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RATING |
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3/4 |
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(1997) |
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"What makes the film work, perhaps better than it has any right to be, is Jackson."
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TheMovieReport.com |
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3.5/5 |
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(2003) |
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"When the ride looks and feels as smooth as this, it's practically irrelevant to complain about any lack of so-called substance."
[movie review] |
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Film Threat |
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3/4 |
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(2003) |
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"When the ride looks and feels as smooth as this, it's practically irrelevant to complain about any lack of so-called substance."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1998) |
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"Fun, if ultralightweight."
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TheMovieReport.com |
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3/4 |
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(2002) |
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"Those wishing for a full-on, comprehensive look at the era will be disappointed, but Winterbottom, Coogan, and Boyce serve up a vivid and lively thumbnail sketch."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(2002) |
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"Lee successfully, seamlessly marries his famously inventive visual style with more introspective material."
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TheMovieReport.com |
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3.5/4 |
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(2007) |
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"As well-done as the set pieces are, giving the film its more substantive dramatic kick is the psychological warfare."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(2002) |
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"An Agatha Christie drawing room mystery crossed with the '50s setting and melodrama of Douglas Sirk crossed with the musicality of Jacques Demy with some Aaron Spelling bitchery thrown in for good measure."
[movie review] |
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TheMovieReport.com |
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(1931) |
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"All of the layers are brought together through Clair's clever use of sound and image."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2006) |
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"Linklater creates an eerie, mysterious, menacing hyperreality that engulfs the mind and senses."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2001) |
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"The most astounding effect of all is not mecha, but orga: Haley Joel Osment's transcendent performance."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(2001) |
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"Miraculously manages to sidestep easy manipulation."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2002) |
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"Will warm your heart without making you feel guilty about it."
[movie review] |
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TheMovieReport.com |
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3/5 |
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(2002) |
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"About a Boy will warm your heart without making you feel guilty about it."
[movie review] |
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Film Threat |
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3.5/4 |
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(2002) |
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"A simple, silent, static shot of Nicholson's face is one of the most beautiful, powerful, indelible images of the 2002 movie year."
[movie review] |
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TheMovieReport.com |
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4/4 |
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(1989) |
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"What was once a well-made, well-acted mess is now a very poignant and satisfying sci-fi adventure."
[movie review] |
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TheMovieReport.com |
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4/4 |
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(2002) |
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"Thanks a lot, Charlie Kaufman. Thanks to you, I and millions of others can no longer use writer's block as a valid excuse for the sh*ttiness of our writing."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1997) |
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"Stalking does not sound like a viable basis for a romantic comedy, but director Griffin Dunne and screenwriter Robert Gordon have somehow made it work."
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TheMovieReport.com |
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3/4 |
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(1999) |
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"Given so many vapid young would-be stars foisted upon the public by the Hollywood machinery, it is a rare delight indeed to come across one with actual talent and potential."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1986) |
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"An amiable little trifle that entertains during its scant running time."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2000) |
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"A refreshingly mature look at sexuality: these are people over 30 enjoying active sex lives and able to intelligently examine their actions and the consequences."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1997) |
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"The powerful performances by Nolte and Coburn make the film well worth a look, even if they are part of a less-than-developed whole."
[movie review] |
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TheMovieReport.com |
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4/4 |
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(1993) |
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"A moving and impassioned work from one of the foremost filmmakers today."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(1997) |
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"An exciting, entertaining variation of the Die Hard formula where our kick-*** hero is none other than the President of the United States."
[movie review] |
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TheMovieReport.com |
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4/4 |
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(1992) |
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"Let it share its 'whole new world with you.'"
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1996) |
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"Sleek, efficient thriller."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2001) |
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"Smith's towering performance can only be fully appreciated on a suitably large screen."
[movie review] |
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TheMovieReport.com |
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(2004) |
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"While Alias looks to never break out beyond cult status, Buena Vista deserves major credit for consistently giving fans high-quality preservations of the series.
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[dvd review] |
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TheMovieReport.com |
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3/4 |
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(1997) |
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"A welcome return to [the series'] roots as a wild, reckless thrill ride."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1999) |
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"Hits a number of the right emotional buttons, due in large part to Roth's extraordinary performance."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1998) |
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"Any film as energetically performed, entertaining, and rousing... clearly has the potential to cross the demographic barriers--that is, if given the chance."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2002) |
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"It's all quite tough going, but the actors make it difficult to look away."
[movie review] |
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TheMovieReport.com |
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(1955) |
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"Quite involving, overblown emotion and all, particularly due to Wyman's gentle sincerity."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(2000) |
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"May be almost great, but that's more than enough."
[movie review] |
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TheMovieReport.com |
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4/4 |
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(1984) |
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"A wonderful mix of sight and sound of humor and drama, of love and hate, of ugliness and beauty."
[movie review] |
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TheMovieReport.com |
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4/4 |
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(2002) |
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"Such a wonderful mix of sight and sound, of humor and drama, of love and hate, of ugliness and beauty."
[movie review] |
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TheMovieReport.com |
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4/4 |
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(2001) |
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"Cynics can scoff all they want, but why, when it's simply easier to just surrender to the magic?"
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2001) |
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"McAbee deserves much credit for not letting the obvious financial limitations constrain his imagination."
[movie review] |
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TheMovieReport.com |
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4/4 |
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(1999) |
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"Wildly funny and unpredictable."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1998) |
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"For all its faults, still makes a lasting, thought-provoking impression."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1999) |
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"A warm and funny tribute to the passion for film as well as the drive and determination of dreamers in general."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1999) |
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"The whole point of the exercise [is] having a good time, and audiences are certain to have a blast."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2001) |
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"There's no shortage of overbaked sex gags--and laughs--in this follow-up."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(1995) |
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"Glorious romantic comedy."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(2000) |
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"Bale's achievement is in suggesting far more dimensions than his character would ever admit to having."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2008) |
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"Damn, I really do not miss high school."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(2009) |
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"Nicole. Beharie. Remember the name, for if her stunning lead turn is any indication, huge things are in the future."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2003) |
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"One last helping of good, dirty--and surprisingly sweet--fun."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2005) |
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"Spectacle can only take a serial so far, and Amor Real, for all its epic trappings, has an irresistible basic hook."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(2001) |
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"Inarritu and his cast are able to make the audience care for these deeply flawed characters and share their often intertwined feelings of pleasure and pain."
[movie review] |
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TheMovieReport.com |
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