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Sources
• Film Threat
• Movie Poop Shoot
• Quick Stop Entertainment
• rec.arts.movies.reviews
• TheMovieReport.com
Total Reviews: 2096
Michael Dequina

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2.5/4
     (2009)      "Adults without kids may find their minds wandering even with the brief run time and those 3-D visuals." [movie review]      TheMovieReport.com   
  
3/4
     (1997)      Click here to see the review! [movie review]      rec.arts.movies.reviews   
  
3/4
     (1999)      "It's clean, has all the requisite eye candy and slapstick for the younger set, and -- most distinguishing of all -- an uncommon level of sophistication for the adults." [movie review]      TheMovieReport.com   
  
3.5/4
     (1997)      "David Fincher takes the audience on a breathless, harrowing ride whose considerable pleasures are measured in dread and discomfort." [movie review]      TheMovieReport.com   
  
2/4
     (2007)      "All fairly harmless, but outside of the kid and family target audience, also fairly forgettable." [movie review]      TheMovieReport.com   
  
3/4
     (2002)      "The whole may not add up to the sum of its parts, but it's difficult to dismiss the brilliance of those parts." [movie review]      TheMovieReport.com   
  
3/4
     (1997)      "Intriguing and atmospheric." [movie review]      TheMovieReport.com   
  
2.5/4
     (1999)      "Style can't make the three lead characters less annoying." [movie review]      TheMovieReport.com   
  
2.5/4
     (1998)      "Enjoyable for what it is; problem is, what it is doesn't amount to much in the end." [movie review]      TheMovieReport.com   
  
3/4
     (1999)      "West respectably stretches beyond slam-bang action theatrics." [movie review]      TheMovieReport.com   
  
0/4
     (1997)      "At the media screening, the guy sitting behind me could be heard loudly snoring during the third act. We should all be so lucky." [movie review]      TheMovieReport.com   
  
3/4
     (1999)      "Vilanch's ebullient manner is obviously a big reason why everyone wants, to borrow the film's title, to get Bruce." [movie review]      TheMovieReport.com   
  
2/4
     (2000)      "Stylized visuals add some spice, but they cannot overcome the formulaic and obvious screenplay, which is of no help to a film that is structured as a mystery." [movie review]      TheMovieReport.com   
  
4/4
     (1996)      "A stirring, heartfelt entertainment from the first frame to the last." [movie review]      TheMovieReport.com   
  
3/4
     (1999)      "Anchored by a touching lead performance by Silverstone." [movie review]      TheMovieReport.com   
  
3.5/4
     (1995)      "Has more than a few nasty quips directed at Hollywood and the vacuous, egotistical people who populate it." [movie review]      TheMovieReport.com   
  
3/4
     (2008)      "Aamir Khan, as usual, displays his fierce commitment to the role, whether nimbly performing a besotted song and dance or brutally kicking all manner of *ss on his warpath." [movie review]      TheMovieReport.com   
  
3/4
     (1996)      "Effectively wipes out the lion's cuddly image from The Lion King and reinstates its rep as the fearsome king of the jungle." [movie review]      TheMovieReport.com   
  
3.5/4
     (1999)      "A poetic meditation on mortality and honor that delivers the action and suspense of any good gangster film -- all set to a moody rap score (by RZA)." [movie review]      rec.arts.movies.reviews   
  
2/4
     (2002)      "Three things can be counted on from Warner Bros. and Dark Castle's annual Halloween release: (1) a lot of spiffy special effects; (2) a fair amount of gore; and (3) not one single scare." [movie review]      TheMovieReport.com   
  
2/4
     (2008)      "Koepp has no real feel for romantic whimsy." [movie review]      TheMovieReport.com   
  
3/4
     (2001)      "A hilariously warped affront to everything that glossy, factory-assembled, youth-targeted Hollywood product represents." [movie review]      TheMovieReport.com   
  
2.5/4
     (2001)      "A treatment only a couple of small steps away from the bland, barebones one the studio gives to the countless catalog titles they release every month." [dvd review]      TheMovieReport.com   
  
2/4
     (1996)      "Strangely devoid of any emotional weight." [movie review]      TheMovieReport.com   
  
2.5/4
     (2001)      "One of the strongest parts in question is the central performance of Cate Blanchett." [movie review]      TheMovieReport.com   
  
2/4
     (2003)      "Since it's unlikely Brest's original will ever see the light of day again, I feel a need to describe the differences in this cut to prove that it once added up to something..." [movie review]      Movie Poop Shoot   
  
3.5/4
     (1970)      "The most fascinating aspect about the film is how it traces the anatomy of the disaster that was Altamont." [movie review]      TheMovieReport.com   
  
3/4
     (1998)      "This odd assemblage of talent suggests a most unusual film, but there's just about nothing unconventional about this thriller, which gets the formulaic job done -- with a considerable amount of style." [movie review]      TheMovieReport.com   
  
2/4
     (1996)      "Just a slightly amusing timepasser." [movie review]      TheMovieReport.com   
  
3.5/4
     (1999)      Click here to see the review! [movie review]      rec.arts.movies.reviews   
  
3/4
     (1999)      "Winona Ryder and Angelina Jolie further cement their reputations as two of the most gifted young screen actresses today." [movie review]      TheMovieReport.com   
  
3/4
     (2000)      "One thing about the film plays explosively in any viewing context -- the blazing performance by newcomer Michelle Rodriguez." [movie review]      rec.arts.movies.reviews   
  
     (2000)      "It's only fitting that Ridley Scott's gargantuan Roman epic would be housed on two discs, and there's not a single millimeter of wasted space." [dvd review]      TheMovieReport.com   
  
3.5/4
     (2000)      "[Crowe's] commanding performance not only towers over Ridley Scott's epic adventure, but elevates it to a higher plane." [movie review]      TheMovieReport.com   
  
2/4
     (2001)      "A formulaic film that is more typical than terrible." [movie review]      TheMovieReport.com   
  
2/4
     (1996)      "Keenen Ivory Wayans is so much more interesting, lively, and fun than Seagal you wish that he were the star of the film." [movie review]      TheMovieReport.com   
  
0.5/5
     (2001)      "If anyone does shed any tears at Glitter, it's undoubtedly from busting a gut laughing." [movie review]      Film Threat   
  
0/4
     (2001)      "Just when you think it could not get more ridiculous, Hall, Lanier, and Miss Mariah go that extra mile." [movie review]      TheMovieReport.com   
  
2/4
     (1998)      "Yes, Miss Stone, you can act. We get it already. Now it's time to start entertaining your audience, something you haven't done in much too long." [movie review]      TheMovieReport.com   
  
4/4
     (1989)      "The lasting power of the [film]... rests in the emotional connection to the characters ." [movie review]      TheMovieReport.com   
  
4/4
     (1999)      "A fiercely original and exhilarating entertainment!" [movie review]      TheMovieReport.com   
  
3/4
     (1996)      "A story of the heart brought beautifully to life." [movie review]      TheMovieReport.com   
  
3.5/4
     (1998)      "The film clearly belongs to McKellen, whose presence is what makes the film as affecting at it is." [movie review]      TheMovieReport.com   
  
2/4
     (1998)      "Flavorless piece of sci-fi hackwork." [movie review]      TheMovieReport.com   
  
3/4
     (1997)      "This funny, oddly moving little film is distinguished by some fine acting." [movie review]      Movie Poop Shoot   
  
3/4
     (1995)      "Execs at MGM/UA can rest easy: the Bond franchise has been successfully salvaged." [movie review]      TheMovieReport.com   
  
3.5/4
     (2007)      "The overall sense of authenticity makes the Gone Baby Gone cut all the more deep." [movie review]      TheMovieReport.com   
  
2/4
     (2000)      "The surface thrills that it does deliver aren't quite enough." [movie review]      rec.arts.movies.reviews   
  
4/4
     (1939)      "A lost Hollywood art: the epic melodrama." [movie review]      TheMovieReport.com   
  
3/4
     (2002)      "Aniston shows promising signs of a post-sitcom career with her convincing and understated dramatic work." [movie review]      TheMovieReport.com   
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