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Other Info
Sources
• Bright Lights Film Journal
• Film Threat
• IdentityTheory
• PopMatters
Total Reviews: 149
Matthew Sorrento

Article type:      Default Sorting (most recent)
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3/5
     (1984)      "Almodóvar on crazy nuns should be as madcap as Peter Jackson was on zombies ( ... ) But the result is a rather low-key affair." [movie review]      PopMatters   
  
.5/5
     (2008)      "Never has fury been deader." [movie review]      Film Threat   
  
3.5/5
     (2008)      "Lets many humorous conceits fly." [movie review]      Film Threat   
  
3.5/5
     (1956)      "One of the masters of cinema continually thrills because he grabs us from the outside (i.e., through social commentary) and the inside (by tapping into the psychological)." [movie review]      Film Threat   
  
3/5
     (1975)      "Death Race 2000 is as Corman as his B-grade action pics come, with cars flying through the frame, blood spilling behind them, and overnight pit-stops for some sex ("navigators" in each car keep their drivers juiced up)." [movie review]      Film Threat   
  
2.5/5
     (2008)      "A little sentimentality can fuel a lot of action, yet Zwick buries his film in cloying guilt, in the end sinking "Defiance" with the holocaust film's bait." [movie review]      Film Threat   
  
5/5
     (2009)      "The humanity of District 9 adds another dimension to this multilayered, rewarding work - one of the best of the summer, and undoubtedly the most inventive from the multiplex this year." [movie review]      Film Threat   
  
2.5/5
     (2007)      "With all the promise to be the year's best teen scream flick, Disturbia gets lost while overly trying to please its demographic." [movie review]      Film Threat   
  
5/5
     (2007)      "While The Diving Bell is based on Bauby's elegant, well-wrought words, [Director Julian] Schnabel's film is so steeped in the visual that it is surely the purest of cinema." [movie review]      Film Threat   
  
2.5/5
     (2006)      "The narrative that unfolds in the wake of Spence's journey recalls Paris but walks too heavy for a character study to gel." [movie review]      Film Threat   
  
4.5/5
     (2008)      "Exhausting yet invigorating, it's a drama one witnesses more than just views." [movie review]      Film Threat   
  
3.5/5
     (2006)      "Captures the flavor of a contemporary indie -- courtesy of an innovative auteur and one of our greatest male performers." [movie review]      Film Threat   
  
6/10
     (2008)      "A poor production had its way with an able performer." [dvd review]      PopMatters   
  
3.5/5
     (2008)      "Even if Horton's world can't shine like Whoville, this movie's visuals keeps things vivid, while digital animation is so often crisp, precise, and cold." [movie review]      Film Threat   
  
5/5
     (2009)      "Resistance and rebellion to the studio routine resounds throughout Drag Me to Hell, and as a return to the filmmaker's original witty shocks and gross-outs, how goddamn touching it is." [movie review]      Film Threat   
  
3/5
     (1979)      "This 1979 budgeter takes up from the 70s grindhouse and precedes the flourishing horror-comedies of the 80s." [movie review]      Film Threat   
  
3/5
     (2009)      "This film entertains through gameplay, turning suspenseful, comic, then romantic as if in the hands of a master card dealer. But Gilroy's trickeries can be revealed by just slightly encroaching the stage." [movie review]      Film Threat   
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