 |
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2/4 |
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(1999) |
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"I didn't exactly hate this film."
[movie review] |
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TheMovieReport.com |
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2.5/4 |
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(1996) |
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"Close's Cruella matches her animated counterpart's nastiness and then some; her hilariously over-the-top turn is sure to influence drag queens everywhere."
[movie review] |
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TheMovieReport.com |
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2.5/4 |
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(1995) |
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"A messy mélange of action, adventure, sci-fi, romance, horror, and comedy."
[movie review] |
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TheMovieReport.com |
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1/4 |
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(1999) |
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"As cold and sterile as a piece of machinery."
[movie review] |
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TheMovieReport.com |
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1.5/4 |
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(1999) |
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"Jerry Goldsmith's rousing score exhibits more personality than any of the actors--or anything else in the film, for that matter."
[movie review] |
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TheMovieReport.com |
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1.5/4 |
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(2001) |
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"Herzfeld settles for the most mundane execution of his idea."
[movie review] |
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TheMovieReport.com |
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2/4 |
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(2009) |
|
"Efron's adequate but completely anonymous work keep this from achieving true liftoff."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1997) |
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"What makes the film work, perhaps better than it has any right to be, is Jackson."
[movie review] |
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TheMovieReport.com |
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2/4 |
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(1996) |
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"Herzfeld was obviously shooting for Pulp Fiction meets Short Cuts, but the film is more like Four Rooms meets Prêt-à-Porter.
"
[movie review] |
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TheMovieReport.com |
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3.5/5 |
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(2003) |
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"When the ride looks and feels as smooth as this, it's practically irrelevant to complain about any lack of so-called substance."
[movie review] |
|
Film Threat |
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3/4 |
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(2003) |
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"When the ride looks and feels as smooth as this, it's practically irrelevant to complain about any lack of so-called substance."
[movie review] |
|
TheMovieReport.com |
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3/4 |
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(1998) |
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"Fun, if ultralightweight."
[movie review] |
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TheMovieReport.com |
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2.5/4 |
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(1999) |
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"What's good about it is hidden behind the smoke of mediocrity."
[movie review] |
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TheMovieReport.com |
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2.5/4 |
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(2008) |
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"One can't help but think there was a smarter film to be made from this premise."
[movie review] |
|
TheMovieReport.com |
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3/4 |
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(2002) |
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"Those wishing for a full-on, comprehensive look at the era will be disappointed, but Winterbottom, Coogan, and Boyce serve up a vivid and lively thumbnail sketch."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(2002) |
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"Lee successfully, seamlessly marries his famously inventive visual style with more introspective material."
[movie review] |
|
TheMovieReport.com |
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0/4 |
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(2000) |
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"Has far more than three strikes against it."
[movie review] |
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TheMovieReport.com |
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1.5/4 |
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(2001) |
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"Lichtenstein apparently thought quirks such as the sight of Paul 'Having My Baby' Anka firing a rifle would be enough to keep a viewer entertained."
[movie review] |
|
TheMovieReport.com |
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2/4 |
|
(1993) |
|
"Fails to transcend its made-for-TNT origins."
[movie review] |
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TheMovieReport.com |
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3.5/4 |
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(2007) |
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"As well-done as the set pieces are, giving the film its more substantive dramatic kick is the psychological warfare."
[movie review] |
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TheMovieReport.com |
|
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0/4 |
|
|
|
"One can only wonder why people like Wood Harris attached themselves to something so sloppily slapped together."
[movie review] |
|
TheMovieReport.com |
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1.5/4 |
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(1999) |
|
"It hasn't been too long since William Hurt won his Oscar, yet here he is playing boyfriend to another recent nominee, Juliette Lewis, in a schlocky direct-to-video thriller."
[movie review] |
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TheMovieReport.com |
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2/4 |
|
(2004) |
|
"There's a sweet romance fighting to reach the surface here, but it's ultimately a losing battle against the overpowering and sour Sandler crassness."
[movie review] |
|
TheMovieReport.com |
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1.5/4 |
|
(1998) |
|
"Somehow, some way, the supremely disappointing 54 has made the historically hip haven of hedonism... boring."
[movie review] |
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TheMovieReport.com |
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2.5/4 |
|
(2000) |
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"In paying attention to potentially thought-provoking issues, the writers neglect basic storytelling."
[movie review] |
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TheMovieReport.com |
|
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| |
2.5/4 |
|
(1999) |
|
"The headscratching weirdness doesn't gel into a discernible emotional point."
[movie review] |
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TheMovieReport.com |
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2/4 |
|
(2002) |
|
"Ends on a high note, but it doesn't negate the tedium of the number of false and mostly flat ones that precede it."
[movie review] |
|
TheMovieReport.com |
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| |
3.5/4 |
|
(2002) |
|
"An Agatha Christie drawing room mystery crossed with the '50s setting and melodrama of Douglas Sirk crossed with the musicality of Jacques Demy with some Aaron Spelling bitchery thrown in for good measure."
[movie review] |
|
TheMovieReport.com |
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| |
2/4 |
|
(1998) |
|
"The mystery is more or less resolved in an overblown sequence that comes at the end of act two, and the revelations are contrived and incredibly underwhelming."
[movie review] |
|
TheMovieReport.com |
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