [movie review]      Film Threat   
  
2/5
     (2005)      "Granted, any reconsideration of the slasher film deserves acknowledgment, but Bloodline remains too contrived and addled to transcend its genre." [movie review]      Film Threat   
  
2.5/5
     (2007)      "When all the nonsense of Boarding Gate ends, only Asia remains in memory. She can light up the best and the worst of 'em." [movie review]      Film Threat   
  
1/5
     (1993)      "The sour taste that Body left for [director] Edel is evident in his next, very different big screen feature: the children's fantasy The Little Vampire." [movie review]      Film Threat   
  
3/5
     (2009)      "Like in the better moments of Donnie Darko, Kelly serves up suspense and dread - until he moves into act three by sending his story into a nebulous orbit." [movie review]      Film Threat   
  
4.5/5
     (2006)      "Seeing is believing, and the clever Maddin understands a dimension of his medium that many of his contemporaries won't dare approach: with the right compelling images, anything is possible." [movie review]      Film Threat   
  
4/5
     (2007)      "Radiates with youthful imagination and the joys of using it to abandon the everyday." [movie review]      Film Threat   
  
3/5
     (2009)      "Masterpieces of literature-to-film are a rare breed; this film falls short with satisfaction." [movie review]      Film Threat   
  
4.5/5
     (2009)      "Fate breeds fatalism in a tale that Guillermo Arriaga masterfully writes and directs. It's realized so beautifully and viscerally that - I hate to say it - Alejandro Gonzalez Inarritu now seems a little obsolete." [movie review]      Film Threat   
  
3.5/5
     (2007)      "Celebrates a duty to responsibility, even if the duty defies the federal law." [movie review]      Film Threat   
  
2/5
     (1950)      "So playful that it plays like a series of whims with little sensibility to unify them. Artistic inspiration is undoubtedly at work, but the ideas cannot solidify into art." [dvd review]      Film Threat   
  
3/5
     (2008)      "The film's stunt is to unveil a simple truth, and its reputation relies on the fact that other filmmakers have yet to make the jump." [movie review]      Film Threat   
  
4/5
     (2009)      "The fantastic journey stems from the kids' housebound daydreaming - dinner time is inescapable, after all." [movie review]      Film Threat   
  
3.5/5
     (2008)      "A warm return to the live-action Disney movies of yesteryear." [movie review]      Film Threat   
  
3.5/5
     (2008)      "Undeniably fun for the kids, though it requires a camp sensibility in its adult audience. But in doing so, it is a warm return to the live-action Disney movies of yesteryear." [movie review]      Film Threat   
  
2.5/5
     (2007)      "A Hollywood remake is already in the works, but I must confess, I may have to skip it." [movie review]      Film Threat   
  
4/5
     (2009)      "A mastery of inspiration by writer-director Henry Selick. At the finale of this visual delight, every hired hand and technician also deserve acclaim." [movie review]      Film Threat   
  
4/5
     (2004)      "Plays like a fever dream recalled upon waking, told with the immediacy of fear couched in relentless pleasure." [movie review]      Film Threat   
  
3/5
     (1984)      "Almodóvar on crazy nuns should be as madcap as Peter Jackson was on zombies ( ... ) But the result is a rather low-key affair." [movie review]      PopMatters   
  
.5/5
     (2008)      "Never has fury been deader." [movie review]      Film Threat   
  
3.5/5
     (2008)      "Lets many humorous conceits fly." [movie review]      Film Threat   
  
3.5/5
     (1956)      "One of the masters of cinema continually thrills because he grabs us from the outside (i.e., through social commentary) and the inside (by tapping into the psychological)." [movie review]      Film Threat   
  
3/5
     (1975)      "Death Race 2000 is as Corman as his B-grade action pics come, with cars flying through the frame, blood spilling behind them, and overnight pit-stops for some sex ("navigators" in each car keep their drivers juiced up)." [movie review]      Film Threat   
  
2.5/5
     (2008)      "A little sentimentality can fuel a lot of action, yet Zwick buries his film in cloying guilt, in the end sinking "Defiance" with the holocaust film's bait." [movie review]      Film Threat   
  
5/5
     (2009)      "The humanity of District 9 adds another dimension to this multilayered, rewarding work - one of the best of the summer, and undoubtedly the most inventive from the multiplex this year." [movie review]      Film Threat   
  
2.5/5
     (2007)      "With all the promise to be the year's best teen scream flick, Disturbia gets lost while overly trying to please its demographic." [movie review]      Film Threat   
  
5/5
     (2007)      "While The Diving Bell is based on Bauby's elegant, well-wrought words, [Director Julian] Schnabel's film is so steeped in the visual that it is surely the purest of cinema." [movie review]      Film Threat   
  
2.5/5
     (2006)      "The narrative that unfolds in the wake of Spence's journey recalls Paris but walks too heavy for a character study to gel." [movie review]      Film Threat   
  
4.5/5
     (2008)      "Exhausting yet invigorating, it's a drama one witnesses more than just views." [movie review]      Film Threat   
  
3.5/5
     (2006)      "Captures the flavor of a contemporary indie -- courtesy of an innovative auteur and one of our greatest male performers." [movie review]      Film Threat   
  
6/10
     (2008)      "A poor production had its way with an able performer." [dvd review]      PopMatters   
  
3.5/5
     (2008)      "Even if Horton's world can't shine like Whoville, this movie's visuals keeps things vivid, while digital animation is so often crisp, precise, and cold." [movie review]      Film Threat   
  
5/5
     (2009)      "Resistance and rebellion to the studio routine resounds throughout Drag Me to Hell, and as a return to the filmmaker's original witty shocks and gross-outs, how goddamn touching it is." [movie review]      Film Threat   
  
3/5
     (1979)      "This 1979 budgeter takes up from the 70s grindhouse and precedes the flourishing horror-comedies of the 80s." [movie review]      Film Threat   
  
3/5
     (2009)      "This film entertains through gameplay, turning suspenseful, comic, then romantic as if in the hands of a master card dealer. But Gilroy's trickeries can be revealed by just slightly encroaching the stage." [movie review]      Film Threat   
  
4.5/5
     (1990)      "Dunye's documentary style is so personal that it seems confessional, almost therapeutic. The results are self-assured, natural, and fascinating." [movie review]      Film Threat   
  
4/5
     (2006)      "Under Gordon’s eye, Macy draws pity for a character who feels nothing beyond his own suffering." [movie review]      Film Threat   
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