 |
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|
|
|
|
|
|
|
 |
 |
 |
| |
 3/4 |
|
(1997) |
|
"Bizarre, somewhat baffling, but nonetheless intriguing and warped entertainment for anyone brave enough to tackle it."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 3/4 |
|
(1998) |
|
"Jones is obviously energized by the more physical role Gerard plays in this installment."
[movie review] |
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TheMovieReport.com |
|
 |
 |
 |
| |

|
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(2006) |
|
"America Ferrera's Betty is a likable, fun, and relatably real center to all the outrageously amusing artifice around her."
[dvd review] |
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TheMovieReport.com |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"Formula can be fun, as it is here."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 3.5/4 |
|
(1997) |
|
"Peter Fonda's portrayal of Florida beekeeper Ulee Jackson is a masterpiece of restraint, confident and finely etched, understated yet always in control."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 4/4 |
|
(1964) |
|
"As great as movies get."
[movie review] |
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TheMovieReport.com |
|
 |
 |
 |
| |
 1/4 |
|
(2009) |
|
"Falls very much line with early-year schlock."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 3/4 |
|
(2000) |
|
"The element of surprise proves to be Unbreakable's greatest virtue, not to mention a quality richer and more elegantly pulled off than it was in Sense."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 0.5/4 |
|
(1998) |
|
"Generic (and generically titled) entry in the dying '-from-hell' thriller subgenre."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 2/4 |
|
(1995) |
|
"Pardon me while I yawn."
[movie review] |
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TheMovieReport.com |
|
 |
 |
 |
| |

|
|
(1930) |
|
"A funny and sweet romantic tug-of-war."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 3/4 |
|
(2002) |
|
"Every little piece of this project fell magically, hilariously in place, even if some of its gags don't quite hit the target."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 2/4 |
|
(2007) |
|
"The tag line is simply brilliant, but that's about the only thing remotely associated with this film that would classify as such."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 2.5/4 |
|
(2009) |
|
"Feels like a superfluous placeholder until Kate Beckinsale and Len Wiseman are available and ready to make a true third installment in the series."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 2/4 |
|
(2002) |
|
"As with any boxing movie or fight card, the main event doesn't come until the very end, and like too many pay-per-view packages the undercard is underwhelming."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 0/4 |
|
(2002) |
|
"At every turn, Lane's valiant efforts are thwarted by a patch of atrocious dialogue or a questionable directing decision."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 2.5/4 |
|
(2009) |
|
"The more clever turns retained from the first film end up playing as gimmicky."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 2/4 |
|
(2009) |
|
"Best suited to its eventual home on DVD, when one can make like the channel-surfing framing device and just skip around and fish for a good skit."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 0/4 |
|
(1999) |
|
"One generic set piece comes after another, ultimately blurring into one unmemorable whole by the end of the film."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 3/4 |
|
(1992) |
|
"Click to read review"
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 2.5/4 |
|
(1997) |
|
"The fiction, appropriately enough, diminishes any truth Barker finds."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 4/4 |
|
(2009) |
|
"Pixar's unwavering standard of excellence is simply unfair, as it spoils us audiences who then expect other films, animated or live action, to measure up."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 2.5/4 |
|
(2000) |
|
"Kristin Scott Thomas just makes an already annoying character--Mary is whiny and selfish--even more grating with her broad, overly mannered performance."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 2/4 |
|
(1996) |
|
"There is no real sexual tension between [Pfeiffer and Redford] from the get-go, so when they finally do get together, it feels forced, ungenuine."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 1/4 |
|
(1998) |
|
"Takes a promising premise and runs it through a predictable meat grinder of idiocy."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 1.5/4 |
|
(2000) |
|
"To say that the new film is a step above its predecessor isn't saying much at all."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 0/4 |
|
(1999) |
|
"As serious and malicious a 'f**k you' as one can get."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 3.5/4 |
|
(2000) |
|
"A provocative and cathartic story about the impossibility of retribution and the challenge of redemption."
[movie review] |
|
TheMovieReport.com |
|
 |
 |
 |
| |
 2.5/4 |
|
(1995) |
|
"One of the most ingenious, unpredictable films in recent memory... and one of the biggest cheats."
[movie review] |
|
TheMovieReport.com |
|
 |