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Sources
• Bright Lights Film Journal
• Film Threat
• IdentityTheory
• PopMatters
Total Reviews: 149
Matthew Sorrento

Article type:      Default Sorting (most recent)
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1/5
     (2009)      "Critics galore are fawning over Anderson's move to animation. Why all the fuss? - the man's been staging puppet shows for years." [movie review]      Film Threat   
  
4/5
     (2009)      "The high-pressure environment of live television was described as "Summer Stock in an iron lung." Perhaps the programs' invigorating style required such energy." [movie review]      Film Threat   
  
3/5
     (2008)      "The film's overall style wants more than Janick's quest to reanimate one woman - an entire world seems doomed, if only Town's scenario could show it." [movie review]      Film Threat   
  
5/5
     (2000)      "Stylized showmen do Rain Man and Forrest Gump, but it takes a natural actor like Ruffalo to pull off this strange beauty." [movie review]      PopMatters   
  
4/5
     (1947)      "If the production code didn't mandate the villain's defeat by the film's end, Udo would have walked away triumphant, tossing a butt at a flat-on-his-face Bianco." [movie review]      PopMatters   
  
4/5
     (1987)      "Molina stares down all clichés, veering away from effeminate tones when they would be most convenient and avoids trapping Ken into a brooding madman." [movie review]      PopMatters   
  
5/5
     (2002)      "Humanity is intricate, contradictory, fathomless here, and the filmmaking just as rich." [movie review]      PopMatters   
  
3/5
     (1984)      "Almodóvar on crazy nuns should be as madcap as Peter Jackson was on zombies ( ... ) But the result is a rather low-key affair." [movie review]      PopMatters   
  
2.5/5
     (2009)      "Things start sinking by the opening minutes." [movie review]      Film Threat   
  
3.5/5
     (1956)      "One of the masters of cinema continually thrills because he grabs us from the outside (i.e., through social commentary) and the inside (by tapping into the psychological)." [movie review]      Film Threat   
  
3/5
     (2009)      "Like in the better moments of Donnie Darko, Kelly serves up suspense and dread - until he moves into act three by sending his story into a nebulous orbit." [movie review]      Film Threat   
  
2/5
     (2009)      "Musters all its strength to set up a purportedly true-life scenario about alien sightings, only to give itself away at every turn." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Shadow Billionaire sports many twists and turns, with the intrigue and insight of top-tier journalism." [movie review]      Film Threat   
  
4/5
     (2009)      "When (Swank) steps into the right role, she wears and inspires it like Denzel Washington." [movie review]      Film Threat   
  
3.5/5
     (2009)      "As in Barton Fink, all these roles are stylized, artificial; like dream images, they represent fears and desires more than people." [movie review]      Film Threat   
  
4.5/5
     (2009)      "Jonze's camera gazes upon Carrol and company just like countless readers have, and thus "Where the Wild Things Are" tributes and adds to its inspiration." [movie review]      Film Threat   
  
3/5
     (2009)      "Masterpieces of literature-to-film are a rare breed; this film falls short with satisfaction." [movie review]      Film Threat   
  
4.5/5
     (2009)      "The film's elements hum into a glorious experience, with its narrative as captivating as its visualization." [movie review]      Film Threat   
  
4/5
     (2009)      "The fantastic journey stems from the kids' housebound daydreaming - dinner time is inescapable, after all." [movie review]      Film Threat   
  
3/5
     (1991)      "As Mamet writes, so he directs -- his shots get to the point, usually one we don't forget." [movie review]      Film Threat   
  
5/5
          "Even the most passionate lover of cinema couldn't dream up an origin myth better than F.W. Murnau." [movie review]      Film Threat   
  
.5/5
     (2009)      "This wretched thing should have been snuffed out at the drawing board." [movie review]      Film Threat   
  
2.5/5
     (2009)      "The Headless Woman settles into the episodic without the necessary character development - it's a slice of life too slight for its own good." [movie review]      Film Threat   
  
5/5
     (2009)      "The humanity of District 9 adds another dimension to this multilayered, rewarding work - one of the best of the summer, and undoubtedly the most inventive from the multiplex this year." [movie review]      Film Threat   
  
2.5/5
     (2009)      "Julie's setbacks are dealt out like the hand in a game we don't want to play anymore. We want to drop the cards and stay over at Julia's winning table." [movie review]      Film Threat   
  
4/5
     (2009)      "Cinematically speaking, you my find your meeting with psychoanalyst/film theorist Slavoj Zizek to be a near-religious experience." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Perhaps Simmons is the man Apatow fears he will become. If so, with Sandler's help the filmmaker's fashioned a solid work of self reflection. There's plenty to love and laugh along with here." [movie review]      Film Threat   
  
4.5/5
     (1965)      "The director deploys suspense techniques with surrealistic touches -- both of which would seem dated today were they not so sharply weaved together." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Director AJ Annila bends the tone before our eyes ... We follow his lead and don't give a damn if it all amounts to nonsense." [movie review]      Film Threat   
  
2/5
     (2009)      "Make-Out with Violence is proud of its dual identity, yet suffers from an identity crisis." [movie review]      Film Threat   
  
3.5/5
     (1955)      "Depicts a call of humanity caught in a competitive world." [movie review]      Film Threat   
  
5/5
     (2009)      "This is the purest of American narratives, and this, indeed, is one of our finest storytellers." [movie review]      Film Threat   
  
3.5/5
     (1979)      "Huston stays true to the novel's events but draws from the story all the black comedy he can find. We are in strange territory." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Be prepared when seeing this film: you'll ponder the old adage about being what you eat." [movie review]      Film Threat   
  
4/5
     (2009)      "I grew a deep hunger while watching Pressure Cooker, not just from the students' mouthwatering dishes, but from the fact that teacher/chef Wilma Stephenson could uniformly inspire such success." [movie review]      Film Threat   
  
2.5/5
     (2009)      "After a strong takeoff, Up lands on dead grounds." [movie review]      Film Threat   
  
5/5
     (2009)      "Resistance and rebellion to the studio routine resounds throughout Drag Me to Hell, and as a return to the filmmaker's original witty shocks and gross-outs, how goddamn touching it is." [movie review]      Film Threat   
  
2/5
     (1950)      "So playful that it plays like a series of whims with little sensibility to unify them. Artistic inspiration is undoubtedly at work, but the ideas cannot solidify into art." [dvd review]      Film Threat   
  
2.5/5
     (2009)      "The average viewer will be satisfied with the product, even if the film offers hardly any new information. The doc buff will witness a film that can't surface above the steady nonfiction output at the art house." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Clever, campy, even a little endearing, Trek revives itself by going back to the past, but consumes itself by wanting the "Trek" of future, too. In the current remake craze, it's never enough." [movie review]      Film Threat   
  
3.5/5
     (1973)      "Forget the 'Moan' -- Russ Meyer sensationalizes the whip and offers maniacal slaveowners in this screwy vision of a colonial plantation, circa 1835." [movie review]      Film Threat   
  
4/5
     (2009)      "Oddball horror flicks, sexploitation romps, car-chase extravaganzas - the clips burn throughout this film with a tone as giddy as its subject." [movie review]      Film Threat   
  
4/5
     (2009)      "I Sell the Dead sports playful genre inventiveness, in which fans can delight and even outsiders can enjoy." [movie review]      Film Threat   
  
4.5/5
     (2009)      "Fate breeds fatalism in a tale that Guillermo Arriaga masterfully writes and directs. It's realized so beautifully and viscerally that - I hate to say it - Alejandro Gonzalez Inarritu now seems a little obsolete." [movie review]      Film Threat   
  
3.5/5
     (2009)      "Hell is upon us in the opening minutes of Left Bank, especially if we think of hell as a state of mind." [movie review]      Film Threat   
  
3/5
     (2009)      "This film entertains through gameplay, turning suspenseful, comic, then romantic as if in the hands of a master card dealer. But Gilroy's trickeries can be revealed by just slightly encroaching the stage." [movie review]      Film Threat   
  
4.5/5
     (1990)      "Dunye's documentary style is so personal that it seems confessional, almost therapeutic. The results are self-assured, natural, and fascinating." [movie review]      Film Threat   
  
2.5/5
     (2009)      "Kids will want to root for their alien counterparts on screen. But they are second fiddle to the Rock wracking it up." [movie review]      Film Threat   
  
3/5
     (1979)      "This 1979 budgeter takes up from the 70s grindhouse and precedes the flourishing horror-comedies of the 80s." [movie review]      Film Threat   
  
3/5
     (2008)      "The film's stunt is to unveil a simple truth, and its reputation relies on the fact that other filmmakers have yet to make the jump." [movie review]      Film Threat   
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