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Sources
• Film Threat
• Movie Poop Shoot
• Quick Stop Entertainment
• rec.arts.movies.reviews
• TheMovieReport.com
Total Reviews: 2098
Michael Dequina

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2/4
     (2006)      "It would have taken a more imaginative approach and vision not within the reach of Howard and Goldsman to make the material come alive as a movie." [movie review]      TheMovieReport.com   
  
0/4
     (2007)      "While Danica McKellar is busy extolling the virtues of mathematics to young females of America, her erstwhile leading man Fred Savage can be found toiling for a far less noble cause." [movie review]      TheMovieReport.com   
  
     (1983)      "Marks the long-running Texas saga's last hurrah before ramping up to its inevitable--and, in this series' case, most infamous--shark-jumping." [dvd review]      TheMovieReport.com   
  
2/4
     (1998)      "Too heavy on talk and too light on fancy footwork." [movie review]      TheMovieReport.com   
  
2/4
     (1997)      "The film would have better off staying with the comic tone, for that's what de la Iglesia does best--and where his interests clearly lie." [movie review]      TheMovieReport.com   
  
4/4
     (1999)      "A film like no other, and even if only to simply bear witness to such a bold, experimental work, it commands a viewing." [movie review]      TheMovieReport.com   
  
2.5/4
     (1998)      "Soapy melodrama masquerading as high art." [movie review]      TheMovieReport.com   
  
2.5/4
     (2001)      "Always a more interesting acting exercise than compelling drama." [movie review]      TheMovieReport.com   
  
2/4
     (1998)      "By the time the end credits roll, though, Dangerous Beauty has become as trite and by-the-book as its title." [movie review]      TheMovieReport.com   
  
3/4
     (2002)      "A fairly formulaic '70s-set coming-of-age tale that's ultimately distinguished by the passion of its makers and players." [movie review]      TheMovieReport.com   
  
1/4
     (1995)      "None of it rings the slightest bit true; all of it insults the intelligence." [movie review]      TheMovieReport.com   
  
3/5
     (2003)      "A solid, though not perfect, start to a possible screen franchise." [movie review]      Film Threat   
  
3/4
     (2003)      "A faithful translation of the character and one of his more memorable tales on the page; it satisfies as an adventure and as a more intimate story." [movie review]      Movie Poop Shoot   
  
2.5/4
     (2007)      "Anderson's now-overly familiar tone and style feels all the more twee when paired with a thin story." [movie review]      TheMovieReport.com   
  
3/4
     (1998)      "A visionary slice of visceral experience." [movie review]      TheMovieReport.com   
  
1.5/4
     (2008)      "The cast of lightweights come off as kids playing dress-up in their parents' old clothes." [movie review]      TheMovieReport.com   
  
3/4
     (2005)      "Jennifer Connelly gives another wrenching and indelible turn." [movie review]      TheMovieReport.com   
  
2/4
     (2003)      "Too many plot and character lapses for comfort, even in the traditionally logic-flouting horror genre." [movie review]      TheMovieReport.com   
  
1/4
     (2003)      "This is, quite simply, horror porn, with barely any connective tissue linking each set piece." [movie review]      TheMovieReport.com   
  
2/4
     (2004)      "Director Zack Snyder and writer James Gunn have simply traded one set of time-sensitive issues for more contemporary cliches." [movie review]      TheMovieReport.com   
  
3/4
     (1995)      "One key difference between the film industries in America and Spain: America would never honor a horror comedy with multiple Oscar wins, let alone nominations." [movie review]      TheMovieReport.com   
  
2/4
     (1996)      "You know something is wrong when Stallone actually gives one of the best performances in the picture." [movie review]      TheMovieReport.com   
  
1/4
     (1998)      "Doesn't grow tiresome; it already is once the clever opening titles are through." [movie review]      TheMovieReport.com   
  
3.5/4
     (1995)      "Penn proves once again that he should stop writing and directing and stick to what he does best." [movie review]      TheMovieReport.com   
  
1.5/4
     (1999)      "Click to read review" [movie review]      TheMovieReport.com   
  
3/4
     (1995)      "Excellent performances, a great soundtrack, and the Hughes' technical virtuosity make it worth a look." [movie review]      TheMovieReport.com   
  
3.5/4
     (2005)      "The heart of the film is the very touching mother-son story." [movie review]      TheMovieReport.com   
  
2.5/4
     (1996)      "Cute concept, middling execution." [movie review]      TheMovieReport.com   
  
3/4
     (1992)      "Stunningly inventive madness." [movie review]      TheMovieReport.com   
  
3/4
     (2002)      "DeVito and Resnick revive an old joke with such venomous verve that it feels freshly wicked." [movie review]      TheMovieReport.com   
  
4/4
     (1988)      "Not only ranks as one of the most ambitious and challenging film works ever attempted, but one of the most rewarding and unforgettable." [movie review]      TheMovieReport.com   
  
4/4
     (1988)      "Kieslowski's sure direction and the flawless performances make this compelling viewing." [movie review]      TheMovieReport.com   
  
4/4
     (1988)      "A film with tremendous staying power--highly thought-provoking and quite disturbing." [movie review]      TheMovieReport.com   
  
4/4
     (1988)      "Terrific performances and clever twists power Kieslowski's finest directorial effort of the series." [movie review]      TheMovieReport.com   
  
3.5/4
     (1988)      "The soapy plot is elevated by smart writing, perceptive direction, and heartbreaking performances." [movie review]      TheMovieReport.com   
  
3.5/4
     (1988)      "While the final installment of the cycle is the most lightly amusing, it is also the most disposable." [movie review]      TheMovieReport.com   
  
2.5/4
     (1997)      "The brothers are talented filmmakers to watch, but they still need to recognize the fine line between cleverness and excess." [movie review]      TheMovieReport.com   
  
2.5/4
     (1997)      "Too bad it is difficult to really care about what is going on since such a thoroughly unpleasant character is at the center." [movie review]      TheMovieReport.com   
  
3.5/4
     (1999)      "What more can anyone ask from an unpretentious piece of pure action escapism?" [movie review]      TheMovieReport.com   
  
2.5/4
     (2001)      "The quiet force of Swinton's performance cannot bridge the ever-increasing disconnect between the film and the audience." [movie review]      TheMovieReport.com   
  
2/4
     (1999)      "Michelle Pfeiffer turns in an impassioned performance of often gut-wrenching intensity in a film that deserves far less." [movie review]      TheMovieReport.com   
  
3/4
     (1998)      "The first of the '90s disaster films to successfully marry the advanced film technology with emotions that ring true." [movie review]      TheMovieReport.com   
  
2.5/4
     (2008)      "Pretty much the textbook example of a Year-End Prestige Studio Drama." [movie review]      TheMovieReport.com   
  
3.5/4
     (1997)      "With all the talk, Déjà Vu requires a viewer's attention and patience, but it is more than duly rewarded in the end." [movie review]      TheMovieReport.com   
  
1/4
     (2008)      "The crude, not-so-state-of-the-art animation and artwork all too clearly show the film's 2001 start date." [movie review]      TheMovieReport.com   
  
2/4
     (2009)      "Bollywood masala pictures are a bit messy by definition, but this film is simply a disorganized muddle" [movie review]      TheMovieReport.com   
  
3/5
     (1991)      Click here to see the review! [movie review]      TheMovieReport.com   
  
3.5/4
     (1993)      "Featuring intense action, exceptional special effects, and a healthy sense of humor, it is the film Last Action Hero wanted--and failed--to be." [movie review]      TheMovieReport.com   
  
3/4
     (2006)      "The Cave done right." [movie review]      TheMovieReport.com   
  
3/4
     (2007)      "Dawson, armed not with a whole lot of dialogue but her endlessly eloquent face, makes each note of the character's journey pierce, whether with pain or ecstasy." [movie review]      TheMovieReport.com   
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