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Sources
• Film Threat
• Movie Poop Shoot
• Quick Stop Entertainment
• rec.arts.movies.reviews
• TheMovieReport.com
Total Reviews: 2096
Michael Dequina

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4/4
     (1997)      "Twisty and flat-out hilarious." [movie review]      TheMovieReport.com   
  
2.5/4
     (2006)      "If only director Vondie Curtis Hall were content with making a lean, mean action thriller, as he and his film soon find themselves waist deep and in over their head in pretentious ambition." [movie review]      TheMovieReport.com   
  
2.5/4
     (1995)      "Whitney Houston's alleged dramatic acting and dull, uninvolving storyline weighs down the virtues of the film." [movie review]      TheMovieReport.com   
  
3.5/4
     (2001)      "A plotless rumination on the nature of dreams, reality, and identity doesn't sound like the most mesmerizing of movie experiences, but Richard Linklater has managed that feat." [movie review]      TheMovieReport.com   
  
3/4
     (1998)      "The film is as cute and enjoyable as it sounds." [movie review]      TheMovieReport.com   
  
3/4
     (2000)      "The specter of the film lingers long after it's over, and the memory of it grows more affectionate." [movie review]      TheMovieReport.com   
  
3.5/4
     (1995)      "Reeves and Sanchez-Gijon generate a palpaple romantic chemistry that makes this shamelessly sappy, often unabashedly cornball story work." [movie review]      TheMovieReport.com   
  
2.5/4
     (1998)      "Romance novel material, albeit it gussied up in a handsome, well-made package." [movie review]      TheMovieReport.com   
  
0/4
     (2002)      "You will be longing to guzzle a bottle of Pepto-Bismol after being subjected to this 90-minute sap- and crap-fest." [movie review]      TheMovieReport.com   
  
2/4
     (2007)      "It's inexplicable that the filmmakers haven't given the stars many opportunities to pull out their celebrated skills en route to their inevitable head-on collision." [movie review]      TheMovieReport.com   
  
1.5/4
     (1996)      "In one dramatic moment, an upset Bates yells at and slaps Estevez, and suddenly Sheen brings up the subject of stolen peanut brittle." [movie review]      TheMovieReport.com   
  
3.5/4
     (1999)      "[Tim Roth] takes a great risk in confronting a sensitive subject with such brazen matter-of-factness." [movie review]      TheMovieReport.com   
  
1/4
     (2002)      "There's little tension as Reno's character is one of those invincible heroes that we haven't seen much of since the '80s." [movie review]      TheMovieReport.com   
  
1/4
     (2001)      "Never comes off as desperate--because little effort appears to be put forth by writer-director-co-star DJ Pooh." [movie review]      TheMovieReport.com   
  
3/4
     (1997)      "Leigh may sound like a peculiar casting choice for a costume drama, but her trademark mannerisms and mumbly elocution are a perfect fit." [movie review]      TheMovieReport.com   
  
0.5/4
     (2000)      "The only fright likely to be experienced by moviegoers is the fact that they spent hard-earned money on such a turkey." [movie review]      TheMovieReport.com   
  
2/4
     (1998)      "For every chuckle-worthy gag, there's another that never gets off the ground." [movie review]      TheMovieReport.com   
  
2/4
     (1995)      "Nearly $200 million down the drain, and you get this astonishingly mediocre action wannabe-epic." [movie review]      TheMovieReport.com   
  
3/4
     (2000)      "If one looks past the carnage, one can see a solid entertainment further distinguished by fine performances." [movie review]      TheMovieReport.com   
  
2.5/4
     (2007)      "For all the competence in craft, there's no real urgency and distinctiveness to sufficiently mask that we've seen this all before--and indeed we have from Gray himself alone." [movie review]      TheMovieReport.com   
  
3/4
     (2002)      "When staying true to its title--which, thankfully, is most of the time--this is an effective war picture." [movie review]      TheMovieReport.com   
  
1.5/4
     (2005)      "If there's anything truly scary about this time of year, it's the typical appearance of the ghastly beast known as the Sitcom Star Feature Hiatus Project." [movie review]      TheMovieReport.com   
  
2.5/4
     (2002)      "An occasionally amusing but completely disposable comedy of errors that's not nearly as funny as it thinks it is." [movie review]      TheMovieReport.com   
  
1.5/4
     (2004)      "Comes off less like a feature film than a failed sitcom pilot." [movie review]      TheMovieReport.com   
  
2/4
     (1997)      "A documentary would have more powerfully captured the horror of the Bosnian conflict than this synthetic, if well-acted and -intentioned, drama." [movie review]      TheMovieReport.com   
  
3/4
     (1998)      "A story worth telling." [movie review]      TheMovieReport.com   
  
2.5/4
     (2001)      "The pieces for a successful parody appear to be in place, but it's hit and largely miss." [movie review]      TheMovieReport.com   
  
3.5/4
     (1998)      "Vincent Ward taps into the very core of romantic yearning, coming up with an admittedly sappy but no less poignant tale of true, pure love." [movie review]      TheMovieReport.com   
  
2/4
     (2000)      "The stellar trio of director Robert Zemeckis and stars Harrison Ford and Michelle Pfeiffer have pooled their Oscar-winning and -nominated talents to make a classy... slasher film." [movie review]      TheMovieReport.com   
  
3/4
     (2000)      "Mel Gibson is at his most megawatt movie star charming." [movie review]      TheMovieReport.com   
  
1.5/4
     (2001)      "Anything titled 'What's the Worst That Could Happen?' practically begs to be skewered with a play on its name." [movie review]      TheMovieReport.com   
  
2/4
     (2009)      "Woody Allen has a definite formula for his comedies, and his latest shows just how worn out, tired, and outdated it's become." [movie review]      TheMovieReport.com   
  
2.5/4
     (2000)      "The rubric for the genre that I've come to call the 'Oprah movie': slick, well-meaning, female-empowering, and just about as exciting and suspenseful as the middle label implies." [movie review]      TheMovieReport.com   
  
2/4
     (2000)      "Maybe Newman's relaxation in front of the camera was just so infectious that everyone behind the camera felt the urge to work in a lower gear." [movie review]      TheMovieReport.com   
  
2/4
     (1998)      "For all the cleverness in its premise, director-co-scripter Daniel Pyne doesn't mine it for all of its potential." [movie review]      TheMovieReport.com   
  
4/4
     (1995)      "A welcome ray of sunshine." [movie review]      TheMovieReport.com   
  
3/4
     (1993)      "Funny with a great tinge of irony." [movie review]      TheMovieReport.com   
  
1/4
     (2004)      "From frame one, the screen is populated with broad, unfunny caricatures and no one resembling an actual person." [movie review]      TheMovieReport.com   
  
2/4
     (1995)      "Doesn't go too far beyond the basic set-up." [movie review]      TheMovieReport.com   
  
1/4
     (2005)      "Pleases just about no one, neither the viewers looking for a thoughtful supernatural enterprise nor those out for a good scare." [movie review]      TheMovieReport.com   
  
3/4
     (2002)      "Distinguishing it from Oxygen channel territory is its surprisingly hard edge." [movie review]      TheMovieReport.com   
  
2/4
     (1999)      "Or, Pretty Fly for a White Guy: The Movie." [movie review]      TheMovieReport.com   
  
2.5/4
     (1998)      "Agreeable enough fun, but only to a point." [movie review]      TheMovieReport.com   
  
2/4
     (2002)      "On the level of the dime-a-dozen Tarantino wannabes that clutter the bottom shelves at the video store." [movie review]      TheMovieReport.com   
  
0.5/4
     (2007)      "Operates in broad, one-note, stereotyped lowest common denominator strokes that yield very little in the way of funny." [movie review]      TheMovieReport.com   
  
2.5/4
     (2000)      "There are a number of genuinely clever twists and ideas that it's unfortunate that someone decided to muck it up with cheap slapstick." [movie review]      TheMovieReport.com   
  
3/4
     (1998)      "Director Gregory Nava's recreation of Frankie Lymon's late '50s-early '60s performances are exuberant." [movie review]      TheMovieReport.com   
  
0/4
     (1999)      "I'm not exactly sure what writer-director Ron Senkowski was trying to go for: a straightforward thriller or an over-the-top send-up of one." [movie review]      TheMovieReport.com   
  
2.5/4
     (1998)      "Its rather facile treatment of its serious themes will leave older audiences less than satisfied." [movie review]      TheMovieReport.com   
  
3/4
     (2001)      "An affecting drama." [movie review]      TheMovieReport.com   
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